Jared C. Lobdell – författare

In an extended interview in 1883 Silvia Dubois, then nearly 100 years old, told her life story to Dr Cornelius Wilson Larison. This volume is an edited and annotated edition of Larison's original text, written is his idiosyncratic phonetic spelling. How much of Silvia's life is history, and how much is folklore, we cannot be sure, but it remains a fascinating view of slave life and the life of the uneducated free black in the North during the eighteenth and nineteenth centuries.

This book aims to ask questions about the assumptions on which Third World policies have been founded. It explores the realistic possibilities for U.S. policy and considers the major economic and political shifts that affected the less-developed countries and U.S. from 1972 to 1978.

Jared Lobdell takes the view that the realm of fantasy is the natural, if not inevitable direction fiction writing is headed. By Surveying and criticizing the authors that influenced J.R.R. Tolkien's great works and presenting contemporary authors like Stephen King, and Ursula Le Guin whose works have been impacted by Tolkien, Professor Lobdell identifies an interesting pattern in the evolution of fiction.

Jared Lobdell examines Tolkien's methods and his worldview by following the thread of three influences: 1. the Edwardian adventure story; 2. the science of philology, or comparative languages; and 3. Roman Catholic theology. The "Edwardian mode" of adventure story (King Solomon's Mines, The Lost World) is one in which a small group of Englishmen make an expedition to foreign parts and find supernatural terrors awaiting them, finally returning home, mission accomplished. The architecture and narrative style of these adventure stories is followed completely in The Hobbit and The Lord of the Rings. Tolkien's towering erudition in ancient Germanic and Celtic languages helps to explain his successful use of a mixture of period styles in his story-telling, as well as his amazing facility coining memorable names. Although Tolkien's stories betray a strong Christian conception of virtue and suffering, his Catholic background raises difficult problems for understanding the tales, with their heroes who are basically irreligious. Are these stories before the Fall of Man, or is there some other explaination for the absense of Christ? Lobdell pursues many subtle clues to arrive at a balanced answer.