Judith Flanders – författare

'There is no aspect of Victorian death that does not make it into Judith Flanders’s latest investigation into 19th-century life' - The Sunday Times'Flanders writes with sharp intelligence and first-class scholarly attention to detail' - The TelegraphIn Rites of Passage, acclaimed historian Judith Flanders deconstructs the intricate, fascinating, and occasionally – to modern eyes – bizarre customs that grew up around death and mourning in Victorian Britain.Through stories from the sickbed to the deathbed, from the correct way to grieve and to give comfort to those grieving, to funerals and burials and the reaction of those left behind, Flanders illuminates how living in nineteenth-century Britain was, in so many ways, dictated by dying.This is an engrossing, deeply researched and, at times, chilling social history of a period plagued by infant death, poverty, disease, and unprecedented change. In elegant, often witty prose, Flanders brings the Victorian way of death vividly to life.

The bestselling social history of Victorian domestic life, told through the letters, diaries, journals and novels of 19th-century men and women.The Victorian age is both recent and unimaginably distant. In the most prosperous and technologically advanced nation in the world, people carried slops up and down stairs; buried meat in fresh earth to prevent mould forming; wrung sheets out in boiling water with their bare hands. This drudgery was routinely performed by the parents of people still living, but the knowledge of it has passed as if it had never been. Running water, stoves, flush lavatories – even lavatory paper – arrived slowly throughout the century, and most were luxuries available only to the prosperous.Judith Flanders, author of the widely acclaimed ‘A Circle of Sisters’, has written an incisive and irresistible portrait of Victorian domestic life. The book itself is laid out like a house, following the story of daily life from room to room: from childbirth in the master bedroom, through the scullery, kitchen and dining room – cleaning, dining, entertaining – on upwards, ending in the sickroom and death.Through a collage of diaries, letters, advice books, magazines and paintings, Flanders shows how social history is built up out of tiny domestic details. Through these we can understand the desires, motivations and thoughts of the age.Many people today live in Victorian terraces, and so the houses themselves are familiar, but the lives are not. ‘The Victorian House’ will change all that.

A delightful and fascinating social history of Victorians at leisure, told through the letters, diaries, journals and novels of nineteenth-century men and women, from the author of the bestselling ‘The Victorian House’.Imagine a world where only one in five people owns a book, where just one in ten has a knife or a fork – a world where five people out of every six do not own a cup to hold a hot drink. That was what England was like in the early eighteenth century. Yet by the close of the nineteenth century, the Industrial Revolution had brought with it not just factories, railways, mines and machines but also fashion, travel, leisure and pleasure.Leisure became an industry – a cornucopia of excitement for the masses – and it was spread by newspapers, advertising, promotions and publicity – all of which were eighteenth-century creations. It was Josiah Wedgwood and his colleagues who invented money-back guarantees, free delivery and celebrity endorsements. New technology such as the railways brought audiences to ever-more-elaborate extravaganzas, whether it was theatrical spectaculars with breathtaking pyrotechnics and hundreds of extras – ‘hippodramas' recreating the battle of Waterloo – or the Great Exhibition itself, proudly displaying 'the products of all quarters of the globe' under twenty-two acres of the sparkling 'Crystal Palace'.In ‘Consuming Passions’, the bestselling author of ‘The Victorian House’ explores this dramatic revolution in science, technology and industry – and how a world of thrilling sensation, lavish spectacle and unimaginable theatricality was born.

‘We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it.’ PunchMurder in the 19th century was rare. But murder as sensation and entertainment became ubiquitous – transformed into novels, into broadsides and ballads, into theatre and melodrama and opera – even into puppet shows and performing dog-acts.In this meticulously researched and compelling book, Judith Flanders – author of ‘The Victorian House’ – retells the gruesome stories of many different types of murder – both famous and obscure. From the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedies of the murdered Marr family in London’s East End, Burke and Hare and their bodysnatching business in Edinburgh, and Greenacre who transported his dismembered fiancée around town by omnibus.With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the dangerous to know, ‘The Invention of Murder’ is both a gripping tale of crime and punishment, and history at its most readable.

A delightful and fascinating social history of Victorians at leisure, told through the letters, diaries, journals and novels of nineteenth-century men and women, from the author of the bestselling `The Victorian House’.Imagine a world where only one in five people owns a book, where just one in ten has a knife or a fork – a world where five people out of every six do not own a cup to hold a hot drink. That was what England was like in the early eighteenth century. Yet by the close of the nineteenth century, the Industrial Revolution had brought with it not just factories, railways, mines and machines but also fashion, travel, leisure and pleasure.Leisure became an industry – a cornucopia of excitement for the masses – and it was spread by newspapers, advertising, promotions and publicity – all of which were eighteenth-century creations. It was Josiah Wedgwood and his colleagues who invented money-back guarantees, free delivery and celebrity endorsements. New technology such as the railways brought audiences to ever-more-elaborate extravaganzas, whether it was theatrical spectaculars with breathtaking pyrotechnics and hundreds of extras – `hippodramas' recreating the battle of Waterloo – or the Great Exhibition itself, proudly displaying 'the products of all quarters of the globe' under twenty-two acres of the sparkling 'Crystal Palace'.In `Consuming Passions’, the bestselling author of `The Victorian House’ explores this dramatic revolution in science, technology and industry – and how a world of thrilling sensation, lavish spectacle and unimaginable theatricality was born.

“We are a trading community, a commercial people. Murder is doubtless a very shocking offence, nevertheless as what is done is not to be undone, let us make our money out of it.” Punch.Murder in nineteenth-century Britain was ubiquitous – not necessarily in quantity but in quality. This was the era of penny-bloods, early crime fiction and melodramas for the masses. This was a time when murder and entertainment were firmly entwined.In this meticulously researched and compelling book, Judith Flanders, author of Consuming Passions, takes us back in time to explore some of the most gripping, gruesome and mind-boggling murders of the nineteenth-century. Covering the crimes (and myths) of Sweeney Todd and Jack the Ripper, as well as the lesser known but equally shocking acts of Burke and Hare, and Thurtell and Hunt, Flanders looks at how murder was regarded by the wider British population – and how it became a form of popular entertainment.Filled to the brim with rich source material – ranging from studies of plays, novels and contemporary newspaper articles, A Social History of Murder brings to life a neglected dimension of British social history in a completely new and exciting way.

The bestselling social history of Victorian domestic life, told through the letters, diaries, journals and novels of 19th-century men and women.Some images were unavailable for this electronic edition.The Victorian age is both recent and unimaginably distant. In the most prosperous and technologically advanced nation in the world, people carried slops up and down stairs; buried meat in fresh earth to prevent mould forming; wrung sheets out in boiling water with their bare hands. This drudgery was routinely performed by the parents of people still living, but the knowledge of it has passed as if it had never been. Running water, stoves, flush lavatories – even lavatory paper – arrived slowly throughout the century, and most were luxuries available only to the prosperous.Judith Flanders, author of the widely acclaimed `A Circle of Sisters’, has written an incisive and irresistible portrait of Victorian domestic life. The book itself is laid out like a house, following the story of daily life from room to room: from childbirth in the master bedroom, through the scullery, kitchen and dining room – cleaning, dining, entertaining – on upwards, ending in the sickroom and death.Through a collage of diaries, letters, advice books, magazines and paintings, Flanders shows how social history is built up out of tiny domestic details. Through these we can understand the desires, motivations and thoughts of the age.Many people today live in Victorian terraces, and so the houses themselves are familiar, but the lives are not. `The Victorian House’ will change all that.

A deeply engaging and completely original book about nineteenth-century Britain’s fascination with good quality murder.Murder in nineteenth-century Britain was ubiquitous – not necessarily in quantity but in quality. This was the era of penny-bloods, early crime fiction and melodramas for the masses. This was a time when murder and entertainment were firmly entwined.In this meticulously researched and compelling book, Judith Flanders, author of Consuming Passions, takes us back in time to explore some of the most gripping, gruesome and mind-boggling murders of the nineteenth-century. Covering the crimes (and myths) of Sweeney Todd and Jack the Ripper, as well as the lesser known but equally shocking acts of Burke and Hare, and Thurtell and Hunt, Flanders looks at how murder was regarded by the wider British population – and how it became a form of popular entertainment.Filled to the brim with rich source material – ranging from studies of plays, novels and contemporary newspaper articles, A Social History of Murder brings to life a neglected dimension of British social history in a completely new and exciting way.

The Macdonald sisters -- Alice, Georgiana, Agnes and Louisa -- started life among the ranks of the lower-middle classes, with little prospect of social advancement. But as wives and mothers they made a single family of the poet Rudyard Kipling, the Pre-Raphaelite painter Edward Burne-Jones, Edward Poynter, President of the Royal Academy, and the Prime Minister, Stanley Baldwin. In telling their remarkable story, Judith Flanders displays the fluidity of Victorian society, and explores the life of the family in the 19th century.

"[Flanders] knows what we want to know and is thoroughly engaging, undidactic company."--Katherine A. Powers, Boston Sunday Globe

From the New York Times bestselling author of The Invention of Murder, an extraordinary, revelatory portrait of everyday life on the streets of Dickens's London.

'There is no aspect of Victorian death that does not make it into Judith Flanders’s latest investigation into 19th-century life' - The Sunday Times'Flanders writes with sharp intelligence and first-class scholarly attention to detail' - The TelegraphIn Rites of Passage, acclaimed historian Judith Flanders deconstructs the intricate, fascinating, and occasionally – to modern eyes – bizarre customs that grew up around death and mourning in Victorian Britain.Through stories from the sickbed to the deathbed, from the correct way to grieve and to give comfort to those grieving, to funerals and burials and the reaction of those left behind, Flanders illuminates how living in nineteenth-century Britain was, in so many ways, dictated by dying.This is an engrossing, deeply researched and, at times, chilling social history of a period plagued by infant death, poverty, disease, and unprecedented change. In elegant, often witty prose, Flanders brings the Victorian way of death vividly to life.

'Marvellous . . . I read it with astonished delight . . . It is equally scholarly and entertaining.' - Jan Morris 'Quirky and compelling.' - The Times Once we've learned it as children, few of us think much of the alphabet and its familiar sing-song order. And yet the order of the alphabet, that simple knowledge that we take for granted, plays a major role in our adult lives. From the school register to the telephone book, from dictionaries and encyclopaedias to library shelves, our lives are ordered from A to Z. Long before Google searches, this magical system of organization gave us the ability to sift through centuries of thought, knowledge and literature, allowing us to sort, to file, and to find the information we have, and to locate the information we need. In A Place for Everything, acclaimed historian Judith Flanders draws our attention to both the neglected ubiquity of the alphabet and the long, complex history of its rise to prominence. For, while the order of the alphabet itself became fixed very soon after letters were first invented, their ability to sort and store and organize proved far less obvious. To many of our forebears, the idea of of organizing things by the random chance of the alphabet rather than by established systems of hierarchy or typology lay somewhere between unthinkable and disrespectful.A Place for Everything fascinatingly lays out the gradual triumph of alphabetical order, from its possible earliest days as a sorting tool in the Great Library of Alexandria in the third century BCE, to its current decline in prominence in our digital age of Wikipedia and Google. Along the way, the reader is enlightened and entertained with a wonderful cast of unknown facts, characters and stories from the great collector Robert Cotton, who denominated his manuscripts with the names of the busts of the Roman emperors surmounting his book cases, to the unassuming sixteenth- century London bookseller who ushered in a revolution by listing his authors by 'sirname' first.

'A delightfully quirky sturdy . . . [Flanders] is a meticulour historian with a taste for the offbeat; the story of the alphabet suits her well . . . Fascinating.' Sunday TimesOnce we've learned it as children, few of us think much of the alphabet and its familiar sing-song order. And yet the order of the alphabet continues to play a major role in our adult lives. From school registers to electoral rolls, from dictionaries and encyclopaedias to library shelves, our lives have been ordered from A to Z. Long before Google searches, this magical system of organization gave us the ability to sort through centuries of thought, knowledge and literature, allowing us to sift, file, and find the information we have, and to locate the information we need.In A Place for Everything, acclaimed historian Judith Flanders fascinatingly lays out the gradual triumph of alphabetical order, from its use as a sorting tool in the Great Library of Alexandria to its current decline in prominence in the digital age. Along the way, the reader encounters a wonderful cast of characters,from the great collector Robert Cotton, who catalogued his manuscripts by the names of the busts of the Roman emperors surmounting his book cases, to the unassuming sixteenth-century London bookseller who ushered in a revolution by listing his authors by 'sirname' first.'One of the many fascinations of Judith Flanders' book is that it reveals what a weird, unlikely creation the alphabet is.' Guardian

'A delightfully quirky sturdy . . . [Flanders] is a meticulour historian with a taste for the offbeat; the story of the alphabet suits her well . . . Fascinating.' Sunday TimesOnce we've learned it as children, few of us think much of the alphabet and its familiar sing-song order. And yet the order of the alphabet continues to play a major role in our adult lives. From school registers to electoral rolls, from dictionaries and encyclopaedias to library shelves, our lives have been ordered from A to Z. Long before Google searches, this magical system of organization gave us the ability to sort through centuries of thought, knowledge and literature, allowing us to sift, file, and find the information we have, and to locate the information we need.In A Place for Everything, acclaimed historian Judith Flanders fascinatingly lays out the gradual triumph of alphabetical order, from its use as a sorting tool in the Great Library of Alexandria to its current decline in prominence in the digital age. Along the way, the reader encounters a wonderful cast of characters,from the great collector Robert Cotton, who catalogued his manuscripts by the names of the busts of the Roman emperors surmounting his book cases, to the unassuming sixteenth-century London bookseller who ushered in a revolution by listing his authors by 'sirname' first.'One of the many fascinations of Judith Flanders' book is that it reveals what a weird, unlikely creation the alphabet is.' Guardian

Christmas has been all things to all people: a religious festival, a family celebration, a time of eating and drinking. Yet the origins of the customs which characterize the festive season are wreathed in myth.When did turkeys become the plat du jour? Is the commercialization of Christmas a recent phenomenon, or has the emphasis always been on spending? Just who is, or was, Santa Claus? And for how long have we been exchanging presents of underwear and socks?Food, drink and nostalgia for Christmases past seem to be almost as old as the holiday itself, far more central to the story of Christmas than religious worship. Thirty years after the first recorded Christmas, in the fourth century, the Archbishop of Constantinople was already warning that too many people were spending the day not in worship, but dancing and eating to excess. By 1616, the playwright Ben Jonson was nostalgically recalling the Christmases of yesteryear, confident that they had been better then.In Christmas: A History, acclaimed social historian and bestselling author Judith Flanders casts a sharp and revealing eye on the myths, legends and history of the season, from the origins of the holiday in the Roman empire to the emergence of Christmas trees in central Europe, to what might just possibly be the first appearance of Santa Claus – in Switzerland! – to draw a picture of the season as it has never been seen before.

Christmas has been all things to all people: a religious festival, a family celebration, a time of eating and drinking. Yet the origins of the customs which characterize the festive season are wreathed in myth.When did turkeys become the plat du jour? Is the commercialization of Christmas a recent phenomenon, or has the emphasis always been on spending? Just who is, or was, Santa Claus? And for how long have we been exchanging presents of underwear and socks?Food, drink and nostalgia for Christmases past seem to be almost as old as the holiday itself, far more central to the story of Christmas than religious worship. Thirty years after the first recorded Christmas, in the fourth century, the Archbishop of Constantinople was already warning that too many people were spending the day not in worship, but dancing and eating to excess. By 1616, the playwright Ben Jonson was nostalgically recalling the Christmases of yesteryear, confident that they had been better then.In Christmas: A History, acclaimed social historian and bestselling author Judith Flanders casts a sharp and revealing eye on the myths, legends and history of the season, from the origins of the holiday in the Roman empire to the emergence of Christmas trees in central Europe, to what might just possibly be the first appearance of Santa Claus – in Switzerland! – to draw a picture of the season as it has never been seen before.

The nineteenth century was a time of unprecedented transformation, and nowhere was this more apparent than on the streets of London. In only a few decades, London grew from a Regency town to the biggest city the world had ever seen, with more than 6.5 million people and railways, street-lighting and new buildings at every turn.Charles Dickens obsessively walked London's streets, recording its pleasures, curiosities and cruelties. Now, Judith Flanders follows in his footsteps, leading us through the markets, transport systems, sewers, slums, cemeteries, gin palaces and entertainment emporia of Dickens' London. The Victorian City is a revelatory portrait of everyday life on the streets, bringing to life the Victorian capital in all its variety, vibrancy, and squalor. No one who reads it will view London in the same light again.

The idea that 'home' is a special place, a separate place, a place where we can be our true selves, is so obvious to us today that we barely pause to think about it. But, as Judith Flanders shows in this revealing book, 'home' is a relatively new concept. When in 1900 Dorothy assured the citizens of Oz that 'There is no place like home', she was expressing a view that was a culmination of 300 years of economic, physical and emotional change.In The Making of Home, Flanders traces the evolution of the house across northern Europe and America from the sixteenth to the early twentieth century, and paints a striking picture of how the homes we know today differ from homes through history.The transformation of houses into homes, she argues, was not a private matter, but an essential ingredient in the rise of capitalism and the birth of the Industrial Revolution. Without 'home', the modern world as we know it would not exist, and as Flanders charts the development of ordinary household objects - from cutlery, chairs and curtains, to fitted kitchens, plumbing and windows - she also peels back the myths that surround some of our most basic assumptions, including our entire notion of what it is that makes a family.As full of fascinating detail as her previous bestsellers, The Making of Home is also a book teeming with original and provocative ideas.

There was every possibility that I was dead, and my brain hadn't got the memo. Or maybe it was that I wished I were dead. On reflection, that was more likely.Usually sharp-witted editor Sam Clair stumbles through her post-launch-party morning with the hangover to end all hangovers. Before the Nurofen has even kicked in, she finds herself entangled in an elaborate saga of missing neighbours, suspected arson and the odd unidentified body. When the grisly news breaks that the fire has claimed a victim, Sam is already in pursuit. Never has comedy been so deadly as Sam faces down a pair from Thugs 'R' Us, aided by nothing more than a CID boyfriend, a stalwart Goth assistant and a seemingly endless supply of purple-sprouting broccoli.