Kathryn Smith - Böcker

It's bad enough when you have to deal with ugly dresses, drunken wedding parties, and embarassing relatives. But what happens when your wedding really is from hell? From Maggie Shayne, the story of a curse of the McLellan brides, and the one woman who decides to break the spell. Haunted by the ghosts of her ancestors, Casey McLellan must find the absolute right man to marry - or face certain death.Jeaniene Frost's Bones is a little too busy to hunt down a criminal mastermind and rescue a damsel in distress. So he sends his friend Chance to do the job. What was supposed to be routine turns out to be anything but once Chance lays eyes on the crime lord's (reluctant) fiancee.Terri Garey's Nicki Styx has gotten pretty used to the ghosts that are now a part of her life. But a ghost...at a wedding? When unexplained events disrupt a ceremony, it's up to Nicki to convince the ghost to take a back seat.Violet Wynston-Jones is getting married - or she was, until vampire Payen Carr hears about the ceremony...and finds out the true nature of her groom-to-be.Now, with her former lover on the scene and an evil society set against them, Violet and Payen join forces in Kathryn Smith's "The Wedding Knight."

The first history of Frank Lloyd Wright's exhibitions of his own work--a practice central to his career More than one hundred exhibitions of Frank Lloyd Wright's work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect's influential career. Drawing extensively from Wright's unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright's earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture.The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright's exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century. Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright's supervision.

This diminutive survey features all aspects of Wright's art, from lowslung Prairie houses to the dramatic, seminal Fallingwater, to larger projects such as his two homes, Taliesin and Taliesin West, culminating in that icon of modernism, New York's Guggenheim Museum. This satisfying volume is complete with drawings and rarely seen works from Wright's own Asian art collection.

In this refreshing new study, Wright scholar Kathryn Smith does just that, exploring the grace and beauty found in all facets of Frank Lloyd Wright's work: from office desks and chairs to his first residential commissions, from magazine cover designs to major public buildings. The concise text and brilliant colour photographs chart Wright's entire career, beginning with his apprenticeship to Adler and Sullivan before the turn of the century. Readers witness the Prairie period, Wright's years in Japan and California, his major designs of the late 1920s and 1930s, his Usonian houses, and the monumental late works of his last decades. Smith shows examples of Wright's drawings, furniture, and decorative arts, too, supplementing our understanding of Wright's aesthetic. The book concludes with a glimpse at the architect's seldom-seen collection of Asian art, which once comprised tens of thousands of pieces - a source of much inspiration and edification for the architect and his students, and a key to understanding Wright's views on art and nature.Here is a broad portrait of the master builder who sought the title "greatest architect of all time." Although it may never be possible to fully assess Wright's legacy, Kathryn Smith's authoritative book is a fitting testament to his lasting genius.

With 350 color photographs collected in a compact volume, this breathtaking design coffee table book offers a survey of Wright’s life in architecture in a portable format.Featuring more than 100 discrete works, from the well-known to the obscure, expertly discussed in the text of highly respected Wright scholar Kathryn Smith, Frank Lloyd Wright weaves a gorgeous tapestry that will engage the mind and delight the eye.An extraordinarily abundant trove of architectural riches, the book includes:• Early Work: Such as the Home and Studio in Oak Park, IL (1889) • Textile Block Houses: Evocative scenes of Los Angeles in the mid-1920s• Seminal Masterpieces: Including Fallingwater in the Pennsylvania wilderness (1935) and the Solomon R. Guggenheim Museum in New York (1956)A stunning overview of the work of this towering American genius, this compact architecture book encompasses the entirety of Frank Lloyd Wright’s long and extraordinarily prolific career.

The “fine biography” and “compelling personal story” (The Wall Street Journal) of arguably the most influential member of Franklin Delano Roosevelt’s administration, Marguerite “Missy” LeHand, FDR’s de facto chief of staff, who has been misrepresented, mischaracterized, and overlooked throughout history…until now.Widely considered the first—and only—female presidential chief of staff, Marguerite “Missy” LeHand was the right-hand woman to Franklin Delano Roosevelt—both personally and professionally—for more than twenty years. Although her official title as personal secretary was relatively humble, her power and influence were unparalleled. Everyone in the White House knew one truth: If you wanted access to Franklin, you had to get through Missy. She was one of his most trusted advisors, affording her a unique perspective on the president that no one else could claim, and she was deeply admired and respected by Eleanor Roosevelt. With unprecedented access to Missy’s family and original source materials, journalist Kathryn Smith tells the “fascinating” (Publishers Weekly) and forgotten story of the intelligent, loyal, and clever woman who had a front-row seat to history in the making. The Gatekeeper is a thoughtful, revealing unsung-hero story about a woman ahead of her time, the true weight of her responsibility, and the tumultuous era in which she lived—and a long overdue tribute to one of the most important female figures in American history.

A 2022 Washington State Book Award finalistEnvironmental collapse. The betrayals and alliances of the animal world. A father who works in a timber mill. The celebrities in our feeds, the stories we tell ourselves. Loss, never-ending loss. Self-Portrait with Cephalopod—selected by francine j. harris as winner of the Jake Adam York Prize—is an account of being a girl, and then a woman, in the world; of being a living creature on a doomed planet; of being someone who aspires to do better but is torn between attention and distraction.Here, Kathryn Smith offers observations and anxieties, prophecies and prayers, darkness and light—but never false hope. Instead, she incises our vanities and our hypocrisies, “the bloody hand holding back / the skin,” revealing “the world’s inner workings, / rubbery and caught between the teeth.” These are the poems of someone who feels her and our failings in the viscera, in the bones, and who bears witness to that pain on the page.Self-Portrait with Cephalopod is an urgent and necessary collection about living in this precarious moment, meditative and resolutely unsentimental.