Juliet Guzzetta – författare
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3 produkter
3 produkter
Häftad, Engelska, 2021
389 kr
Skickas inom 5-8 vardagar
This book examines the theater of narration, an Italian performance genre and aesthetic that revisits historical events of national importance from local perspectives, drawing on the rich relationship between personal experiences and historical accounts. Incorporating original research from the private archives of leading narrators—artists who write and perform their work—Juliet Guzzetta argues that the practice teaches audiences how ordinary people aren’t simply witnesses to history but participants in its creation. The theater of narration emerged in Italy during the labor and student protests, domestic terrorism, and social progress of the 1970s. Developing Dario Fo and Franca Rame’s style of political theater, influenced by Jerzy Grotowski and Bertolt Brecht, and following in the freewheeling actor-author traditions of the commedia dell’arte, narrators created a new form of popular theater that grew in prominence in the 1990s and continues to gain recognition. Guzzetta traces the history of the theater of narration, contextualizing its origins—both political and intellectual—and centers the contributions of Teatro Settimo, a performance group overlooked in previous studies. She also examines the genre’s experiments in television and media. The first full-length book in English on the subject, The Theater of Narration leverages close readings and a wealth of primary sources to examine the techniques used by narrators to remake history—a process that reveals the ways in which history itself is a theater of narration.
Inbunden, Engelska, 2021
1 154 kr
Skickas inom 10-15 vardagar
This book examines the theater of narration, an Italian performance genre and aesthetic that revisits historical events of national importance from local perspectives, drawing on the rich relationship between personal experiences and historical accounts. Incorporating original research from the private archives of leading narrators—artists who write and perform their work—Juliet Guzzetta argues that the practice teaches audiences how ordinary people aren’t simply witnesses to history but participants in its creation. The theater of narration emerged in Italy during the labor and student protests, domestic terrorism, and social progress of the 1970s. Developing Dario Fo and Franca Rame’s style of political theater, influenced by Jerzy Grotowski and Bertolt Brecht, and following in the freewheeling actor-author traditions of the commedia dell’arte, narrators created a new form of popular theater that grew in prominence in the 1990s and continues to gain recognition. Guzzetta traces the history of the theater of narration, contextualizing its origins—both political and intellectual—and centers the contributions of Teatro Settimo, a performance group overlooked in previous studies. She also examines the genre’s experiments in television and media. The first full-length book in English on the subject, The Theater of Narration leverages close readings and a wealth of primary sources to examine the techniques used by narrators to remake history—a process that reveals the ways in which history itself is a theater of narration.
Inbunden, Engelska, 2026
1 898 kr
Kommande
Presents a twenty-first century vision for Italian feminist thought.Italian feminists of postwar Europe were arguably the most influential group of thinkers and actors to transform the society of late-twentieth-century Italy. Engaging profound issues such as class, labor, and rural and urban disparity, they theorized sexual difference, mounted campaigns such as "Wages for Housework," and shared experiences of the everyday and the extraordinary in literature, film, and theater. Now, a quarter into the twenty-first century, amid a new generation of intellectuals and artists, this collection of essays and critical stories explores ongoing developments in Italian feminist thought, its current debates, and future trajectories. In this volume, some of the most celebrated writers in Italy dialogue with an international cohort of scholars to construct a community for new ideas between intellectuals, artists, and activists. The result is an inclusive multilingual and multicultural narrative about feminist theory and practice that makes the case for a just—and, therefore, feminist—society.