Japonica Brown-Saracino – författare

Newcomers to older neighborhoods are usually perceived as destructive, tearing down everything that made the place special and attractive. But as "A Neighborhood That Never Changes" demonstrates, many gentrifiers seek to preserve the authentic local flavor of their new homes, rather than ruthlessly remake them. Drawing on ethnographic research in four distinct communities - the Chicago neighborhoods of Andersonville and Argyle and the New England towns of Provincetown and Dresden - Japonica Brown-Saracino paints a colorful portrait of how residents new and old, from wealthy gay homeowners to Portuguese fishermen, think about gentrification. The new breed of gentrifiers, Brown-Saracino finds, exhibits an acute self-consciousness about their role in the process and works to minimize gentrification's risks for certain longtime residents. In an era of rapid change, they cherish the unique and fragile, whether a dilapidated house, a two-hundred-year-old landscape, or the presence of people deeply rooted in the place they live.Contesting many long-standing assumptions about gentrification, Brown-Saracino's absorbing study reveals the unexpected ways beliefs about authenticity, place, and change play out in the social, political, and economic lives of very different neighborhoods.

Newcomers to older neighborhoods are usually perceived as destructive, tearing down everything that made the place special and attractive. But as "A Neighborhood That Never Changes" demonstrates, many gentrifiers seek to preserve the authentic local flavor of their new homes, rather than ruthlessly remake them. Drawing on ethnographic research in four distinct communities - the Chicago neighborhoods of Andersonville and Argyle and the New England towns of Provincetown and Dresden - Japonica Brown-Saracino paints a colorful portrait of how residents new and old, from wealthy gay homeowners to Portuguese fishermen, think about gentrification. The new breed of gentrifiers, Brown-Saracino finds, exhibits an acute self-consciousness about their role in the process and works to minimize gentrification's risks for certain longtime residents. In an era of rapid change, they cherish the unique and fragile, whether a dilapidated house, a two-hundred-year-old landscape, or the presence of people deeply rooted in the place they live.Contesting many long-standing assumptions about gentrification, Brown-Saracino's absorbing study reveals the unexpected ways beliefs about authenticity, place, and change play out in the social, political, and economic lives of very different neighborhoods.

Newcomers to older neighborhoods are usually perceived as destructive, tearing down everything that made the place special and attractive. But as A Neighborhood That Never Changes demonstrates, many gentrifiers seek to preserve the authentic local flavor of their new homes, rather than ruthlessly remake them. Drawing on ethnographic research in four distinct communities—the Chicago neighborhoods of Andersonville and Argyle and the New England towns of Provincetown and Dresden—Japonica Brown-Saracino paints a colorful portrait of how residents new and old, from wealthy gay homeowners to Portuguese fishermen, think about gentrification.

The new breed of gentrifiers, Brown-Saracino finds, exhibits an acute self-consciousness about their role in the process and works to minimize gentrification’s risks for certain longtime residents. In an era of rapid change, they cherish the unique and fragile, whether a dilapidated house, a two-hundred-year-old landscape, or the presence of people deeply rooted in the place they live. Contesting many long-standing assumptions about gentrification, Brown-Saracino’s absorbing study reveals the unexpected ways beliefs about authenticity, place, and change play out in the social, political, and economic lives of very different neighborhoods.

We like to think of ourselves as possessing an essential self, a core identity that is who we really are, regardless of where we live, work, or play. But places actually make us much more than we might think, argues Japonica Brown-Saracino in this novel ethnographic study of lesbian, bisexual, and queer individuals in four small cities across the United States. Taking us into communities in Ithaca, New York; San Luis Obispo, California; Greenfield, Massachusetts; and Portland, Maine; Brown-Saracino shows how LBQ migrants craft a unique sense of self that corresponds to their new homes. How Places Make Us demonstrates that sexual identities are responsive to city ecology. Despite the fact that the LBQ residents share many demographic and cultural traits, their approaches to sexual identity politics and to ties with other LBQ individuals and heterosexual residents vary markedly by where they live. Subtly distinct local ecologies shape what it feels like to be a sexual minority, including the degree to which one feels accepted, how many other LBQ individuals one encounters in daily life, and how often a city declares its embrace of difference.In short, city ecology shapes how one "does" LBQ in a specific place. Ultimately, Brown-Saracino shows that there isn't one general way of approaching sexual identity because humans are not only social, but fundamentally local creatures. Even in a globalized world, the most personal of questions who am I? is in fact answered collectively by the city in which we live.

We like to think of ourselves as possessing an essential self, a core identity that is who we really are, regardless of where we live, work, or play. But places actually make us much more than we might think, argues Japonica Brown-Saracino in this novel ethnographic study of lesbian, bisexual, and queer individuals in four small cities across the United States. Taking us into communities in Ithaca, New York; San Luis Obispo, California; Greenfield, Massachusetts; and Portland, Maine; Brown-Saracino shows how LBQ migrants craft a unique sense of self that corresponds to their new homes. How Places Make Us demonstrates that sexual identities are responsive to city ecology. Despite the fact that the LBQ residents share many demographic and cultural traits, their approaches to sexual identity politics and to ties with other LBQ individuals and heterosexual residents vary markedly by where they live. Subtly distinct local ecologies shape what it feels like to be a sexual minority, including the degree to which one feels accepted, how many other LBQ individuals one encounters in daily life, and how often a city declares its embrace of difference. In short, city ecology shapes how one “does” LBQ in a specific place. Ultimately, Brown-Saracino shows that there isn’t one general way of approaching sexual identity because humans are not only social but fundamentally local creatures. Even in a globalized world, the most personal of questions—who am I?—is in fact answered collectively by the city in which we live.  

Uniquely well suited for teaching, this innovative text-reader strengthens students’ critical thinking skills, sparks classroom discussion, and also provides a comprehensive and accessible understanding of gentrification.

Uniquely well suited for teaching, this innovative text-reader strengthens students’ critical thinking skills, sparks classroom discussion, and also provides a comprehensive and accessible understanding of gentrification.

A provocative account of what is gained and what is lost when a word that once narrowly referred to neighborhood change takes on a life all its ownSociologist Ruth Glass coined the term gentrification in the 1960s to mark the displacement of working-class residents in London neighborhoods by the professional classes. The Death and Life of Gentrification traces how the word has far outgrown Glass’s meaning, becoming a socially charged metaphor for cultural appropriation, upscaling, and the loss of authenticity.In this lively and insightful book, Japonica Brown-Saracino traces how a concept originally intended to describe the brick-and-mortar transformation of neighborhoods has come to characterize transformations that have little to do with cities. She describes how journalists, artists, filmmakers, novelists, and academics use gentrification as a symbolic device to mourn how everyday pleasures and forms of self-expression—from music to marijuana, kale, and tattoos—entered the domain of the elite. She weighs the implications of turning to gentrification as a tool to tell stories, entertain audiences, and communicate political messages. Relying on vivid examples, the book reveals how the term today expresses widespread ambivalence about rising economic inequality and unease with a variety of forms of social change. This pathbreaking book forces us to think about whether the wide-ranging way we use gentrification dilutes its meaning and stymies efforts to identify and resist urban displacement.Drawing on everything from film and television to novels and art, The Death and Life of Gentrification sheds critical light on the changing meaning of gentrification in contemporary life. The book is a must-read for anyone interested in gentrification and urban dynamics, as well as for readers curious about attitudes about growing income inequality and the evolution and circulation of ideas.