Jurek Becker – författare

An 18-year-old Jew discovers that his father's friends are holding prisoner a former Nazi concentration camp guard. They are interrogating and torturing him in an attempt to get him to admit his crimes. This novel illustrates the tensions between the holocaust generation and their children.

Jürek Becker (1937–97) is best known for his novel Jacob the Liar, which follows the life of a man, who, like Becker, lived in the Lódz ghetto during the German occupation of Poland in World War II. Throughout his career, Becker also wrote nonfiction, and the essays, lectures, and interviews collected in My Father, the Germans and I share a common thread in that they each speak to Becker’s interactions with and opinions on the social, political, and cultural conditions of twentieth-century Germany. Becker, who had lived in both German states and in unified Germany, was passionately and humorously active in the political debates of his time. Becker never directly aligned himself with either the political ideology of East Germany or the capitalist market forces of West Germany. The remains of fascism in postwar Germany, and the demise of Socialism, as well as racism and xenophobic violence, were topics that perpetually interested Becker. However, his writings, as evidenced in this collection, were never pedantic, but always entertaining, retaining the sense of humor that made his novels so admired. My Father, the Germans and I gives expression to an exceptional author’s perception of himself and the world and to his tireless attempt to bring his own unique tone of linguistic brevity, irony, and balance to German relations.

Released from a concentration camp after the war, Aron Blank looks for and eventually finds the only other surviving member of his family, his son Mark, whom he was forced to abandon when Mark was only two years old. Working first in the black market and later as a Russian interpreter, Aron tries to rebuild a normal life for himself and his son in East Berlin. Decades later, with Mark lost in the Six-Day War, Aron tells his story to a young interviewer—the flow of his poignant narrative occasionally interrupted by their brief exchanges, which are peppered with humor. Written with the understated elegance that brought Becker worldwide acclaim for Jacob the Liar, this is a rare portrait of Jewish life in postwar Germany and a profoundly human story of survival, friendship, and fatherly love.

Jurek Becker was one of the giants of postwar German literature. The novel for which he is best-known, Jacob the Liar, won wide acclaim, was awarded the Heinrich-Mann and Charles Veillon Prizes, and was made into two movies. It has been called “a novel about the martyrdom of Europe’s Jews that has never been surpassed” (Times Literary Supplement). The Wall is a new, brief collection of stories by Becker that have either never been translated into English or been published here in book form before. The title story, “The Wall,” recounts two boys’ risky adventure when they scale the wall of a transit camp to visit the ghetto their families have recently vacated. In “The Most Popular Family Story,” a favorite anecdote recounted year after year at the gatherings of an extended Jewish family subtly marks the absences left by the Holocaust. Also included are two stories of Communist East Germany and the wall that divided Berlin, “The Suspect” and “Romeo,” as well as a short essay on the Lodz ghetto, “The Invisible City.” Christine Becker has provided an introduction to the collection.Skyhorse Publishing, as well as our Arcade, Yucca, and Good Books imprints, are proud to publish a broad range of books for readers interested in fiction—novels, novellas, political and medical thrillers, comedy, satire, historical fiction, romance, erotic and love stories, mystery, classic literature, folklore and mythology, literary classics including Shakespeare, Dumas, Wilde, Cather, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.