Jutta Weldes - Böcker
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Not simply an “event” or merely an “incident,” the 1962 standoff between the U. S. and the Soviet Union over missiles in Cuba was a crisis, which subsequently has achieved almost mythic significance in the annals of United States foreign policy. Jutta Weldes asks why this occurrence in particular should be cast as a crisis, and how this so significantly affected “the national interest.” Here, Weldes analyzes the so-called Cuban missile crisis as a means to rethink the idea of national interest, a notion central to both the study and practice of international relations.Why did the presence of Soviet missiles in Cuba constitute a crisis for U.S. state officials and thus a dire threat to U.S. national interests? It was, Weldes suggests, more a matter of discursive construction than of objective facts or circumstances. Drawing on social theory and on concepts from cultural studies, she exposes the “realities” of the crisis as social creations in the service of a particular and precarious U.S. state identity defined within the Cold War U.S. “security imaginary.”Constructing National Interests shows how this process allowed for a redefining of the identities, interests, and likely actions of various states, so that it seemed to logically serve the U.S. national interest in removing the missiles from Cuba.
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This volume explores the science fiction/world politics intertext. Through detailed analyses of such texts as "Blade Runner", "Stalker", "Star Trek", and "Buffy the Vampire Slayer", the chapters in this volume examine the complex and sometimes contradictory relations between world politics, both as discipline and as practice, and discourses of science fiction. Offering a novel combination of popular culture analysis with major theoretical and empirical issues concerning world politics, "Science Fiction and World Politics" provides insights into the discursive constitution of both science fiction and world politics while highlighting the occasional challenges that the science fiction/world politics intertext launches at our common sense.