Judith Haber - Böcker

Learn how to understand and apply nursing research to everyday practice with LoBiondo-Wood & Haber’s Nursing Research: Methods and Critical Appraisal for Evidence-Based Practice, 11th Edition. Written by an all-star team of educators and research experts, this book features well-balanced coverage of both qualitative and quantitative research methods, as well as the evidenced-based practice (EBP) process. Its easy-to-read, easy-to-understand approach has made this book a four-time recipient of the American Journal of Nursing Book-of-the-Year award and a reader favorite for more than 40 years! This new edition has been thoroughly updated to reflect the most current practices in nursing research and EBP. New examples using recent clinical studies are included throughout each chapter, and new Research Vignettes showcase the work of leaders in the field of nursing research and EBP. LoBiondo-Wood & Haber’s Nursing Research, 11th Edition, is a must-have resource for appraising and using nursing research and quality improvement studies!

Reinforce your understanding of nursing research with this practical study guide! Corresponding to the chapters in LoBiondo-Wood and Haber’s Nursing Research in Canada, 6th Edition, this study guide makes it easy to review nursing research and evidence-informed practice and allows you to further hone your critiquing skills. Each chapter includes a wide variety of activities reflecting clinical practice, and most chapters also include Next­Generation NCLEX� Exam (NGN)-style case studies. This must-have study companion will help you build the knowledge and skills needed to apply nursing research to clinical practice.

Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written from historicist perspectives. In Pastoral and the Poetics of Self-Contradiction, first published in 1995, Judith Haber complicates the conventional opposition between humanist and historicist criticism by examining the ways in which pastoral poets themselves interrogate the contradictory relations inherent in their genre. Haber explores problems of representation, self-representation, and imitation in classical and Renaissance pastoral, focusing on texts by Theocritus, Virgil, Sidney and Marvell. Her approach revises current understanding of pastoral as a genre, and raises wider questions about the place of literature in society and the difficulties involved in constituting literary traditions.

Traditionally, critics of the English Renaissance have viewed pastoral as a static, idealizing genre, aimed at the recreation of an idyllic past. More recently, these idealizing humanist approaches have been forcefully challenged by studies written from historicist perspectives. In Pastoral and the Poetics of Self-Contradiction, first published in 1995, Judith Haber complicates the conventional opposition between humanist and historicist criticism by examining the ways in which pastoral poets themselves interrogate the contradictory relations inherent in their genre. Haber explores problems of representation, self-representation, and imitation in classical and Renaissance pastoral, focusing on texts by Theocritus, Virgil, Sidney and Marvell. Her approach revises current understanding of pastoral as a genre, and raises wider questions about the place of literature in society and the difficulties involved in constituting literary traditions.

This wide-ranging study investigates the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded. Through close readings of texts by Marlowe, Shakespeare, Webster, Middleton, Ford and Cavendish, Haber counters the long-standing New Historicist association of the aesthetic with the status quo, and argues for its subversive potential. Many of the chosen texts unsettle conventional notions of sexual and textual consummation. Others take a more conventional stance; yet by calling our attention to the intersection between traditional dramatic structure and the dominant ideologies of gender and sexuality, they make us question those ideologies even while submitting to them. The book will be of interest to those working in the fields of early modern literature and culture, drama, gender and sexuality studies, and literary theory.