Jessica Hines – författare

_______________‘An assortment of autobiography, travelogue, social commentary and interviews ... held together beautifully by her bristling wit, charm and intelligence' - Daily Telegraph‘Funny, irreverent and affectionate ... a fascinating look at the Bombay film industry and the story of a very unlikely friendship' - Asian Leader‘Her quirky observations on Mumbai and its social strata are brilliantly cutting and her use of "Hinglish" is genuinely funny' - Metro_______________In search of a one-man industry, a phenomenon, an urban demi-god and a national icon‘Jessica,' he pronounced, ‘you have known me for seven years. My life has changed seven times. You will never finish this book.'There is no reason why Amitabh Bachchan and I should appear in the same sentence. He is India's most legendary film star - a mixture of Clint Eastwood, Al Pacino and Elvis. In India where film stars are treated as gods, Bachchan is the über-god, the Big B. As for me, I am English, almost thirty, and not in the least bit famous. Yet here I am in Bombay about to start writing his story. How did I get here? Why did I get here? Can I pull it off? Bombay is mayhem and Bollywood is maddening. The Big B is strangely aloof, the magazines are full of lies, and no one is talking. I want to write a book that explodes the myths surrounding India's most famous man. But what will I find?

Forms of Suffering demonstrates how Geoffrey Chaucer transformed pity into a central ethical and aesthetic concern in English literature by tracing his reformulations of trans-European pity discourses for an English audience. In these reformulations, Chaucer brought to the fore the modes and effects of pity's work in challenging, even overturning, traditional power structures such as social status, gender, and race. Critically, his consideration of pity also explores its precarity: the ways that pity could easily slide from transformative justice into a weapon of unjust oppression.Jessica Hines describes how Chaucer's writing was formative in shaping an English pity discourse increasingly critical of the sociopolitical capacity of pity to act as a tool for challenging injustice and reforming oppressive social structures. Forms of Suffering makes clear the profound appeal of pity's ability to challenge structures of power in Chaucer's writing, as well as the ways that pity itself could be – and was being – manipulated by the powerful for their own ends.

Forms of Suffering demonstrates how Geoffrey Chaucer transformed pity into a central ethical and aesthetic concern in English literature by tracing his reformulations of trans-European pity discourses for an English audience. In these reformulations, Chaucer brought to the fore the modes and effects of pity's work in challenging, even overturning, traditional power structures such as social status, gender, and race. Critically, his consideration of pity also explores its precarity: the ways that pity could easily slide from transformative justice into a weapon of unjust oppression.Jessica Hines describes how Chaucer's writing was formative in shaping an English pity discourse increasingly critical of the sociopolitical capacity of pity to act as a tool for challenging injustice and reforming oppressive social structures. Forms of Suffering makes clear the profound appeal of pity's ability to challenge structures of power in Chaucer's writing, as well as the ways that pity itself could be – and was being – manipulated by the powerful for their own ends.