James Phillips – författare
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53 produkter
53 produkter
Inbunden, Engelska, 2019
1 082 kr
Skickas inom 5-8 vardagar
James Phillips's Sternberg and Dietrich: The Phenomenology of Spectacle reappraises the cinematic collaboration between the Austrian-American filmmaker Josef von Sternberg (1894-1969) and the German-American actor Marlene Dietrich (1901-92). Considered by his contemporaries one of the most significant directors of interwar Hollywood, Sternberg made seven films with Dietrich that helped establish her as a style icon and star and entrenched his own reputation for extravagance and aesthetic spectacle. These films enriched the technical repertoire of the industry, challenged the sexual mores of the times and notoriously tried the patience of management at Paramount Studios. Sternberg and Dietrich: The Phenomenology of Spectacle demonstrates how under Sternberg's direction Paramount's sound stages became laboratories for novel thought experiments. Analysing in depth the last four films on which Sternberg and Dietrich worked together, Phillips reconstructs the "cinematic philosophy" that Sternberg claimed for himself in his autobiography and for whose fullest expression Dietrich was indispensable. This book makes a case for the originality and perceptiveness with which these films treat such issues as the nature of trust, the status of appearance, the standing of women, the ethics and politics of the image, and the relationship between cinema and the world. Sternberg and Dietrich: The Phenomenology of Spectacle reveals that more is at stake in these films than the showcasing of a new star and the confectionery of glamour: Dietrich emerges here as a woman who is at ease in the world without being at home in it, an image of autonomy whose critical potential has yet to be realized, let alone exhausted.
E-bok
PDF, Engelska, 2019754 kr
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James Phillips''s Sternberg and Dietrich: The Phenomenology of Spectacle reappraises the cinematic collaboration between the Austrian-American filmmaker Josef von Sternberg (1894-1969) and the German-American actor Marlene Dietrich (1901-92). Considered by his contemporaries one of the most significant directors of interwar Hollywood, Sternberg made seven films with Dietrich that helped establish her as a style icon and star and entrenched his own reputation for extravagance and aesthetic spectacle. These films enriched the technical repertoire of the industry, challenged the sexual mores of the times and notoriously tried the patience of management at Paramount Studios. Sternberg and Dietrich: The Phenomenology of Spectacle demonstrates how under Sternberg''s direction Paramount''s sound stages became laboratories for novel thought experiments. Analysing in depth the last four films on which Sternberg and Dietrich worked together, Phillips reconstructs the "cinematic philosophy" that Sternberg claimed for himself in his autobiography and for whose fullest expression Dietrich was indispensable. This book makes a case for the originality and perceptiveness with which these films treat such issues as the nature of trust, the status of appearance, the standing of women, the ethics and politics of the image, and the relationship between cinema and the world. Sternberg and Dietrich: The Phenomenology of Spectacle reveals that more is at stake in these films than the showcasing of a new star and the confectionery of glamour: Dietrich emerges here as a woman who is at ease in the world without being at home in it, an image of autonomy whose critical potential has yet to be realized, let alone exhausted.
E-bok
Engelska, 2019754 kr
Läs direkt efter köp
James Phillips''s Sternberg and Dietrich: The Phenomenology of Spectacle reappraises the cinematic collaboration between the Austrian-American filmmaker Josef von Sternberg (1894-1969) and the German-American actor Marlene Dietrich (1901-92). Considered by his contemporaries one of the most significant directors of interwar Hollywood, Sternberg made seven films with Dietrich that helped establish her as a style icon and star and entrenched his own reputation for extravagance and aesthetic spectacle. These films enriched the technical repertoire of the industry, challenged the sexual mores of the times and notoriously tried the patience of management at Paramount Studios. Sternberg and Dietrich: The Phenomenology of Spectacle demonstrates how under Sternberg''s direction Paramount''s sound stages became laboratories for novel thought experiments. Analysing in depth the last four films on which Sternberg and Dietrich worked together, Phillips reconstructs the "cinematic philosophy" that Sternberg claimed for himself in his autobiography and for whose fullest expression Dietrich was indispensable. This book makes a case for the originality and perceptiveness with which these films treat such issues as the nature of trust, the status of appearance, the standing of women, the ethics and politics of the image, and the relationship between cinema and the world. Sternberg and Dietrich: The Phenomenology of Spectacle reveals that more is at stake in these films than the showcasing of a new star and the confectionery of glamour: Dietrich emerges here as a woman who is at ease in the world without being at home in it, an image of autonomy whose critical potential has yet to be realized, let alone exhausted.
Häftad, Engelska, 2008
836 kr
Skickas inom 7-10 vardagar
Our lives are dominated by technology. We live with and through the achievements of technology. What is true of the rest of life is of course true of medicine. Many of us owe our existence and our continued vigour to some achievement of medical technology. And what is true in a major way of general medicine is to a significant degree true of psychiatry. Prozac has long since arrived, and in its wake an ever-growing armamentarium of new psychotropics; beyond that, neuroscience promises ever more technological advances for the field.However, the effect of technology on the field of psychiatry remains highly ambiguous. On the one hand there are the achievements, both in the science and practice of psychiatry; on the other hand technology's influence on the field threatens its identity as a humanistic practice. In this ambiguity psychiatry is not unique - major thinkers have for a long time been highly ambivalent and concerned about the technological order that now defines modern society. For the future, the danger is that the psychiatrically real becomes that which can be seen, the symptom, and especially that which can be measured. Disorders and treatments might become reduced to what can be defined by diagnostic criteria and what can be mapped out on a scale. This book exams how technology has come to influence and drive psychiatry forward, and considers at just what cost these developments have been made. It includes a range of stimulating and thought-provoking chapters from a range of psychiatrists and philosophers.
Häftad, Engelska, 2005
214 kr
Skickas inom 10-15 vardagar
A remarkable new play about Cold-War betrayal and the quest for justice 1953. In McCarthy's America, Jakob and Esther Rubenstein are betrayed and punished for an act of industrial espionage. Could this be the greatest miscarriage of justice of the twentieth century?1975. New York. Matthew Maddison meets Anna Levi in front of an art gallery photograph of Jakob and Esther sharing one final kiss before they part. Young, radical and falling in love, together they seek justice for the past.Inspired by a true story, The Rubenstein Kiss explores the mysterious corridors of history to reveal the anguish of a family and a quest for atonement.Publication coincides with the play's premiere at London's Hampstead Theatre on 17 November 2005.'a commendably assured first play ...vividly captures the interlocking nature of sexual and ideological passion' Guardian'This is a bracingly ambitious piece, encompassing the tension between personal and political morality, between idealism and pragmatism, and the power of the past to shape individuals. Astutely and compassionately, Phillips explores each bend in the road that led to the Rubensteins' deaths ...A stimulating debut work of real scope.'The Times
Inbunden, Engelska, 2005
1 423 kr
Skickas inom 5-8 vardagar
In 1933 the philosopher Martin Heidegger declared his allegiance to Hitler. Ever since, scholars have asked to what extent his work is implicated in Nazism. To address this question properly involves neither conflating Nazism and the continuing philosophical project that is Heidegger's legacy, nor absolving Heidegger and, in the process, turning a deaf ear to what he himself called the philosophical motivations for his political engagement. It is important to establish the terms on which Heidegger aligned himself with National Socialism. On the basis of an untimely but by no means unprecedented understanding of the mission of the German people, the philosopher first joined but then also criticized the movement. An exposition of Heidegger's conception of Volk hence can and must treat its merits and deficiencies as a response to the enduring impasse in contemporary political philosophy of the dilemma between liberalism and authoritarianism.
Häftad, Engelska, 2005
334 kr
Skickas inom 5-8 vardagar
In 1933 the philosopher Martin Heidegger declared his allegiance to Hitler. Ever since, scholars have asked to what extent his work is implicated in Nazism. To address this question properly involves neither conflating Nazism and the continuing philosophical project that is Heidegger's legacy, nor absolving Heidegger and, in the process, turning a deaf ear to what he himself called the philosophical motivations for his political engagement. It is important to establish the terms on which Heidegger aligned himself with National Socialism. On the basis of an untimely but by no means unprecedented understanding of the mission of the German people, the philosopher first joined but then also criticized the movement. An exposition of Heidegger's conception of Volk hence can and must treat its merits and deficiencies as a response to the enduring impasse in contemporary political philosophy of the dilemma between liberalism and authoritarianism.
Inbunden, Engelska, 2007
780 kr
Skickas inom 10-15 vardagar
The Equivocation of Reason: Kleist Reading Kant asks how the literary works of the German writer Heinrich von Kleist might be considered a critique and elaboration of Kantian philosophy. In 1801, the twenty-three-year-old Kleist, attributing his loss of confidence in our knowledge of the world to his reading of Kant, turned from science to literature. Kleist ignored Kant's apology of the sciences to focus on the philosopher's doctrine of the unknowability of things in themselves. From that point on, Kleist's writings relate confrontations with points of hermeneutic resistance. Truth is no longer that which the sciences establish; only the disappointment of every interpretation attests to the continued sway of truth. Though he adheres to Kant's definition of Reason as the faculty that addresses things in themselves, Kleist sees no need for its critique and discipline in the name of the reasonableness (prudence and common sense) of the experience of the natural sciences. Setting transcendental Reason at odds with empirical reasonableness, Kleist releases Kant's ethics and doctrine of the sublime from the moderating pull of their examples.
Inbunden, Engelska, 2008
1 112 kr
Skickas inom 10-15 vardagar
Each essay in Cinematic Thinking is organized around an interpretation of a postwar filmmaker and the philosophical issues his or her work raises. The filmmakers covered are Alfred Hitchcock, Luchino Visconti, Michelangelo Antonioni, Robert Altman, Carlos Saura, Glauber Rocha, Margarethe von Trotta, Rainer Werner Fassbinder, Wim Wenders, and Claire Denis. As the authors collected here are philosophers, rather than film critics, the volume approaches its subjects with a different set of interests and commitments from the bulk of works in film theory. Memory, judgment, subjectivity, terrorism, feminism, desire, race relations, experience, the work of mourning, and utopia are among the questions discussed in relation to some of the most significant films of the last fifty years. This collection analyzes the theoretical and political contexts in which the films were made and examines their reception down to the present day.
Häftad, Engelska, 2008
266 kr
Skickas inom 5-8 vardagar
Each essay in Cinematic Thinking is organized around an interpretation of a postwar filmmaker and the philosophical issues his or her work raises. The filmmakers covered are Alfred Hitchcock, Luchino Visconti, Michelangelo Antonioni, Robert Altman, Carlos Saura, Glauber Rocha, Margarethe von Trotta, Rainer Werner Fassbinder, Wim Wenders, and Claire Denis. As the authors collected here are philosophers, rather than film critics, the volume approaches its subjects with a different set of interests and commitments from the bulk of works in film theory. Memory, judgment, subjectivity, terrorism, feminism, desire, race relations, experience, the work of mourning, and utopia are among the questions discussed in relation to some of the most significant films of the last fifty years. This collection analyzes the theoretical and political contexts in which the films were made and examines their reception down to the present day.
Häftad, Engelska, 2010
194 kr
Skickas inom 5-8 vardagar
E-bok
Engelska21 kr
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Häftad, Engelska, 2017
310 kr
Skickas inom 10-15 vardagar
She came to us one dawn. The girl. Far outOne dawn alone beneath the wine dark sea.One day it starts to rain and no-one knows why. And it doesn’t stop. Far out on the North Sea a fisherman raises a girl in his net, miraculously alive from the deep sea. Is she one of the migrants now washing up on English shores? Or someone sent for some higher purpose?Commissioned by Hull UK City of Culture 2017 this epic and extraordinary collaboration between multi-award-winning artists James Phillips and Slung Low is the culmination of a year-long project. Four parts told across three different mediums, this complete text includes four stunningly written dramas that ask fundamental questions about our future, our communities and our collective responsibilities.“A State of the Nation Parable” BBC Arts“Visually stunning, and deeply moving” The Stage
E-bok
Engelska, 2017330 kr
Läs direkt efter köp
She came to us one dawn. The girl. Far outOne dawn alone beneath the wine dark sea. One day it starts to rain and no-one knows why. And it doesn''t stop. Far out on the North Sea a fisherman raises a girl in his net, miraculously alive from the deep sea. Is she one of the migrants now washing up on English shores? Or someone sent for some higher purpose?Commissioned by Hull UK City of Culture 2017 this epic and extraordinary collaboration between multi-award-winning artists James Phillips and Slung Low is the culmination of a year-long project. Four parts told across three different mediums, this complete text includes four stunningly written dramas that ask fundamental questions about our future, our communities and our collective responsibilities. “A State of the Nation Parable” BBC Arts “Visually stunning, and deeply moving” The Stage
E-bok
PDF, Engelska, 2017330 kr
Läs direkt efter köp
She came to us one dawn. The girl. Far outOne dawn alone beneath the wine dark sea. One day it starts to rain and no-one knows why. And it doesn''t stop. Far out on the North Sea a fisherman raises a girl in his net, miraculously alive from the deep sea. Is she one of the migrants now washing up on English shores? Or someone sent for some higher purpose?Commissioned by Hull UK City of Culture 2017 this epic and extraordinary collaboration between multi-award-winning artists James Phillips and Slung Low is the culmination of a year-long project. Four parts told across three different mediums, this complete text includes four stunningly written dramas that ask fundamental questions about our future, our communities and our collective responsibilities. “A State of the Nation Parable” BBC Arts “Visually stunning, and deeply moving” The Stage
Inbunden, Engelska, 2018
333 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2002
361 kr
Skickas inom 5-8 vardagar
E-bok
PDF, Engelska, 2014219 kr
Läs direkt efter köp
A remarkable new play about Cold-War betrayal and the quest for justice
1953. In McCarthy''s America, Jakob and Esther Rubenstein are betrayed and punished for an act of industrial espionage. Could this be the greatest miscarriage of justice of the twentieth century?
1975. New York. Matthew Maddison meets Anna Levi in front of an art gallery photograph of Jakob and Esther sharing one final kiss before they part. Young, radical and falling in love, together they seek justice for the past.
Inspired by a true story, The Rubenstein Kiss explores the mysterious corridors of history to reveal the anguish of a family and a quest for atonement.
Publication coincides with the play''s premiere at London''s Hampstead Theatre on 17 November 2005.
''a commendably assured first play ... vividly captures the interlocking nature of sexual and ideological passion'' Guardian
''This is a bracingly ambitious piece, encompassing the tension between personal and political morality, between idealism and pragmatism, and the power of the past to shape individuals. Astutely and compassionately, Phillips explores each bend in the road that led to the Rubensteins'' deaths ... A stimulating debut work of real scope.'' The Times
E-bok
Engelska, 2014219 kr
Läs direkt efter köp
A remarkable new play about Cold-War betrayal and the quest for justice
1953. In McCarthy''s America, Jakob and Esther Rubenstein are betrayed and punished for an act of industrial espionage. Could this be the greatest miscarriage of justice of the twentieth century?
1975. New York. Matthew Maddison meets Anna Levi in front of an art gallery photograph of Jakob and Esther sharing one final kiss before they part. Young, radical and falling in love, together they seek justice for the past.
Inspired by a true story, The Rubenstein Kiss explores the mysterious corridors of history to reveal the anguish of a family and a quest for atonement.
Publication coincides with the play''s premiere at London''s Hampstead Theatre on 17 November 2005.
''a commendably assured first play ... vividly captures the interlocking nature of sexual and ideological passion'' Guardian
''This is a bracingly ambitious piece, encompassing the tension between personal and political morality, between idealism and pragmatism, and the power of the past to shape individuals. Astutely and compassionately, Phillips explores each bend in the road that led to the Rubensteins'' deaths ... A stimulating debut work of real scope.'' The Times
Häftad, Engelska, 2010
325 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2010
397 kr
Skickas inom 5-8 vardagar
Häftad, Engelska, 2010
325 kr
Skickas inom 5-8 vardagar
E-bok
Engelska71 kr
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Häftad, Engelska, 2013
1 000 kr
Skickas inom 10-15 vardagar
In 2013, the American Psychiatric Association published the 5th edition of its Diagnostic and Statistical Manual of Mental Disorders (DSM-5). Often referred to as the “bible” of psychiatry, the manual only classifies mental disorders and does not explain them or guide their treatment. While science should be the basis of any diagnostic system, to date, there is no knowledge on whether most conditions listed in the manual are true diseases. Moreover, in DSM-5 the overall definition of mental disorder is weak, failing to distinguish psychopathology from normality. In spite of all the progress that has been made in neuroscience over the last few decades, the psychiatric community is no closer to understanding the etiology and pathogenesis of mental disorders than it was fifty years ago. In Making the DSM-5, prominent experts delve into the debate about psychiatric nosology and examine the conceptual and pragmatic issues underlying the new manual. While retracing the historic controversy over DSM, considering the political context and economic impact of the manual, and focusing on what was revised or left unchanged in the new edition, this timely volume addresses the main concerns of the future of psychiatry and questions whether the DSM legacy can truly improve the specialty and advance its goals.
E-bok
PDF, Engelska, 20131 284 kr
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In 2013, the American Psychiatric Association published the 5th edition of its Diagnostic and Statistical Manual of Mental Disorders (DSM-5). Often referred to as the “bible” of psychiatry, the manual only classifies mental disorders and does not explain them or guide their treatment. While science should be the basis of any diagnostic system, to date, there is no knowledge on whether most conditions listed in the manual are true diseases. Moreover, in DSM-5 the overall definition of mental disorder is weak, failing to distinguish psychopathology from normality. In spite of all the progress that has been made in neuroscience over the last few decades, the psychiatric community is no closer to understanding the etiology and pathogenesis of mental disorders than it was fifty years ago.
In Making the DSM-5, prominent experts delve into the debate about psychiatric nosology and examine the conceptual and pragmatic issues underlying the new manual. While retracing the historic controversy over DSM, considering the political context and economic impact of the manual, and focusing on what was revised or left unchanged in the new edition, this timely volume addresses the main concerns of the future of psychiatry and questions whether the DSM legacy can truly improve the specialty and advance its goals.
E-bok
PDF, Engelska, 2013226 kr
Läs direkt efter köp
Sometimes we don''t live, we cope. I have coped, not lived, for a long time. So have you I think.A passionate love story set between London and Cyprus. Alexandra, a refugee from the Turkish invasion of Cyprus in 1974, has made a home in London and cocooned herself from ghosts of the past. There, she meets Jonathan, an English classical scholar, who falls deeply in love with her. Against a backdrop of war and the partition of countries, can love overcome the grief of the past?
Häftad, Engelska, 2013
214 kr
Skickas inom 10-15 vardagar
Sometimes we don’t live, we cope. I have coped, not lived, for a long time. So have you I think.A passionate love story set between London and Cyprus. Alexandra, a refugee from the Turkish invasion of Cyprus in 1974, has made a home in London and cocooned herself from ghosts of the past. There, she meets Jonathan, an English classical scholar, who falls deeply in love with her. Against a backdrop of war and the partition of countries, can love overcome the grief of the past?
E-bok
Engelska, 2013226 kr
Läs direkt efter köp
Sometimes we don''t live, we cope. I have coped, not lived, for a long time. So have you I think.A passionate love story set between London and Cyprus. Alexandra, a refugee from the Turkish invasion of Cyprus in 1974, has made a home in London and cocooned herself from ghosts of the past. There, she meets Jonathan, an English classical scholar, who falls deeply in love with her. Against a backdrop of war and the partition of countries, can love overcome the grief of the past?
Häftad, Engelska, 2014
214 kr
Skickas inom 10-15 vardagar
You remember when we started to hunt whales again?We fought monsters and we killed them and wrestled the oil from their dead bodies and we sold it.In the future we hunt whales for the oil in their bodies. Just like they did in centuries past. The oil of a single whale can run an army for a week. This is new science. This is our future. So we send gangs of men out onto the dark, cold sea to bring back the things we need.The crew of the Pequod are going to sea because it’s their job. But Ahab, captain of the Pequod, is not going to sea for the oil or for the money. Ahab is going for revenge. Revenge on the vast whale that took him down into the black depths of the ocean. Revenge on the greatest whale in all the oceans: a perfectly white whale. And Ishmael, a young man new to whaling, is going to sea seeking a hunter’s violence, trying to stop the thoughts of violence in his heart.And we are all going with them.The White Whale premiered on 4 September 2014, at Leeds Dock, UK in a production by Slung Low theatre company.
E-bok
Engelska, 2014226 kr
Läs direkt efter köp
You remember when we started to hunt whales again?We fought monsters and we killed them and wrestled the oil from their dead bodies and we sold it.In the future we hunt whales for the oil in their bodies. Just like they did in centuries past. The oil of a single whale can run an army for a week. This is new science. This is our future. So we send gangs of men out onto the dark, cold sea to bring back the things we need.The crew of the Pequod are going to sea because it''s their job. But Ahab, captain of the Pequod, is not going to sea for the oil or for the money. Ahab is going for revenge. Revenge on the vast whale that took him down into the black depths of the ocean. Revenge on the greatest whale in all the oceans: a perfectly white whale. And Ishmael, a young man new to whaling, is going to sea seeking a hunter''s violence, trying to stop the thoughts of violence in his heart.And we are all going with them.The White Whale premiered on 4 September 2014, at Leeds Dock, UK in a production by Slung Low theatre company.