Kaitlin Halloran – författare
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3 produkter
3 produkter
473 kr
Skickas inom 5-8 vardagar
A much-needed reexamination of one of the earliest exponents of Abstract ExpressionismPublished with Parrish Art Museum.This ambitious catalog spans the seven-decade career of the American Abstract Expressionist painter James Brooks (1906–92), providing an overdue reappraisal of this artist who boldly disrupted any tendency toward repeated formulas. After discarding the Social Realist style of his early career, Brooks pioneered the use of staining, dilution and accidental deterioration of canvases.Boasting an eight-page gatefold and a detailed chronology and bibliography, this fully illustrated catalog features a generous sampling of Brooks' ever-evolving oeuvre: murals for the procurement division of the Treasury Department in the 1930s; paintings created in the Middle East during his military service as a combat artist for the War Department’s Art Advisory Committee in the 1940s; early lithographs and paintings influenced by the Southwestern regionalism of his formative Dallas years; abstract expressionist works of the 1950s; and his later colorful abstractions that presaged some of the art of today.
551 kr
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The vastness of Long Island in Scully's paintingsSean Scully: The Albee Barn, Montauk is a focused survey of the artist's work ranging from 1981 to 2024, exploring his Long Island connection and a significant shift in artistic practice that took place during a residence in Montauk in 1982. The book recalls Scully's fellowship at the Edward F. Albee Foundation where he found great inspiration in the natural landscape of the East End, ultimately transforming his palette to include deep, earthy tones, and transformative whites within his now recognizable vocabulary. The paradigmatic shift proved to be essential in Scully's practice—leading to a breakthrough in style and subject matter. The catalogue will bring together over 70 works and provide an opportune moment to present these paintings produced some 40 years ago as a substantial collection.
421 kr
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Endless Limits: The Work of James Howell, 1962-2014 provides a close examination of the abstract painter James Howell, from his early figurative works made while living on Bainbridge Island, WA, to his mathematical gradient paintings created during his time in Greenwich Village, NY. Howell's unwavering dedication to color and light is represented throughout his first-ever career retrospective, taking place on the East End of Long Island at the Parrish Art Museum in Water Mill, NY. The artist's connection to Long Island, including his friendship with artist Fairfield Porter and his time spent living and working in Montauk later in life, is explored throughout the volume. This fully illustrated catalog features essays by the exhibition's curators, Kaitlin Halloran and Scout Hutchinson, as well as art historian Jason Rosenfeld. Each offers a closer look at Howell during distinct moments throughout his career. The catalog also includes an essay by Hiroshi Sugimoto—an artist Howell deeply admired—on his Seascapes series. JAMES HOWELL (1935-2014) was an American artist who dedicated over five decades of his life to working with infinite gradations of gray. From 1968, he mainly created abstract paintings and exhibited them regularly on the West Coast of the United States. In 1983, he moved into a studio located on San Juan Island, WA, where he was surrounded by the continiously shifting grays in the sky, water, and light. This environment undoubtedly influenced his artistic production. In 1992, he moved to New York, where his signature style emerged in the 1990s with his Series 10. This series explores gradations of gray, his interests in mathematics, physics, and philosophy. The artist's work transcends mere color and speaks to the interconnectedness of all things.