John C. O'Neal – författare

Sensationism, a philosophy that gained momentum in the French Enlightenment as a response to Lockean empiricism, was acclaimed by Hippolyte Taine as "the doctrine of the most lucid, methodical, and French minds to have honored France." The first major general study in English of eighteenth-century French sensationism, The Authority of Experience presents the history of a complex set of ideas and explores their important ramifications for literature, education, and moral theory.The study begins by presenting the main ideas of sensationist philosophers Condillac, Bonnet, and Helvétius, who held that all of our ideas come to us through the senses. The experience of the body in seeing, hearing, smelling, tasting, and touching enabled individuals, as John C. O'Neal points out, to challenge the sometimes arbitrary authority of institutions and people in positions of power. After a general introduction to sensationism, the author develops a theory of sensationist aesthetics that not only reveals the interconnections of the period's philosophy and literature but also enhances our awareness of the forces at work in the French novel. He goes on to examine the relations between sensationism and eighteenth-century French educational theory, materialism, and idéologie. Ultimately, O'Neal opens a discussion of the implications of sensationist thought for issues of particular concern to society today.

Research on Rousseau’s innovative last work is changing direction. Long situated in a context of autobiographical writing, its moral and philosophical content is now a major critical preoccupation. The Nature of Rousseau’s ‘Rêveries’: physical, human, aesthetic brings together the work of international specialists to explore new approaches to the defining feature - the ‘nature’ - of the Rêveries. In essays which range from studies of botany or landscape painting to thematic or stylistic readings, authors re-examine Rousseau’s intellectual understanding of and personal relationship with different conceptions of nature. Drawing connections between this text and earlier theoretical writings, authors analyse not only the philosophical and personal implications of Rousseau’s reflections on the outer world but also and his attempts to examine and validate both his own nature and that of ‘l’homme naturel’.In The Nature of Rousseau’s ‘Rêveries’: physical, human, aesthetic the contributors offer new insights into the character of Rousseau’s last major work and suggest above all its experimental, elusive quality, hovering between inner and outer worlds, escape and fulfilment, experience and writing. They underline the unique richness of the Rêveries, a work to be situated not simply at the end of Rousseau’s life, but at the very centre of his thought.