Johnny D. Boggs – författare

This illustrated filmography analyzes the plots and players of the more than forty motion pictures about the legendary Missouri outlaw Jesse James (1847-1882), from the silent era to the 21st century. Among the films and actors covered are Jesse James (1939) with Tyrone Power, Kansas Raiders (1950) with Audie Murphy, The Great Northfield Minnesota Raid (1972) with Robert Duvall, and The Assassination of Jesse James by the Coward Robert Ford (2007) with Brad Pitt. Each evaluation compares Hollywood's version of history to the hard facts.A brief biography of the outlaw provides an overview of his life and career. Also examined are European films, made-for-television movies and continuing TV series that have featured episodes involving Jesse James.

A comprehensive filmography, this book is composed of lengthy entries on about 75 films depicting legendary New Mexico outlaw Billy the Kid--from the lost Billy the Kid (1911) to the blockbuster Young Guns (1988) to the direct-to-video 1313: Billy the Kid(2012) and everything in between. Each entry gives a synopsis, cast and credits, critical reception, and a discussion of the events of the films compared to the historical record. Among the entries are made-for-TV and direct-to-video films, foreign movies, and continuing television series in which Billy the Kid made an appearance.

More than a history of Western movies, The American West on Film intertwines film history, the history of the American West, and American social history into one unique volume.The American West on Film chronicles 12 Hollywood motion pictures that are set in the post–Civil War American West, including The Ox-Bow Incident, Red River, High Noon, The Searchers, The Magnificent Seven, Little Big Man, and Tombstone. Each film overview summarizes the movie's plot, details how the film came to be made, the critical and box-office reactions upon its release, and the history of the time period or actual event. This is followed by a comparison and contrast of the filmmakers' version of history with the facts, as well as an analysis of the film's significance, then and now.Relying on contemporary accounts and historical analysis as well as perspectives from filmmakers, historians, and critics, the author describes what it took to get each movie made and how close to the historical truth the movie actually got. Readers will come away with a better understanding of how movies often reflect the time in which they were made, and how Westerns can offer provocative social commentary hidden beneath old-fashioned "shoot-em-ups."

Sports on Film takes readers behind the scenes of how movies get made and puts them in the stands for some of the key moments in sports in America.Sports on Film documents key events in American sports history through the films that depict them, starting with the integration of major-league baseball when Jackie Robinson signed with the Brooklyn Dodgers. Other significant events and personalities examined include the college basketball point-shaving incident of the 1950s; journalist George Plimpton's attempt to go through the Detroit Lions' NFL training camp in the early 1960s; the originations and popularity of rodeo; the brief run of women's professional baseball during World War II; the underdog racehorse Seabiscuit during the Great Depression; the rise of African American boxer Muhammad Ali; the unique 1970s "Battle of the Sexes" tennis event between Bobby Riggs and Billie Jean King; and Ford Motor Company's run in the 1960s to take motorsports to Europe's premier event in Le Mans, France.

When "talking" pictures first appeared in cinema theaters in the late 1920s, films about newspaper journalists quickly became a Hollywood mainstay. These were a variety of responses from working reporters, editors, and photographers. The newspaper film was a popular genre in the 1950s, and famous films such as All the President's Men (1976) and Spotlight (2015) have depicted the power of the press. Journalists have also been portrayed in films that are not specifically about newspapers, appearing in noir films like Woman on the Run (1950), Westerns such as Fort Worth (1951), comedies like The Ghost and Mr. Chicken (1966), musicals like Wake Up and Live (1937) and historical epics like Lawrence of Arabia (1962).A film historian and former newspaper writer, the author investigates how accurately films have portrayed journalists across the decades. The book also details what journalists thought of the depictions at the time, contributing to brief histories and analyses for each film. Featured journalist archetypes include airy reporters, screaming editors, photographers, sportswriters and war journalists. Classics, misfires, Westerns, obscure treasures and films the press both adored and detested are all included in this comprehensive here.

Not every Wild West disagreement was settled with guns on a dusty street. Even on the frontier, accused criminals were entitled to a fair trial. Author Johnny Boggs recreates and analyzes some of the wildest murder trials of these times.

More than a history of Western movies, The American West on Film intertwines film history, the history of the American West, and American social history into one unique volume.The American West on Film chronicles 12 Hollywood motion pictures that are set in the post–Civil War American West, including The Ox-Bow Incident, Red River, High Noon, The Searchers, The Magnificent Seven, Little Big Man, and Tombstone. Each film overview summarizes the movie's plot, details how the film came to be made, the critical and box-office reactions upon its release, and the history of the time period or actual event. This is followed by a comparison and contrast of the filmmakers' version of history with the facts, as well as an analysis of the film's significance, then and now.Relying on contemporary accounts and historical analysis as well as perspectives from filmmakers, historians, and critics, the author describes what it took to get each movie made and how close to the historical truth the movie actually got. Readers will come away with a better understanding of how movies often reflect the time in which they were made, and how Westerns can offer provocative social commentary hidden beneath old-fashioned "shoot-em-ups."