Joyce Tyldesley – författare

This volume offers a detailed case study of the internationally acclaimed online programmes in Egyptology at the University of Manchester, UK. It distils over a decade of online teaching experience and student feedback, providing guidance for instructors developing their own online offerings.

Today, many universities are actively encouraging their teaching staff towards the development of:

• online programmes (programmes to be taught entirely online) and/or

• online units (units to be incorporated into “blended” programmes taught partially online and partially face-to-face).

Unfortunately, the staff tasked with the development of online learning rarely have access to the expertise that they need to help them utilise their teaching skills to their full potential. Technical assistance may be provided by the university e-learning department, but pedagogical and practical help – the support of colleagues with many years’ experience teaching online – is lacking.

Written by experts, the book provides an invaluable guide for those wishing – or being compelled – to establish their own online courses within the humanities.

This volume offers a detailed case study of the internationally acclaimed online programmes in Egyptology at the University of Manchester, UK. It distils over a decade of online teaching experience and student feedback, providing guidance for instructors developing their own online offerings.

Today, many universities are actively encouraging their teaching staff towards the development of:

• online programmes (programmes to be taught entirely online) and/or

• online units (units to be incorporated into “blended” programmes taught partially online and partially face-to-face).

Unfortunately, the staff tasked with the development of online learning rarely have access to the expertise that they need to help them utilise their teaching skills to their full potential. Technical assistance may be provided by the university e-learning department, but pedagogical and practical help – the support of colleagues with many years’ experience teaching online – is lacking.

Written by experts, the book provides an invaluable guide for those wishing – or being compelled – to establish their own online courses within the humanities.

Pharaoh.Icon.Enigma.Lost for three thousand years, misunderstood for a century.A hundred years ago, a team of archaeologists in the Valley of the Kings made a remarkable discovery: a near-complete royal burial, an ancient mummy, and golden riches beyond imagination. The lost tomb of Tutankhamun ignited a media frenzy, propelled into overdrive by rumours of a deadly ancient curse. But amid the hysteria, many stories - including that of Tutankhamun himself - were distorted or forgotten.Tutankhamun: Pharaoh, Icon, Enigma takes a familiar tale and turns on its head. Leading Egyptologist Joyce Tyldesley has gathered ten unique perspectives together for the first time, including that of the teenage pharaoh and his family, ancient embalmers and tomb robbers, famous Western explorers and forgotten Egyptian archaeologists. It''s a journey that spans from ancient Thebes in 1336 BCE, when a young king on a mission to restore his land met an unexpected and violent end, to modern Luxor in 1922 CE when the tomb''s discovery led to a fight over ownership that continues to this day.Above all, this is the story of Tutankhamun, as he would have wanted to be remembered. Piecing together three thousand years of evidence and unpicking the misunderstandings that surround Egypt''s most famous king, this book offers a vital reappraisal on his life, death and enduring legacy.

''Concerning Egypt itself, I shall extend my remarks to a great length, because there is no country that possesses so many wonders.'' The Greek writer Herodotus wrote these words as long ago as the 5th century BC, and the ancient civilization of Egypt has continued to cast its spell on historians, archaeologists and visitors ever since. Thanks to its geographical isolation, Egypt developed a unique and self-contained culture whose religion, customs, art, architecture and social structures changed little over 3000 years. And its dry climate led to the preservation of a wealth of monuments including ancient cities, pyramids, temples and other sumptuous artefacts. The Pharaohs is an illustrated history of the kings who ruled over this extraordinary land, narrating the story of 30 dynasties starting around 3100 BC when the first pharaoh, Menes, unified Upper and Lower Egypt, and ending with the conquest of Egypt in 332 BC by Alexander the Great. It profiles powerful, and sometimes enigmatic, rulers such as Mentuhotep II, Thutmose III, Amenophis II, Akhenaten, Tutankhamun and Ramesses II. The story of these kings includes such seminal events in ancient Egyptian history as the development of the science of writing and the building of the first pyramid at Saqqara during the Archaic Period; the building of the pyramids at Giza by the centralized administration of the Old Kingdom; the expansion of trade with the Levant and Nubia during the Middle Kingdom (the ''classical'' phase of pharaonic civilization); the rule of the foreign Hyksos kings and their introduction of technical innovations such as the horse-drawn chariot; the undertaking of grandiose building projects in the Valley of the Kings by the pharaohs of New Kingdom; expansion into Palestine and Syria which led to conflict with the Hittites; the long decline of Egypt during the Late Period, culminating in its invasion and annexation by Persia and its eventual conquest by Alexander the Great.

More than three thousand years ago a sculptor working in the royal city of Amarna carved a limestone bust of an Egyptian queen. The queen was Nefertiti, consort of the ''heretic pharaoh'' Akhenaten. Plastered and painted, Nefertiti''s bust depicted an extraordinarily beautiful woman. However, Akhenaten''s reign was drawing to an end, and the royal family was soon to be written out of Egypt''s official history. Not long after its creation the stone Nefertiti was locked in a storeroom and forgotten. In 1912 the bust was re-discovered and transported to Germany. Initially hidden from the public view, the beautiful queen was eventually displayed in Berlin Museum. Instantly, she became an ancient world celebrity. Egypt has yielded more than its fair share of artistic masterpieces, but no other sculpture has so successfully bridged the gap between the ancient and modern worlds. The timeless beauty of the Nefertiti bust both attracts us and sparks our imagination, but in so doing it obscures our view of the past, shifting attention not only from the other members of the Amarna court, but also from other, equally valid, representations of Nefertiti herself. In this book Joyce Tyldesley explores the creation of a cultural icon, from its ancient origins to its modern context: its discovery, its display, and its dual role as a political pawn and artistic inspiration.