Häftad, Engelska
253 kr
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Jennifer Kilgore-Caradec – författare
Visar alla böcker från författaren Jennifer Kilgore-Caradec. Handla med fri frakt och snabb leverans.
4 produkter
4 produkter
- Häftad, Engelska, 2015
817 kr
Skickas inom 5-8 vardagar
«The duty of the present is neither to copy nor to deny the past but to resurrect it», wrote W.H. Auden in 1948. The European voices that William B. Yeats and Sir Geoffrey Hill choose to resurrect reflect their shared hope in the future of humanity, as the essays in this book demonstrate. From Greek and Roman voices, through the Italian Renaissance and into our troubled present, these poets use myth, as Auden suggested, «to make private experiences public» and «public events personal». They write about the past to maintain continuity and provide the transmission of cultural values or to avoid the repetition of atrocities. As visionary poets, their talents at reviving the poetic voice captivate and inspire. The essays in this volume elucidate both their poetic vision and resistance.The chapters in this book derive from an international conference on Yeats and Hill that took place at the Institut Catholique de Paris in 2013. They are preceded by abstracts and a general introduction in French. - E-bokEngelska, 2023
217 kr
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These free verse, experimental poems show us that Jennifer Kilgore-Caradec has been influenced by Ezra Pound, the Beats and/or Whitman, but also Language poets. She uses anaphora, aeration, epigraphs, different stanza lengths, creates shape poems and ars poeticas. She freely associates, allowing the words and thoughts to take her wherever they do. It's a joy to read her work whether in English or in French...' Biljana D. Obradovic, author of Little Disruptions and IncognitoA PROPOS DE L'AUTRICEJennifer Kilgore-Caradec teaches English at Universite Caen Normandie and is a researcher with LARCA, umr 8225 at University of Paris. She was born before John F. Kennedy was assassinated and to date has published few poems. - Inbunden, Engelska, 2012
1 378 kr
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Complete poems are bulky and too heavy to carry around. Collected poems pretend to be complete, but usually are not. Selected poems are altogether unpretentious and reader-friendly. But they can be problematic.Who decides what poems are important for inclusion in a volume of selected poems? When the selection occurs during the author's lifetime, may one assume that the author was involved? What motivates the choice of one poem over another? How do readers' preferences influence this choice? How do new readers and familiar readers of a poet negotiate the poems that are left out of the selection?The essays in this volume address these questions in a variety of ways, and also provide an overview of poetic writing from modernist poets to the present day, using selections from the 1940s until now. They offer new insight into the uses, both pedagogical and critical, of selection. Because Selected Poems usually address a large general public, these essays have also been written for all those who wish to know more about how these slimmer, more attractive volumes are produced.
