Joakim Goldhahn – författare

The rock art of Australia is among the oldest, most complex, and most fascinating manifestations of human creativity and imagination in the world. Aboriginal people used art to record their experiences, ceremonies, and knowledge by embedding their understanding of the world in the landscape over many generations. Indeed, rock art serves as archives and libraries for Australia's Indigenous people. It is, in effect, its repository of memory. This volume explores Indigenous perspectives on rock art. It challenges the limits and assumptions of traditional, academic ways of understanding and knowing the past by showing how history has literally been painted 'on the rocks'. Each chapter features a biography of an artist or family of artists, together with an artwork created by contemporary artist Gabriel Maralngurra. By bringing together history, archaeology, and Indigenous artistic practice, the book offers new insights into the medium of rock art and demonstrates the limits of academic methods and approaches.

This book provides new insights into the relationship between humans and birds in Northern Europe during the Bronze Age. Joakim Goldhahn argues that birds had a central role in Bronze Age society and imagination, as reflected in legends, myths, rituals, and cosmologies. Goldhahn offers a new theoretical model for understanding the intricate relationship between humans and birds during this period. He explores traces of birds found in a range of archaeological context, including settlements and burials, and analyzes depictions of birds on bronze artefacts and figurines, rock art, and ritual paraphernalia. He demonstrates how birds were used in divinations, and provides the oldest evidence of omens taken from gastric contents of birds - extispicy - ever found in Europe.