Karen An-hwei Lee – författare

WINNER OF THE CATHERINE DOCTOROW INNOVATIVE FICTION PRIZEA technocratic collapse erases an obscure poet from existence, she and her pet moss ball refuse to disappearMarimo, Mon Amour is a surreal, contemplative novel set in the quarantined borough of Alphabet City, where a botched data migration leaves obscure poet Zinger Zingiber effectively erased from the record. Furloughed from her jobs as a dumpling-maker and asylum specialist, she withdraws to her apartment with only her pet moss ball, Marimo, for company. As the Bureau of Misidentification bans forbidden words and controls identity, Zinger appoints herself the "Minister of Loneliness," observing a world suspended in time.From this quiet refuge, Zinger meditates on solitude, the fragility of memory, and the small, ephemeral moments that become acts of meaning. Her narration drifts between dream and reality, blending whimsy with philosophical inquiry. Lyrical and recursive, the novel draws on the psychological depth of Dostoevsky and the surreal sensibilities of Italo Calvino and Yoko Ogawa as it explores agency a plague of absentia. Marimo, Mon Amour will appeal to readers of literary and speculative fiction, fans of surreal or philosophical narratives, and anyone drawn to meditations on isolation, resistance, and the endurance of the human spirit.

A little more than two thousand years ago, the Roman poet Virgil wrote his Georgics, a long poetic sequence about agriculture, suffused with profound reflections on the relationship between humanity, nature, and the divine--and reflecting the political turmoil of his times.California poet Karen An-hwei Lee, inspired by Virgil, has created her own dense, richly-layered collection of "Neo-Georgics," constituting an extended exploration of such motifs ashappiness, olive groves, vineyards, soil chemistries, the seacoast, and the birth of trees. In Lee''s contemporary rendering we confront an environment blighted by our carbon footprint; advancements in agricultural technology and genetic engineering; the digital age; fossil fuel transportation; and vanishing bees. Rose Is a Verb explores the ancient tradition of agrarian labor, including tilling the soil andinterpreting weather signs and war omens. The poems flash with verbal ingenuity and mind-bending allusions--challenging the heart and mind but repaying slow, careful readings many times over. A meditation on the natural environment, this collection serves as a biomythography of procreation and a reflection on the meaning of happiness.

“Karen An-hwei Lee’s third book is a beautiful and sustained meditation on the impermanence of humanity’s essential components: memory, spirituality, emotion, thought….Contemplative and linguistically sophisticated,Phyla of Joy is simply exquisite —‘ink and stanza / flow like wind on grass.’” — Rigoberto GonzálezThere’s an undeniable audacity in a poet using the word “joy” in our beleaguered world. In her new book, Karen An-hwei Lee combines scientific precision and an appetite for far-flung vocabularies with a fascination for the sources of rapturous emotion.In poems that roam from the intimacy of prayer to the art of brewing tea, from bamboo-related famine to quasars, the globe’s minor seas, and the nuptial flight of ants, Phyla of Joy reaches toward ecstasy.

A collection of visions shared across cyberspace, Souvenirs, a collaboration between authors Andrew Colarusso and Karen An-hwei Lee, celebrates fragments from the literary afterlife. In Souvenirs, a philosophically astute, poetically searing collection of miniature fictions and contemporary fables, objects take on shapes of their own designs creating a composite map to a world populated with little transparent souls and ghost ships in lost bottles; a menagerie of curios; photophores of bioluminescence humming in the depths: light begetting light, deep calling to deep. In these twenty-seven prose gems, it seems that Colarusso and Lee are writing from a single mind as they strike a balance between humor and philosophy; the acute and the everlasting. The ideas they discuss—religion, faith, universality, continuance—are large, but their prose is accessible, and at times outright hilarious. Strange, compelling, and arcane considerations of watches, jade, seaweed, and cake, among many other items, come through with stylistic prowess and earnest, intelligent considerations. Souvenirs adds complexity to the mundane, re-centers the iconic, and gifts the reader with nothing short of astonishment; wonder baked into each delicious slice.

A collection of poems that blesses the reader with a spirit of hope, solace, and inspiration in their own seasons of adversity.The Beautiful Immunity asks how we create good in an imperfect world of fallible souls. Spare and formally daring, these poems were refined through the catastrophes of wildfires, recession, and a major public health crisis through the hope of a beautiful immunity—an everlasting salve for the lost. This slender volume reads as the culmination of more than a decade’s worth of labor, documenting large-scale social, cultural, and political upheavals, as well as the moment when the word “anthropause” floated indelibly into the world’s vocabulary.

“Lee’s strange and gemological arrangements are the measure of her gift. . . .”—from the Foreword by Heather McHughAmbitious and original, Karen An-hwei Lee’s first book-length poem is in the form of an eccentric dictionary.  In Medias Res brings to mind the long poems of Anne Carson, though Lee is less concerned with ironies than with mysteries.  In compressed and oddly slanted “definitions,” ranging from one line, “A paper bird unopened until marriage” (“Comparison”), to longer, parable-like narratives, Lee’s poem moves through the alphabet to limn the border between language and spirit.  Often playful and slyly humorous, In Medias Res is an investigation into how God hides in language.  Karen Lee has made a brilliant entry into poetry.Karen An-hwei Lee lives and teaches on the West Coast. Her chapbook of prose poems, God's One Hundred Promises received the Swan Scythe Press Prize.  A regular contributor to literary journals, she has completed several novellas and poetry collections. Her work has won numerous university awards, fellowships, and residencies, including a fellowship from the Yoshiko Uchida Foundation. She holds an M.F.A. in creative writing and a Ph.D. in literature.