José Felipe Alvergue – författare

In scenery, lyric's public voice and memoir's personal reconciliations confront the archives of America's racial and legal histories, resulting in a genre-bending exploration of what it means to exist as oneself for an Other. The author, a Salvadorean immigrant and parent, reflects on the status of personhood in America between racial supremacy and racial disavowal, thinking through his own structural role as a naturalized citizen, and naturalization's historical condition in the denial of full legal and emotional Black personhood.This daring work delves into the archive of liberal humanism from colonial era writing on the competing status of slaves to the present, while the visual archive of public news provides an ekphrastic environment to the author's bigger lyric-memory: being the parent of a biracial American-born child in a contemporary era accentuated by violence, white nationalism, and fear. From seventeenth-century casta paintings up to contemporary coverage of domestic unrest and riots, from the delivery room to scenes of parenthood, Alvergue ponders: What is the kind of emotion a face demonstrates, or a body, an assembly? scenery approaches, in an asymptotic manner, the empathy we come to feel when the language we've made is dulled by the roles we are also expected to occupy against one another.

Poetry that considers migration and identity through formal experimentation with sonnets.  José Felipe Alvergue’s en el norte/soy del sur, which translates to “in the north I am of the south,” is an exploration into the limits of the American sonnet, one that seeks to establish a stable sense of place, while opening vistas at each turn. Stitching together multiple sonnets into what he calls “sonnet essays,” Alvergue rides their turns—or “voltas”—that are guided by memories and photographs of his family’s migratory history between El Salvador and the United States.  The resulting text is a story of human geography that considers the coordinates of a long, continuous thought about what it means to be “of a place” as a defining characteristic of identity, when one is also “in a place” that sets strict limits on the political and historical potential of im/migrants. A deeply human documentary work that delves into one family’s migration across the hemisphere, en el norte/soy del sur hopes to give shape to the collective and often amorphous history of migration in the face of narratives that peddle spectacularized distillation and essentialism.