Justine Van Der Leun – författare

A ‘MAKING A MURDERER’ set in South Africa – a gripping true-crime story of murder and the justice system in the shadow of apartheid‘Gripping, explosive . . . crafts a close sense of place that rivals the work of Katherine Boo’ New York TimesIn 1993, in the final, fiery days of apartheid, a 26-year-old white American activist called Amy Biehl was murdered by a group of young black men in a township near Cape Town. Four men were tried and convicted of the murder and sentenced to eighteen years in prison. A few years later they had been freed. Two of the men were subsequently employed by Amy’s parents to work at a charity set up in her memory. The men grew close to the Biehls. They called them ‘Grandmother’ and ‘Grandfather’.Justine van der Leun, an American writer living in South Africa, set out to tell this twenty-year story, but as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the crime actually responsible? And could it be that another violent crime committed on the same day, in the very same area, was connected to the murder of Amy Biehl?‘Beautifully written and carefully observed …a Truman Capote-style detective story in which Van der Leun rummages for clues through the detritus of modern South Africa’ Financial Times‘Deeply researched and thought-provoking . . . an engaging take on a murder that might have derailed democracy’ Economist

A ‘MAKING A MURDERER’ set in South Africa – a gripping true-crime story of murder and the justice system in the shadow of apartheid‘Gripping, explosive . . . crafts a close sense of place that rivals the work of Katherine Boo’ New York TimesIn 1993, in the final, fiery days of apartheid, a 26-year-old white American activist called Amy Biehl was murdered by a group of young black men in a township near Cape Town. Four men were tried and convicted of the murder and sentenced to eighteen years in prison. A few years later they had been freed. Two of the men were subsequently employed by Amy’s parents to work at a charity set up in her memory. The men grew close to the Biehls. They called them ‘Grandmother’ and ‘Grandfather’.Justine van der Leun, an American writer living in South Africa, set out to tell this twenty-year story, but as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the crime actually responsible? And could it be that another violent crime committed on the same day, in the very same area, was connected to the murder of Amy Biehl?‘Beautifully written and carefully observed …a Truman Capote-style detective story in which Van der Leun rummages for clues through the detritus of modern South Africa’ Financial Times‘Deeply researched and thought-provoking . . . an engaging take on a murder that might have derailed democracy’ Economist

A gripping investigation in the vein of the podcast Serial—a summer nonfiction pick by Entertainment Weekly and The Wall Street Journal Justine van der Leun reopens the murder of a young American woman in South Africa, an iconic case that calls into question our understanding of truth and reconciliation, loyalty, justice, race, and class.“Timely . . . gripping, explosive . . . the kind of obsessive forensic investigation—of the clues, and into the soul of society—that is the legacy of highbrow sleuths from Truman Capote to Janet Malcolm.”—The New York Times Book Review“A masterpiece of reported nonfiction . . . Justine van der Leun’s account of a South African murder is destined to be a classic.”—Newsday The story of Amy Biehl is well known in South Africa: The twenty-six-year-old white American Fulbright scholar was brutally murdered on August 25, 1993, during the final, fiery days of apartheid by a mob of young black men in a township outside Cape Town. Her parents’ forgiveness of two of her killers became a symbol of the Truth and Reconciliation process in South Africa. Justine van der Leun decided to introduce the story to an American audience. But as she delved into the case, the prevailing narrative started to unravel. Why didn’t the eyewitness reports agree on who killed Amy Biehl? Were the men convicted of the murder actually responsible for her death? And then van der Leun stumbled upon another brutal crime committed on the same day, in the very same area. The true story of Amy Biehl’s death, it turned out, was not only a story of forgiveness but a reflection of the complicated history of a troubled country. We Are Not Such Things is the result of van der Leun’s four-year investigation into this strange, knotted tale of injustice, violence, and compassion. The bizarre twists and turns of this case and its aftermath—and the story that emerges of what happened on that fateful day in 1993 and in the decades that followed—come together in an unsparing account of life in South Africa today. Van der Leun immerses herself in the lives of her subjects and paints a stark, moving portrait of a township and its residents. We come to understand that the issues at the heart of her investigation are universal in scope and powerful in resonance. We Are Not Such Things reveals how reconciliation is impossible without an acknowledgment of the past, a lesson as relevant to America today as to a South Africa still struggling with the long shadow of its history.Praise for We Are Not Such Things“[Van der] Leun probes the characterization of [Amy] Biehl as a martyr to the cause of black South African liberation, and examines the murder, the trials, and the afterlives of witnesses, detectives, and the accused. She displays exquisite insights into the inner lives of those involved, the erasure of shameful histories, and the stresses of absolution without accountability.”—The New Yorker “Moving . . . a very necessary and occasionally confounding account of a small slice of post-apartheid, post-Mandela South Africa, a country that has largely been forgotten in the international maelstrom of terrorism and mass migration. It is a story of frustrated expectations, broken dreams, endemic greed and corruption, but also indomitable human spirit, told against the backdrop of one of the world’s most beautiful natural settings.”—Minneapolis Star Tribune“Unforgettable . . . a gripping narrative that examines the messiness of truth, the illusory nature of reconciliation, [and] the all too often false promise of justice.”—The Boston GlobeFrom the Hardcover edition.