Paul Celan, Europe's most compelling postwar poet, was a German-speaking, East European Jew. His writing exposes and illumines the wounds that Nazi destructiveness left on language. John Felstiner's sensitive and accessible book is the first critical biography of Celan in any language. It offers new translations of well-known and little-known poems—including a chapter on Celan's famous "Deathfugue"—plus his speeches, prose fiction, and letters. The book also presents hitherto unpublished photos of the poet and his circle.Drawing on interviews with Celan's family and friends and his personal library in Normandy and Paris, as well as voluminous German commentary, Felstiner tells the poet's gripping story: his birth in 1920 in Romania, the overnight loss of his parents in a Nazi deportation, his experience of forced labor and Soviet occupation during the war, and then his difficult exile in Paris. The life's work of Paul Celan emerges through readings of his poems within their personal and historical matrix. At the same time, Felstiner finds fresh insights by opening up the very process of translating Celan's poems.To present this poetry and the strain of Jewishness it displays, Felstiner uncovers Celan's sources in the Bible and Judaic mysticism, his affinities with Kafka, Heine, Hölderlin, Rilke, and Nelly Sachs, his fascination with Heidegger and Buber, his piercing translations of Shakespeare, Dickinson, Mandelshtam, Apollinaire. First and last, Felstiner explores the achievement of a poet surviving in his mother tongue, the German language that had passed, Celan said, "through the thousand darknesses of deathbringing speech."

Poems vivifying nature have gripped people for centuries. From Biblical times to the present day, poetry has continuously drawn us to the natural world. In this thought-provoking book, John Felstiner explores the rich legacy of poems that take nature as their subject, and he demonstrates their force and beauty. In our own time of environmental crises, he contends, poetry has a unique capacity to restore our attention to our environment in its imperiled state. And, as we take heed, we may well become better stewards of the earth.In forty brief and lucid chapters, Felstiner presents those voices that have most strongly spoken to and for the natural world. Poets—from the Romantics through Whitman and Dickinson to Elizabeth Bishop and Gary Snyder—have helped us envision such details as ocean winds eroding and rebuilding dunes in the same breath, wild deer freezing in our presence, and a person carving initials on a still-living stranded whale.Sixty color and black-and-white images, many seen for the first time, bearout visually the environmental imagination this book discovers—a poeticlegacy more vital now than ever.

What goes into the translating of a poem? Usually that process getsforgotten once the new poem stands intact in translation. Yet a versetranslation derives from historical, biographical, and philosophicalresearch, interpretive analysis of the original poem, and continuouslinguistic and prosodic choices that parallel those the poet made. Taking as a text Pablo Neruda's brilliant prophetic sequence Alturas deMacchu Picchu (1945), the author here re-creates the entire process oftranslation, from his first encounter with the poem to the last shaping ofa phrase that may never come right in English. This many-faceted bookforms an essay on the theory and practice of literary translation, a studyof Neruda's career through 1945, and an interpretation of his major poem, all of which lead to a striking new poem in English, Heights of Macchu Picchu, printed along with the original Spanish. This genesis of a verse translation also includes little-known biographical data, hitherto untranslated poems and prose from the years 1920 to 1945, and new translations of key poems from Neruda's Residence on Earth and Spain in My Heart.

Paul Celan, Europe's most compelling postwar poet, was a German-speaking, East European Jew. His writing exposes and illumines the wounds that Nazi destructiveness left on language. John Felstiner's sensitive and accessible book is the first critical biography of Celan in any language. It offers new translations of well-known and little-known poems—including a chapter on Celan's famous "Deathfugue"—plus his speeches, prose fiction, and letters. The book also presents hitherto unpublished photos of the poet and his circle.Drawing on interviews with Celan's family and friends and his personal library in Normandy and Paris, as well as voluminous German commentary, Felstiner tells the poet's gripping story: his birth in 1920 in Romania, the overnight loss of his parents in a Nazi deportation, his experience of forced labor and Soviet occupation during the war, and then his difficult exile in Paris. The life's work of Paul Celan emerges through readings of his poems within their personal and historical matrix. At the same time, Felstiner finds fresh insights by opening up the very process of translating Celan's poems.To present this poetry and the strain of Jewishness it displays, Felstiner uncovers Celan's sources in the Bible and Judaic mysticism, his affinities with Kafka, Heine, Hölderlin, Rilke, and Nelly Sachs, his fascination with Heidegger and Buber, his piercing translations of Shakespeare, Dickinson, Mandelshtam, Apollinaire. First and last, Felstiner explores the achievement of a poet surviving in his mother tongue, the German language that had passed, Celan said, "through the thousand darknesses of deathbringing speech."

Poems vivifying nature have gripped people for centuries. From Biblical times to the present day, poetry has continuously drawn us to the natural world. In this thought-provoking book, John Felstiner explores the rich legacy of poems that take nature as their subject, and he demonstrates their force and beauty. In our own time of environmental crises, he contends, poetry has a unique capacity to restore our attention to our environment in its imperiled state. And, as we take heed, we may well become better stewards of the earth.In forty brief and lucid chapters, Felstiner presents those voices that have most strongly spoken to and for the natural world. Poets—from the Romantics through Whitman and Dickinson to Elizabeth Bishop and Gary Snyder—have helped us envision such details as ocean winds eroding and rebuilding dunes in the same breath, wild deer freezing in our presence, and a person carving initials on a still-living stranded whale.Sixty color and black-and-white images, many seen for the first time, bearout visually the environmental imagination this book discovers—a poeticlegacy more vital now than ever.

What goes into the translating of a poem? Usually that process getsforgotten once the new poem stands intact in translation. Yet a versetranslation derives from historical, biographical, and philosophicalresearch, interpretive analysis of the original poem, and continuouslinguistic and prosodic choices that parallel those the poet made. Taking as a text Pablo Neruda's brilliant prophetic sequence Alturas deMacchu Picchu (1945), the author here re-creates the entire process oftranslation, from his first encounter with the poem to the last shaping ofa phrase that may never come right in English. This many-faceted bookforms an essay on the theory and practice of literary translation, a studyof Neruda's career through 1945, and an interpretation of his major poem, all of which lead to a striking new poem in English, Heights of Macchu Picchu, printed along with the original Spanish. This genesis of a verse translation also includes little-known biographical data, hitherto untranslated poems and prose from the years 1920 to 1945, and new translations of key poems from Neruda's Residence on Earth and Spain in My Heart.