Jeffrey Meyers – författare

Scott Fitzgerald, a romantic and tragic figure who embodied the decades between the two world wars, was a writer who took his material almost entirely from his life. Despite his early success with The Great Gatsby, Fitzgerald battled against failure and disappointment. This book, by the acclaimed biographer of Hemingway, is the first to analyze frankly the meaning as well as the events of Fitzgerald's life and to illuminate the recurrent patterns that reveal his inner self. Meyers emphasizes Fitzgerald's alcoholism, Zelda's illnesses and her doctors, Fitzgerald's love affairs both before and after her breakdown, and his wide-ranging friendships, from the polo star Tommy Hitchcock to the Hollywood executive Irving Thalberg. His writer friends included Ring Lardner, John Dos Passos, James Joyce, Edith Wharton, and Dorothy Parker. His friend and lifelong hero, Ernest Hemingway, was a harsh critic of both his behavior and his novels, but Fitzgerald accepted this with remarkable humility. Meyers portrays the volatile connection between these two writers and Fitzgerald's marriage to the schizophrenic Zelda with insight and poignancy.Meyers also discusses Fitzgerald's fascinating relationship with his daughter, Scottie. Exercising a fine critical balance, he details Fitzgerald's weaknesses but ultimately reveals a man capable of fierce loyalty and great moral courage.

This remarkable volume collects, for the first time, essays representing more than four decades of scholarship by one of the world's leading authorities on George Orwell. In clear, energetic prose that exemplifies his indefatigable attention to Orwell's life work, Jeffrey Meyers analyzes the works and reception of one of the most widely read and admired twentieth-century authors.   Orwell: Life and Art covers the novelist's painful childhood and presents accounts of his autobiographical writings from the beginning of his career through the Spanish Civil War. Meyers continues with analyses of Orwell's major works, including Animal Farm and Nineteen Eighty-Four, as well as his style, distinctive satiric humor, and approach to the art of writing. Meyers ends with a scrupulous examination of six biographies of Orwell, including his own, that embodies a consummate grasp and mastery of both the art of biography and Orwell's life and legacy.   Writing with an authority born of decades of focused scholarship, visits to Orwell's homes and workplaces, and interviews with his survivors, Meyers sculpts a dynamic view of Orwell's enduring influence on literature, art, culture, and politics.

Distinguished by its precision, its graceful use of language, and its resonant depth, the innovative style of Nobel Prize-winning author Ernest Hemingway (1899-1961) radically altered literary conventions and influenced generations of writers. In The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, The Old Man and the Sea, and numerous short stories, he explored such universal themes as stoicism in adversity, as well as our futile struggles against nature and mortality.This evocative, sympathetic biography illuminates the events that informed Hemingway's vigorous life: an accident-prone youth and early rivalry with his father his experiences in World War I, the Spanish Civil War, and World War II his stormy relationships with writers and women his sudden fame, slow decline, and suicide. Based on previously unavailable information and exclusive interviews, Hemingway enriches anyone's understanding and appreciation of America's most important twentieth-century writer.

Respected biographer Jeffrey Meyers delves into the complex life of the man whose visionary work gave us the great anti-utopias of modern literature. "The breadth of his research is impressive" (New York Times Book Review), drawing on a close study of the new edition of Orwell's Complete Works, personal interviews, and unpublished material in London's Orwell Archive.  Meyers's "briskly paced, absorbing narrative...offers keen insights" (Boston Sunday Globe) on Orwell's intellectual development, as well as his human failings—his childhood insecurities, his political dilemmas, and his conflicted relationships with women. "Leagues in front of" Orwell's previous biographers, Meyers "convincingly demonstrates the essence of [Orwell's] character" (Denver Post), revealing a "much more helpful and believable portrait" (Paul Theroux). "The breadth of his research is impressive."—New York Times Book Review "A respected biographer and no stranger to his subject."—Newark Star-Ledger  "[B]riskly paced, absorbing narrative...offers keen insights."—Boston Sunday Globe "[Meyers] convincingly demonstrates the essence of [Orwell's] character."—Denver Post  "[A]dmirable for its portrayal of Orwell the man and writer--dark, disturbed, obsessing, contrary....both moving and edifying."—Paul Theroux "[L]ikely to be seen as the most insightful and balanced portrait...for a long time to come."—Joseph Frank "Meyers has uncovered fascinating aspects of Orwell's life that put a new face to one of Britain's most influential authors."—Phillip Knightley, author of The First Casualty

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes.This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes.This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.

Biographer and critic Jeffrey Meyers knew the novelist James Salter (1925–2015) during the last decade of his life, visited him twice on Long Island, and received eighty letters from him. Meyers's knowledge of Salter's life provides many new insights about the personal, literary, and historical background of his work. This appreciative book, the first full-length study in twenty-six years, is intended to introduce Salter to new readers and show his achievement as a writer of novels, stories, screenplays, memoirs, and travel essays.Salter had an extraordinary range of experience as West Point graduate; fighter pilot in the Korean War; downhill skier, rock climber, and mountain climber; screenwriter and film director; connoisseur of food and wine; world traveler and sophisticated observer. In an elegant blend of literary criticism and intimate memoir, with crisp prose and an eye for telling detail, Meyers discusses Salter's family and friends; the significance of his book and chapter titles; characters' names and cultural allusions; literary influences, especially Ernest Hemingway and F. Scott Fitzgerald; development of his fictional style and techniques; awareness of weather and light; supreme delineation of sexual ecstasy; recurrent themes of war and love; strange career and late recognition. A detailed chronology tracks the key dates and events in Salter's life, and a chronological bibliography shows the development of his literary reputation.For Meyers, Salter's lyrical evocation of people and places, of luxurious decadence and the danger of death, are unsurpassed in contemporary literature. This book appears just before the centenary of Salter's birth.

Parallel Lives covers the century from the birth of Sigmund Freud in 1856 to the death of Sylvia Plath in 1963. Written by the esteemed biographer and literary critic Jeffrey Meyers, the book includes European, American, and Russian authors and artists, film directors and actors, children and soldiers, friends and lovers, rivals and enemies. Drawing on the bifocal principle of dual composition in Plutarch, these brief lives are arranged in pairs to interact with each other and illuminate their subjects' similarities, characters, and friendships.The linked structure of Parallel Lives allows several major figures Sigmund Freud, Evelyn Waugh, Edmund Wilson, Vladimir Nabokov, Ernest Hemingway, and Seamus Heaney to appear in multiple chapters. The most violent friendship ended when Verlaine shot Rimbaud and went to prison, and Rimbaud crawled back from Africa to die miserably in France. The most brilliant friendship broke up when Wilson attacked Nabokov's edition of Alexander Pushkin. The most moving connection was Audrey Hepburn's tender and sympathetic attachment to her soul-sister Anne Frank. Using mirror images reveals a new way to perceive these illustrious men and women.Each chapter shifts the focus back and forth between two subjects, comparing them, changing perspective, reevaluating similarities and contrasts. With vivid details and dramatic events, Meyers emphasizes the backgrounds, intellectual influences, and personality traits of his paired subjects. By examining the complex motives for irrational behavior ranging from deep affection to intense hostility, warm encouragement to bitter rivalry (sometimes together in the same chapter), Parallel Lives offers insights into the dynamics of complementary characters.

The multifaceted, cubist, and comprehensive perspective of Forty-Three Ways of Looking at Hemingway appears on the fortieth anniversary of Meyers's magisterial biography of Hemingway. This approach has never before been used to illustrate the complexity of his character, the range of his interests, and the brilliance of his work. This authoritative book uses sources in Italian, Spanish, French, and German. It reveals his reading of literature and history, his transformation of friends into fiction, his personal battles and mythic stature, his persona and ever-growing legend. This work analyzes his name and background, early work, friendships, relations with artists, connections to contemporary writers, description of historical figures and events, war reporting, military experience, life in Cuba, links with Hollywood, wives and lovers as well as the novels that influenced The Sun Also Rises and the background of "The Short Happy Life of Francis Macomber." It also considers Hemingway's feasts, humor, quarrels, self-condemnation, Nobel Prize, unwritten works, suicide, and lasting achievements.

Jeffrey Meyers has written acclaimed biographies of many of the most influential authors of the twentieth century, but none has affected him as deeply as Thomas Mann. From his first youthful encounter with Death in Venice, Meyers has cultivated a lifetime obsession with Mann’s elegant style, penetrating irony, and insight into the life of the artist.Thomas Mann’s Artist-Heroes follows Mann’s own obsession with the artistic life through his characters: from the fiction of Gustav von Aschenbach in Death in Venice and the music of Adrian Leverkühn in Doctor Faustus, to Tonio Kröger’s life as a writer, to the artistically minded patient Hans Castorp in The Magic Mountain, and finally to Mann’s time in America and later memoirs by his family. Mann probes deeper than perhaps any other author into questions of how an artist is formed, why he must defy conventional society, and how suffering and disease affect his work.Admirers of Thomas Mann and of Jeffrey Meyers’s biographies will find in this remarkable book the best introduction to one of the greatest writers of the modern age.

This biography of Edgar Allan Poe (1809-1849), a giant of American literature who invented both the horror and detective genres, is a portrait of extremes: a disinherited heir, a brilliant but exploited author and editor, a man who veered radically from temperance to rampant debauchery, and an agnostic who sought a return to religion at the end of his life. Acclaimed biographer Jeffrey Meyers explores the writer's turbulent life and career, including his marriage and multiple, simultaneous romances, his literary feuds, and his death at an early age under bizarre and troubling circumstances.

This comprehensive biography of prolific critic, essayist, historian, and novelist Edmund Wilson (1895-1972) posits, quite successfully, that the subject lived a life as romantic and chaotic as his friend F. Scott Fitzgerald's. Wilson suffered a nervous breakdown and the tragic death of his second wife (he was married four times, among them, Mary McCarthy); had affairs with numerous beautiful women, including Edna St. Vincent Millay; and was friend to literary giants such as John Dos Passos, Vladimir Nabakov, and W.H. Auden.

In Joseph Conrad: A Biography, acclaimed writer Jeffrey Meyers presents the definitive account of the life of Joseph Conrad (1857-1924), author of Heart of Darkness, Lord Jim, Nostromo, and many other landmarks in modern literature. Meyers' biography, published for the first time in paperback by Cooper Square Press, is the first biography of the author in many years. Joseph Conrad brings to light new information about Conrad's life and its impact on his fiction: new models emerge for his characters, including Heart of Darkness' Kurtz, and Meyers also examines in great detail Conrad's relationship with the wild and beautiful American journalist Jane Anderson.

Best known as the creator of the consulting detective par excellence Sherlock Holmes, Sir Arthur Conan Doyle (1859-1930) was a man of wide-ranging interests and talents, and his literary output went far beyond his Holmes and Watson stories. The Sir Arthur Conan Doyle Reader collects works from all the genres in which he wrote, including mysteries, historical adventure tales, science fiction stories, ghost stories, plays, memoirs, essays on spiritualism (in which he was a dedicated believer) and reports on the Boer War and World War I. This collection features the account of Watson's first meeting with Holmes from A Study in Scarlet, an account of the dinosaurs inhabiting The Lost World, tales of Doyle's Napoleonic hero Brigadier Gerard, a condemnation of Belgium's exploitation of the Congo, and the complete text of his apocalyptic book The Poison Belt, in addition to several other stories and excerpts.

Jeffrey Meyers, the author of highly acclaimed biographies of Hemingway and George Orwell, offers this masterly work on British novelist D. H. Lawrence (1885-1930). Meyers' fresh insights into Lawrence's life illuminate Lawrence's working-class childhood, his tempestuous marriage, and his death in France after the scandalous publication of Lady Chatterley's Lover, revealing Lawrence's complex method of intermingling autobiography and fiction. Through intensive research and access to unpublished essays and letters of Lawrence and his circle, Meyers describes the circumstances of his mother's death, the reason for the suppression of The Rainbow, and the author's protean (and extreme) sexuality that mirrored that of his fiction.

Originally published in 1980 and nominated for the Duff Cooper Prize, this was the first biography of Wyndham Lewis and was based on extensive archival research and interviews. It narrates Lewis’ years at Rugby and the Slade, his bohemian life on the Continent, the creation of Vorticism and publication of Blast, and his experiences at Passchendaele, as well as his many love affairs, his bitter quarrels with Bloomsbury and the Sitwells, the suppressed books of the thirties, the evolution of his political ideas, his self-imposed exile in North America and creative resurgence during his final blindness. Jeffrey Meyers also describes Lewis’ relationships with Roy Campbell, D. H. Lawrence, Katherine Mansfield, T. E Lawrence, Hemingway, Huxley, Yeats, Auden, Spender, Orwell and McLuhan. As the self-styled Enemy emerges from the shadows, he is seen as an independent and courageous artist and one of the most controversial and stimulating figures in modern English art and literature.

Originally published in 1980 and nominated for the Duff Cooper Prize, this was the first biography of Wyndham Lewis and was based on extensive archival research and interviews. It narrates Lewis’ years at Rugby and the Slade, his bohemian life on the Continent, the creation of Vorticism and publication of Blast, and his experiences at Passchendaele, as well as his many love affairs, his bitter quarrels with Bloomsbury and the Sitwells, the suppressed books of the thirties, the evolution of his political ideas, his self-imposed exile in North America and creative resurgence during his final blindness. Jeffrey Meyers also describes Lewis’ relationships with Roy Campbell, D. H. Lawrence, Katherine Mansfield, T. E Lawrence, Hemingway, Huxley, Yeats, Auden, Spender, Orwell and McLuhan. As the self-styled Enemy emerges from the shadows, he is seen as an independent and courageous artist and one of the most controversial and stimulating figures in modern English art and literature.

British colonialism provided a rich vein of material for the novelists of the first half of the 20th century. This study, originally published in 1968, looks at five writers and their reaction to the Empire: Rudyard Kipling, E. M. Forster, Joseph Conrad, Joyce Cary and Graham Greene. It shows how the romantic adventure stories of Kipling’s early days, in which the indigenous population plays almost no part, gave rise to the much more important novels of spiritual and moral conflict in which the stereotyped values of Empire are questioned. The decline of colonialism from its apogee in the 1880s within a relatively short period makes the novels discussed a compact group, so that not only is the use of colonial material closely studied, but its impact on the novelists themselves emerges clearly. This is an important study of a major literary theme, linking modern literature and modern history at a vital point.

British colonialism provided a rich vein of material for the novelists of the first half of the 20th century. This study, originally published in 1968, looks at five writers and their reaction to the Empire: Rudyard Kipling, E. M. Forster, Joseph Conrad, Joyce Cary and Graham Greene. It shows how the romantic adventure stories of Kipling’s early days, in which the indigenous population plays almost no part, gave rise to the much more important novels of spiritual and moral conflict in which the stereotyped values of Empire are questioned. The decline of colonialism from its apogee in the 1880s within a relatively short period makes the novels discussed a compact group, so that not only is the use of colonial material closely studied, but its impact on the novelists themselves emerges clearly. This is an important study of a major literary theme, linking modern literature and modern history at a vital point.

Although artists are nowadays able to be openly gay and to address homosexuality explicitly in their work, this book argues that it was the harsh climate of 1890-1930 that produced the most outstanding explorations of homosexuality. To support his argument, Meyers illuminates the character and creative process of a range of authors of the period, including Wilde, Gide, Proust, E.M. Forster and T.E. Lawrence, and analyses the sexual problems that were sublimated and transcended in their art.

The highly influential author of novels The Razor's Edge, Of Human Bondage, The Moon and Sixpence, and the story "The Letter" (all of which have been made into films), William Somerset Maugham (1874-1965) wrote an impressive 78 books, sharing his ironic yet sympathetic view of human passion and agony with readers from the Victorian era's close to the world after WWII. His works influenced generations of subsequent writers, including D.H. Lawrence, George Orwell, and V.S. Naipaul. The W. Somerset Maugham Reader presents the full range of Maugham's literary capabilities, from his early works of social realism, to his dramatic tales of love and revenge, to his pieces on travel to exotic lands. Included are stories and book excerpts for which Maugham is famous, as well as pieces which focus on his reoccurring themes: flight from sexual repression, the decay of Europeans transplanted to the tropics, and marriages turned unhappy or violent.

The work of Alex Colville, O.C. (1920-2013), one of the great modern realist painters, combines the Flemish detail of Andrew Wyeth, the eerie foreboding of George Tooker and the anguished confrontations of Lucian Freud. Behind the North Americans stands their common master, Edward Hopper. Colville's works are in many museums in Canada and Germany. He has affinities with Max Beckmann and appeals to the German "secondary virtues": cleanliness, punctuality, love of order. In a long life he resolutely opposed the fashionable currents of abstract and expressionistic art. In contrast to Jackson Pollock's wild action painting, Colville created paintings of contemplation and reflection. As Jeffrey Meyers writes: I spent several days with Colville on each of three visits from California to Wolfville. I received seventy letters from him between August 1998 and April 2010, and kept thirty-six of my letters to him. He sent me photographs and slides of his work and, in his eighties, discussed the progress and meaning of the paintings he completed during the last decade of his life. His handwritten letters, precisely explaining his thoughts and feelings, provide a rare and enlightening opportunity to compare my insights and interpretations with his own intentions and ideas. He also discussed his family, health, sexuality, politics, reading, travels, literary interests, our mutual friend Iris Murdoch, response to my writing, his work, exhibitions, sales of his pictures and of course the meaning of his art. His letters reveal the challenges he faced during aging and illness, and his determination to keep painting as health difficulties mounted. He stopped writing to me when he became seriously ill two years before his death. In this context the late paintings, presented in colour in this book, take on a new poignancy.