Jerry Vermilye – författare

"He always is very, very close to the camera, and he is terribly inspiring. I don't know what his magic is, but it is something that makes you want to give everything you have. He has respect for actors and for everybody. A bad director very often doesn't have that respect." Liv Ullman's words about Ingmar Bergman hint at the consummate director he was, one who knew the business, the strengths and weaknesses of actors and crews, the arrangement of the set, the framing of the camera, and all other particulars of the fine art of directing. This work presents Bergman's life and work, beginning with his youth in Uppsala, Sweden, and covering his formative years, his development as an artist, and his career as a world-renowned director. A brief synopsis for each of Bergman's films is provided, with such information as producer, screenwriter, cinematographer, editor, art director, music sound credits, running time, casts, Bergman's own comments, and the reactions of critics.

Buster Crabbe's chief claim to fame, aside from his Olympic gold medal (for the 400-meter freestyle event in 1932), rests in the trio of movie serials in which he played the popular science-fiction hero Flash Gordon. Crabbe was the only actor to play the roles of Tarzan (in one movie), Flash Gordon, and Buck Rogers, the top three pulp action heroes of the 1930s. Crabbe carved out a career that would also include more than 100 B-movies and program Westerns, a television adventure series, and a successful physical fitness enterprise. All of this and more is detailed in this book, which includes a complete filmography providing cast and crew information for each of his 103 feature films and serials.

Blonde, vivacious Jean Arthur is best remembered today for her unizue, childlike voice and for the handful of classic Thirties and Forties movies she made for directors Frank Capra and George Stevens, such as You Can''t Take It With You, Mr. Smith Goes to Washington, The More the Merrier and her last picture Shane, released in 1953. But not many know that her 30-year film career dates from the early Twenties, when she was an inexperienced contract player at Fox. In fact, Arthur appeared in more movies of the silent era (mostly program Westerns and minor comedies) than she made after the advent of sound. Born with the name Gladys Greene in 19-00, Jean Arthur renamed and reinvented herself when she arrived in Hollywood in 1922, fictionizing her background and subtracting eight years from her actual age. Colleagues have recalled the eccentric personality and behind-the-scenes insecurities that negated her popularity with the press and inhibited her later career as a stage and TV star, prompting her eventual retreat into seclusion. All of these exploits and more are detailed in this comprehensive biofilmography by Jerry Vermilye, a much published author who tells his story in a brisk non-judgmental style that has drawn critical praise for his volumes on such legendary film personalities as Cary Grant, Barbara Stanwyck, Bette Davis, Charles Bronson, Audrey Hepburn, Buster Crabbe, Lawrence Olivier.and Elizabeth Taylor. This book includes casts, production credits and critical commentary on Jean Arthur''s many films, as well as 100 scene stills, portraits and candids, many of them are photographs from the author''s private collection.