John McCormick – författare

In Europeanism the author attempts to identify and outline the political, economic, and social norms and values associated with Europe and Europeans. He argues that regardless of the doubts associated with the exercise of European integration and the work of the European Union, and regardless of residual identities with states and nations, Europeans have much in common. Opening chapters deal with the historical development of European ideas, and are followed by chapters addressing European attitudes toward the state (including a rejection of state-based nationalism, new ideas about patriotism and citizenship, and the importance of cosmopolitanism), the characteristics of politics and government in Europe (with an emphasis on communitarianism and the effects of the parliamentary system of government), European economic models (including the importance of welfarism and sustainable development), European social models, European attitudes towards values such as multiculturalism and secularism, and Europeanist views in regard to international relations (emphasizing civilian power and multiculturalism).

This is the only book to provide an account of how popular theatre developed from the fairground booths of the eighteenth century to become a vehicle of mass entertainment in the following century. Whereas other studies offer a traditional approach to the theatres of high culture, John McCormick takes the role of impartial historian, uncovering the popular theatres of the boulevards, suburbs and fairgrounds. He focuses on the social and economic context in which vaudevilles, pantomimes and melodramas were performed, and explores the audiences who enjoyed them.

This is the only book to provide an account of how popular theatre developed from the fairground booths of the eighteenth century to become a vehicle of mass entertainment in the following century. Whereas other studies offer a traditional approach to the theatres of high culture, John McCormick takes the role of impartial historian, uncovering the popular theatres of the boulevards, suburbs and fairgrounds. He focuses on the social and economic context in which vaudevilles, pantomimes and melodramas were performed, and explores the audiences who enjoyed them.

Acid rain was one of the major environmental issues of the 1980s. But while industrialized countries have taken measures to reduce the emissions that lead to acidification, the problems have not gone away. Trees are still dying, lakes are still being made uninhabitable; buildings are still corroding; and human health is still suffering. The most worrying trend is the repetition in the industrializing countries of Asia and Latin America of the problems that have long afflicted Europe and North America.More than 10 years after it was first published, the highly acclaimed Acid Earth still provides the only global view of acidification, and remains the standard text on the subject. Chapters on the causes, effects and growing scientific understanding of acid pollution, and the possible solutions, are followed by detailed studies of the political struggles involved in responding to acid damage in western and eastern Europe, the US and the newly industrializing countries.Written in non-technical language for people interested in the problems of the environment, Acid Earth calls for a renewed sense of public and political will to bring the problems of acid pollution under control. The book also makes valuable reading for specialists and students.Originally published in 1992

Britain has an immense range of environmental law and the reputation for largely ignoring it. John McCormick describes the fascinating story of the political growth of that law, and the pressures, the compromises, the parliamentary and civil service opportunism that allowed the edifice to grow over the greater part of a century.He tells the story of the absolute change in political climate over the last ten years and deciphers the nature of Thatcher's ''conversion'' to greenery. He explains why everyone who cared about the environment became embattled and, above all, how the old methods of sensible compromise were banished, probably for ever, not least because of the government's obsession with secrecy. What, then, are the new political means of compelling change on a reluctant parliament? Everything is at stake from welfare to water, from forests to fishing. Where are we now? What are the likely pressures, both internal and from Europe and the rest of the world, to make Britain pass more environmentally sound laws and, perhaps more importantly, to observe them? McCormick provides a gripping picture of the central issues, of the system and of the battleground.Originally published in 1991

Banned, marginalised, tolerated or neglected, puppets were a major form of entertainment of the subordinate classes in the nineteenth century. Showmen travelled from one end of Europe to the other bringing everything from biblical plays to melodramas and variety to audiences who experienced them as their only form of dramatic entertainment. The first study of its kind in English, Popular Puppet Theatre in Europe is less a history than a comparative study, highlighting a significant aspect of social and cultural history from a national and transnational perspective. It examines the showmen, their audiences, the performance context, and the technical and practical aspects of the puppets and their stages.

"The great virtue of McCormick's memoirs is their blunt honesty. He writes with a persuasive directness about what happened to him and what he believes..."--Arts and LettersThe title of John McCormick's autobiographical book, may be taken both literally and symbolically. In a literal sense, going to sea was an early and powerful ambition, while seagoing is also a metaphor for the twists and turns in a rootless life, a long voyaging. This is not a conventional autobiography. It is personal only as necessary for continuity, and never confessional. The essays center upon telling episodes in the author's life and strive for objectivity and accuracy about the recent past, both personal and historical. He does so, as he writes, without "any pretension of producing a true history." The events of his life are necessarily unique to him, thus he finds uniqueness in the events that impinged upon him.McCormick begins with his early years, growing up in the American mid-West during the Depression, a time of broken family relations and random jobs. He relates his falling away from religious faith. He describes his first experience as a sailor in a tanker, which gave him physical liberation, a world free of constrictions, as with Hemingway. In discussing his early teaching experience, he gives a vivid portrayal of Germany in the immediate postwar years, along with observations of residual pro-Hitler sentiment and the awkward circumstances (for Germans) of the immediate past. He devotes a chapter to a moving memoir of his friend Francis Fergusson, eminent Rutgers University scholar. McCormick also relates his experience as an amateur bullfighter and reiterates his defense of bullfighting as an art. He paints a vivid picture of an adventure at sea while working on a definitive biography of George Santayana, reflecting also on changes in the genre of biography, with its prevailing emphasis on trivia and sensationalism. In describing his retirement to England, McCormick describes the conflict between nationalism and expatriation. He punctuates details of his naval war experiences with thoughtful observations on military combat. Finally, in his closing chapter, "Coda: Closet Space," McCormick attempts to make sense of old age and death.This autobiographical account of a well-lived life encompasses far more than a splendid teaching and literary career. It will provide insight and good reading for those who know McCormick's scholarly work, for students of the humanities, and for the general public interested in vivid prose.John McCormick is professor emeritus of comparative literature at Rutgers University, and honorary fellow of English and literature at the University of York. He is the author of George Santayana: A Biography, Catastrophe and Imagination, The Middle Distance, and Fiction as Knowledge.

Critics of fiction have long been aware that the romantic movement in Europe and America gave a powerful impulse to the art of fiction. The exact nature of that impulse has resisted analysis like so much associated with romanticism. In Fiction as Knowledge John McCormick reaches for precision, proposing that much of the vitality of modern fiction derives from romantic conceptions of history which made available to fiction not merely historical subject matter, but new perceptions of reality, present and past, that pervade the work of many of the greatest writers of the post-romantic period.Beginning with Herder and Hegel, McCormick describes those qualities in historical thought that were revolutionary in the early nineteenth century and rich in meaning for the future. Most prominent of these was the emergence of the idea of individuality, not only in society but also in history. The author demonstrates the vitality of the romantic impulse in the work of seven major novelists of the twentieth century. Marcel Proust's apprehensions of nature in his great novel are seen as Wordsworthian, while as the novel unfolds, history in the form of event and system of organization comes to dominate and to offer a paradigm of the workings of the post-romantic historical imagination. William Faulkner and Andr Malraux are shown to confront history directly, although they do not write "historical" fiction. Herman Broch, Robert Musil, and Henri de Montherlant, uncomfortable with traditional romantic attitudes, still make fullest use of Romantic historical insight to extend the range of fiction as knowledge. Ernest Hemingway, by contrast, is seen as intuitive, a pure product of his novelist's intelligence as opposed to his latter-day romantic anti-intellectualism.Fiction as Knowledge supplies critical insight into the form of the novel as well as into the seven novelists under discussion. Not least, the book is a warning against contemporary anti-historical bias and an appeal to the cultivation of historical consciousness. John McCormick is Professor Emeritus of Comparative Literature at Rutgers University, and Honorary Fellow of English and Literature at the University of York. He is the author of George Santayana: A Biography, Catastrophe and Imagination, and The Middle Distance, by Transaction.

From the late nineteenth century to the middle of the twentieth, George Santayana was a highly esteemed and widely read writer of philosophy, poetry, essays, memoirs, and even a best-selling novel, The Last Puritan. After a period of relative neglect, interest in his work has revived. A complete edited edition of his works is in progress and he has become the object of renewed scholarly activity. Contributing significantly to the renewal was John McCormick's 1987 biography, the first full-scale volume to treat an elusive figure's life and thought in the detail they deserve.Santayana's life was rich in its interior and outer associations. There was his birth and early childhood in Spain followed by a move to Boston, where he came under the influence of William James at Harvard. This led to his career at Harvard as a professor, where Wallace Stevens, Robert Frost, Conrad Aiken, Franklin D. Roosevelt, and Walter Lippmann were among his devoted students. We see Santayana in correspondence and conversation with Bertrand Russell, G.E. Moore, Ezra Pound, and Robert Lowell.Predominant in Santayana's life was his philosophical work. Hostile to the dominant empiricism of Anglo-American philosophy, he left the academy and remained detached from both the political and ideological movements of early decades of the twentieth century. McCormick relates his skepticism and materialism to a form of idealism deriving from his classical education in Plato and Aristotle, together with his readings in Descartes and Spinoza. He presents Santayana as a supreme stylist in English, who lived a long life always consistent with his stoic epicureanism.

Western culture is composed of a subtle and complex mixture of influences: religious, philosophical, linguistic, political, social, and sociological. American culture is a particular strain, but unless European antecedents and contemporary leanings are duly noted, any resulting history is predestined to provincialism and distortion. In his account of American literature during the period 1919 to 1932, McCormick deals with the extraordinary work of artists who wrested imaginative order from a world in which the abyss was never out of sight.McCormick's volume is intended as a critical, rather than encyclopedic history of literature on both sides of the Atlantic between the end of World War I and the political and social crises that arose in the 1930s. Although he emphasizes American writers, the emergence of a vital and distinctly modern American literature is located in the cultural encounter with Europe and the rejection of national bias by the major figures of the period.McCormick deals with Gertrude Stein and the mythology of the "lost generation," the tensions and ambivalences of traditionalism and modernity in the work of Sherwood Anderson and F. Scott Fitzgerald, the effect and qualities of Hemingway's style as compared to that of Henry de Montherlant, and the provincial iconoclasm of Sinclair Lewis juxtaposed with the more telling satire of Italo Svevo. The formal innovations in the work of John Dos Passos, E.E. Cummings, and William Faulkner, the poetic revolution against cultural parochialism and genteel romanticism is given extensive consideration with regard to the work of T.S. Eliot, Ezra Pound, Wallace Stevens, William Carlos Williams, and Marianne Moore are also discussed. The concluding chapters discuss literary and social criticism and assess the influence of psychoanalysis, philosophical pragmatism, and radical historiography on the intellectual climate of the period.Teachers and students in English and American Literature, American History, and Comparative Literature, and the general reader interested in the writing of the period, may gain new insights from these valuations, devaluations, and re-evaluations.

Ernest Hemingway, best-known to layman and aficionado alike, in his fiction described bullfighting, or toreo, as a cross between romantic risk and a drunken party, or as an elaborate substitute for war, ending in wounds or death. Although his descriptions of the "beauty"in toreo are lyrical, they are short on imaginative creation of how such beauty, through techniques and discipline, comes about. Hemingway may have sculpted a personal mystique of toreo but, in the opinion of some, he ignored or slighted the full, unique nature of the subject.In Bullfighting: Art, Technique, and Spanish Society John McCormick sorts through the complexities of toreo, to suggest the aesthetic, social, and moral dimensions of an art that is geographically limited, but universal when seen in round. While having felt the attraction of Hemingway's approach, McCormick knew that he was being seduced by elements that had little to do with toreo. To try to right Hemingway's distortions, he named the first edition of this book The Complete Aficionado, but then realized that the volume was directed at more than just the spectator: BullFighting is written from the point of view of the torerro, as opposed to the usual spectator's impressions and enthusiasm. With the help of a retired matador de toros, Mario Sevilla Mascarenas, who taught McCormick the rudiments of toreo as well as the emotions and discipline essential to survival, the authors rescue 'toreo from romantic cliches. They probe the anatomy of the matador's training and technique, provide a past-and-present survey of the traditions of the corrida, and furnish dramatic portraits of such famous figures as Manolete, Joselito, Belmonte, and Ordonez.Here then is an informed analysis and critique of the origins and myths of toreo and a survey of the novels it has inspired. Defending the faith in a lively as well as clear and discerning manner, this volume provides a committed and vivid approach to the rich history, ritual, and symbolism of the bullfight as it currently exists.

This is the first full-length, English language study of Italian puppetry. Chapters describe Italy's rich puppet theater tradition through the end of the eighteenth century; the golden age of glove puppets, marionettes and pupi; commedia dell'arte and the puppet stage; the evolution of repertoires; music and spectacle; and changes during the twentieth century. Concluding chapters offer in-depth studies of two marionette companies, Turin's Lupi and Catania's Fratelli Napoli. Rich in photographs, the book includes 28 color plates.

This single volume provides a comprehensive introduction and explanation of both the theory and practice of 'Planar Near-Field Antenna Measurement' from its basic postulates and assumptions, to the intricacies of its deployment in complex and demanding measurement scenarios. To do this the book initially examines the properties of antennas that allow them to enhance the free space interaction of electronic systems and this leads into a full description of the theory of 'Planar Near-Field Scanning'.The utility of the planar methodology is illustrated with example measurement campaigns that include discussion of the characterisation of a wide range of antennas. Advanced techniques including back transforms and poly-planar scan techniques, plus error assessment and correction, are examined and explained along with an extensive review of data assessment methodologies.A large number of near-field facilities exist worldwide but to the authors' knowledge no single text provides a clear step-by-step description of all the details of the 'Planar Near-Field Measurement Technique'. All three authors have spent a significant proportion of their professional careers involved with antenna measurements and the aim of this text is to provide the reader with a complete, comprehensive and practical text that will act as a single reference for all aspects of the measurement technique.

Critics like to depict the European Union as undemocratic and unpopular, but their arguments are too often based on myths and misunderstandings. This does us all a disservice, and in this period of uncertainty about the future of Europe it is more important than ever that we have a firm grasp of the issues at stake.This powerful new book debunks the misconceptions surrounding the EU and makes a compelling and comprehensive case for the benefits of European integration. It shows how the EU has improved the lives of Europeans in countless ways, and how it has given Europe a powerful presence on the international stage. Guaranteed to illuminate as well as spark debate, this book will appeal to anyone who seeks to better understand what Europe means and why it matters.

Critics like to depict the European Union as undemocratic and unpopular, but their arguments are too often based on myths and misunderstandings. This does us all a disservice, and in this period of uncertainty about the future of Europe it is more important than ever that we have a firm grasp of the issues at stake.This powerful new book debunks the misconceptions surrounding the EU and makes a compelling and comprehensive case for the benefits of European integration. It shows how the EU has improved the lives of Europeans in countless ways, and how it has given Europe a powerful presence on the international stage. Guaranteed to illuminate as well as spark debate, this book will appeal to anyone who seeks to better understand what Europe means and why it matters.

As Britain prepares to vote on its continued membership of the EU, this insightful and engaging book sets on the arguments in favour of Britain's continued place in the EU and shows how the EU, in spite of its problems, has made Europe a better, more peaceful, and more prosperous place.

This book provides systematic coverage of the key concepts in the study of environmental politics; the evolution of environmental thinking; the national and international actors involved in environmental policy; and a selection of specific environmental problems including their causes, the challenges and results of addressing them to date.

This book provides systematic coverage of the key concepts in the study of environmental politics; the evolution of environmental thinking; the national and international actors involved in environmental policy; and a selection of specific environmental problems including their causes, the challenges and results of addressing them to date.

"The great virtue of McCormick's memoirs is their blunt honesty. He writes with a persuasive directness about what happened to him and what he believes..."--Arts and LettersThe title of John McCormick's autobiographical book, may be taken both literally and symbolically. In a literal sense, going to sea was an early and powerful ambition, while seagoing is also a metaphor for the twists and turns in a rootless life, a long voyaging. This is not a conventional autobiography. It is personal only as necessary for continuity, and never confessional. The essays center upon telling episodes in the author's life and strive for objectivity and accuracy about the recent past, both personal and historical. He does so, as he writes, without "any pretension of producing a true history." The events of his life are necessarily unique to him, thus he finds uniqueness in the events that impinged upon him.McCormick begins with his early years, growing up in the American mid-West during the Depression, a time of broken family relations and random jobs. He relates his falling away from religious faith. He describes his first experience as a sailor in a tanker, which gave him physical liberation, a world free of constrictions, as with Hemingway. In discussing his early teaching experience, he gives a vivid portrayal of Germany in the immediate postwar years, along with observations of residual pro-Hitler sentiment and the awkward circumstances (for Germans) of the immediate past. He devotes a chapter to a moving memoir of his friend Francis Fergusson, eminent Rutgers University scholar. McCormick also relates his experience as an amateur bullfighter and reiterates his defense of bullfighting as an art. He paints a vivid picture of an adventure at sea while working on a definitive biography of George Santayana, reflecting also on changes in the genre of biography, with its prevailing emphasis on trivia and sensationalism. In describing his retirement to England, McCormick describes the conflict between nationalism and expatriation. He punctuates details of his naval war experiences with thoughtful observations on military combat. Finally, in his closing chapter, "Coda: Closet Space," McCormick attempts to make sense of old age and death.This autobiographical account of a well-lived life encompasses far more than a splendid teaching and literary career. It will provide insight and good reading for those who know McCormick's scholarly work, for students of the humanities, and for the general public interested in vivid prose.John McCormick is professor emeritus of comparative literature at Rutgers University, and honorary fellow of English and literature at the University of York. He is the author of George Santayana: A Biography, Catastrophe and Imagination, The Middle Distance, and Fiction as Knowledge.

Ernest Hemingway, best-known to layman and aficionado alike, in his fiction described bullfighting, or toreo, as a cross between romantic risk and a drunken party, or as an elaborate substitute for war, ending in wounds or death. Although his descriptions of the "beauty"in toreo are lyrical, they are short on imaginative creation of how such beauty, through techniques and discipline, comes about. Hemingway may have sculpted a personal mystique of toreo but, in the opinion of some, he ignored or slighted the full, unique nature of the subject.In Bullfighting: Art, Technique, and Spanish Society John McCormick sorts through the complexities of toreo, to suggest the aesthetic, social, and moral dimensions of an art that is geographically limited, but universal when seen in round. While having felt the attraction of Hemingway's approach, McCormick knew that he was being seduced by elements that had little to do with toreo. To try to right Hemingway's distortions, he named the first edition of this book The Complete Aficionado, but then realized that the volume was directed at more than just the spectator: BullFighting is written from the point of view of the torerro, as opposed to the usual spectator's impressions and enthusiasm. With the help of a retired matador de toros, Mario Sevilla Mascarenas, who taught McCormick the rudiments of toreo as well as the emotions and discipline essential to survival, the authors rescue 'toreo from romantic cliches. They probe the anatomy of the matador's training and technique, provide a past-and-present survey of the traditions of the corrida, and furnish dramatic portraits of such famous figures as Manolete, Joselito, Belmonte, and Ordonez.Here then is an informed analysis and critique of the origins and myths of toreo and a survey of the novels it has inspired. Defending the faith in a lively as well as clear and discerning manner, this volume provides a committed and vivid approach to the rich history, ritual, and symbolism of the bullfight as it currently exists.

This book is a direct product of World War II, of the long years at sea that gave the author the feeling that the past was no more than an illusion. He compares past with present, one nation with another, to clarify the conviction that the nature of imaginative fiction had been altered by our wars.

Critics of fiction have long been aware that the romantic movement in Europe and America gave a powerful impulse to the art of fiction. The exact nature of that impulse has resisted analysis like so much associated with romanticism. In Fiction as Knowledge John McCormick reaches for precision, proposing that much of the vitality of modern fiction derives from romantic conceptions of history which made available to fiction not merely historical subject matter, but new perceptions of reality, present and past, that pervade the work of many of the greatest writers of the post-romantic period.Beginning with Herder and Hegel, McCormick describes those qualities in historical thought that were revolutionary in the early nineteenth century and rich in meaning for the future. Most prominent of these was the emergence of the idea of individuality, not only in society but also in history. The author demonstrates the vitality of the romantic impulse in the work of seven major novelists of the twentieth century. Marcel Proust's apprehensions of nature in his great novel are seen as Wordsworthian, while as the novel unfolds, history in the form of event and system of organization comes to dominate and to offer a paradigm of the workings of the post-romantic historical imagination. William Faulkner and Andr Malraux are shown to confront history directly, although they do not write "historical" fiction. Herman Broch, Robert Musil, and Henri de Montherlant, uncomfortable with traditional romantic attitudes, still make fullest use of Romantic historical insight to extend the range of fiction as knowledge. Ernest Hemingway, by contrast, is seen as intuitive, a pure product of his novelist's intelligence as opposed to his latter-day romantic anti-intellectualism.Fiction as Knowledge supplies critical insight into the form of the novel as well as into the seven novelists under discussion. Not least, the book is a warning against contemporary anti-historical bias and an appeal to the cultivation of historical consciousness. John McCormick is Professor Emeritus of Comparative Literature at Rutgers University, and Honorary Fellow of English and Literature at the University of York. He is the author of George Santayana: A Biography, Catastrophe and Imagination, and The Middle Distance, by Transaction.

From the late nineteenth century to the middle of the twentieth, George Santayana was a highly esteemed and widely read writer of philosophy, poetry, essays, memoirs, and even a best-selling novel, The Last Puritan. After a period of relative neglect, interest in his work has revived. A complete edited edition of his works is in progress and he has become the object of renewed scholarly activity. Contributing significantly to the renewal was John McCormick's 1987 biography, the first full-scale volume to treat an elusive figure's life and thought in the detail they deserve.Santayana's life was rich in its interior and outer associations. There was his birth and early childhood in Spain followed by a move to Boston, where he came under the influence of William James at Harvard. This led to his career at Harvard as a professor, where Wallace Stevens, Robert Frost, Conrad Aiken, Franklin D. Roosevelt, and Walter Lippmann were among his devoted students. We see Santayana in correspondence and conversation with Bertrand Russell, G.E. Moore, Ezra Pound, and Robert Lowell.Predominant in Santayana's life was his philosophical work. Hostile to the dominant empiricism of Anglo-American philosophy, he left the academy and remained detached from both the political and ideological movements of early decades of the twentieth century. McCormick relates his skepticism and materialism to a form of idealism deriving from his classical education in Plato and Aristotle, together with his readings in Descartes and Spinoza. He presents Santayana as a supreme stylist in English, who lived a long life always consistent with his stoic epicureanism.

The fallout from Brexit and Covid-19, ongoing political turmoil, economic decline and calls for a second Scottish independence referendum make for deeply uncertain times in contemporary Britain. What will the country look like in five years from now? Will it even exist in its present form?Introducing you to all aspects of British history, geography, society, politics, economy and culture, this book guides you through the country’s enduring features and recent trends: -Growing racial, religious, national and cultural diversity-Demographic shifts, including the move from a welfare state to a stakeholder society-The altered balance of power among government institutions, as the UK adapts to life outside the EU-Shifts in economic policy, following the impact of Brexit, Covid-19 and the war in Ukraine-Changing voter attitudes, with questions raised about the balance between the major political parties-The impact of social media and alternative communications channels on media, culture and politics.With key data, further reading suggestions and case studies on topics such as attitudes towards the monarchy, regional inequalities and national cuisine, Contemporary Britain is the ideal introduction for students and interested general readers alike.