Kathryn Smith – författare

Brahm Ryland is a man used to getting everything he desires...

Another London season has just wound down and Brahm Ryland, Viscount Creed, is thankful for it. Since a horrible mistake ruined his betrothal to the beautiful Lady Eleanor Durbane, his life as a scandalous bachelor has grown tedious; every day without Eleanor seems longer than the last. But then a break in the monotony appears: an invitation to a shooting party at the home of Lord Burrough, Eleanor''s father, and he knows his chance to make amends has come at last.

Yet Brahm soon finds that Eleanor will need more than a simple apology to atone for his betrayal -- and after so many years of hurt it will take time and care to make her learn to trust again. When all her sisters warn her against him, she knows she would be a fool to give their passion another chance. But what Eleanor doesn''t know is that London''s boldest viscount will do anything -- anything -- it takes for a second chance at his one true love ...

Some marriages are made in heaven . . . Some are not.

What happens when "the happiest day of your life" turns into a nightmare? Forget the drunken best man or the bridesmaid dresses from the ''80s . . . none of these wedding day disasters can compare to a cursed bride determined to make it down the aisle, or a vampire who is about to disrupt your wedding.

Join New York Times bestselling authors Maggie Shayne and Jeaniene Frost, USA Today bestseller Kathryn Smith, as well as Terri Garey in four unforgettable tales of unholy matrimony . . . where the grooms are dark, dangerous, and mostly dead, and to love and cherish till death takes on a whole new meaning.

An experienced thief, Wynthrope Ryland is no stranger to beautiful women—or to relieving them of their most valued possessions. But this life of crime is not one he chose for himself, and just when he thinks he has put that world behind him, he is forced to return, to protect the career and family of his brother, North.

Moira Tyndale, a stately viscountess, is his target for this final assignment. But he cannot get close to her without feeling some powerful connection between them. At first he pushes the attraction aside, but as she gives him more and more trust and understanding, Wyn realises he cannot ignore their passion. He knows he must protect her secrets and her past, but he cannot protect her from himself. How can he choose between his heart''s desire and his brother''s safety?

Since North Ryland and Octavia March were wrenched apart and their childhood friendship destroyed, much has changed. North has had a successful career as a Bow Street runner, and has made quite a name and fortune for himself. So much so that when Octavia’s fiancé (for she is now engaged to one of the most desirable men of the town) needs to hire a man to investigate threats on Octavia’s safety, he is the only man that will do.

I am called Chapel . . .

For nearly six centuries I have roamed the night, a mortal man no longer. Would that I could undo the past -- when I entered the sanctuary of the Knights Templar to wrest from them the Holy Grail, only to discover the chalice I raised to my lips was not the sacred relic but a hellish cup of damnation. Now I shun the day and all things human, driven by an ungodly thirst. And yet...

Never have I known a maiden the like of Prudence Ryland, whose beauty and spirit awaken a heart I feared long cold and dead. But her young life is slipping away, and she also seeks the deliverance of the Grail -- unaware that the cost of her search could be her soul. I must help Prudence, for in six hundred years, no other woman has stirred my passions so. But dare I tender to my beloved that which she most desires -- the sensuous "gift" of forever that is both rapture and a curse: my immortal kiss?

Bishop has been a vampire for 700 years and though he wishes nothing more than to live his life in peace, getting humans to believe that vampires are not monsters is a difficult task, and vampire hunters like The Reaper make it even more difficult.

Believing that a vampire killed her mother, Irina leads a band of vigilantes, determined to rid the world of these monsters. What no one knows is that Irina herself is half–vampire. Determined to deny that side of her, Irina captures Bishop, believing he can lead her to the vampire responsible for her mother''s death. But over the course of Bishop''s captivity, secrets about Irina''s past are revealed and she soon learns that what she has always believed to be true is anything but. Now Irina and Bishop are in a race against time as they fight for their lives––and their love.

You may call it a dream job . . .

And in some ways, you''d be right. I actually get paid to study people''s dreams. It comes much easier than my employers at the Sleep Center suspect; after all, I, Dawn, am the daughter of the king of the dream world, and I can roam the dreams of others, battling the nightmares that plague them.

I call it a nightmare . . .

Honestly, I could use a good night''s sleep. But ever since I met Noah Clarke, I''m even more torn between the two worlds: smart, sexy, and able to control his own dreams, Noah could be my perfect man—except he''s being stalked in his sleep by an unearthly evil, hell-bent on destroying him . . . and the entire world.

This explosive final chapter in the Brotherhood of the Blood series finds Temple the target of an alluring assassin...

Temple is the leader of the Brotherhood of the Blood. He’s appointed himself protector of the Blood Grail, the cup that turned him and his brethren into vampires. Now the Order of the Silver Palm is after the Grail, and Temple. Vivian has been an outsider all her life, until the Order took her in. They transformed her from a poor farm girl to a woman who is as comfortable with a blade as well as a tea cup. Now she is their assassin, and they’ve sent her after Temple. Neither could have imagined the attraction to one another. They were on different sides, fighting for different things, and yet, they are drawn to each other. Has the assassin fallen in love with her target? Does her target have an ulterior motive? Or was their love destined to be…

“Kathryn Smith is a wonderfully original author of stylish, page-turning romance.”—Lisa Kleypas

In When Tempting a Rogue, the breathtaking conclusion to Kathryn Smith’s red hot historical romance series about the powerful and wealthy patrons of Victorian London’s most prestigious house of pleasure, sparks fly and passions are unleashed when the brother of a duke attempts to rekindle the flames of a lost love. New York Times bestselling author Sabrina Jeffries says that Kathryn Smith, “satisfies the soul.” Fans of Lisa Kleypas and Judith Ivory will undoubtedly agree.

Bishop has been a vampire for 700 years and though he wishes nothing more than to live his life in peace, getting humans to believe that vampires are not monsters is a difficult task, and vampire hunters like The Reaper make it even more difficult.

Believing that a vampire killed her mother, Irina leads a band of vigilantes, determined to rid the world of these monsters. What no one knows is that Irina herself is half–vampire. Determined to deny that side of her, Irina captures Bishop, believing he can lead her to the vampire responsible for her mother''s death. But over the course of Bishop''s captivity, secrets about Irina''s past are revealed and she soon learns that what she has always believed to be true is anything but. Now Irina and Bishop are in a race against time as they fight for their lives––and their love.

The first history of Frank Lloyd Wright''s exhibitions of his own work—a practice central to his careerMore than one hundred exhibitions of Frank Lloyd Wright''s work were mounted between 1894 and his death in 1959. Wright organized the majority of these exhibitions himself and viewed them as crucial to his self-presentation as his extensive writings. He used them to promote his designs, appeal to new viewers, and persuade his detractors. Wright on Exhibit presents the first history of this neglected aspect of the architect’s influential career.Drawing extensively from Wright’s unpublished correspondence, Kathryn Smith challenges the preconceived notion of Wright as a self-promoter who displayed his work in search of money, clients, and fame. She shows how he was an artist-architect projecting an avant-garde program, an innovator who expanded the palette of installation design as technology evolved, and a social activist driven to revolutionize society through design. While Wright’s earliest exhibitions were largely for other architects, by the 1930s he was creating public installations intended to inspire debate and change public perceptions about architecture. The nature of his exhibitions expanded with the times beyond models, drawings, and photographs to include more immersive tools such as slides, film, and even a full-scale structure built especially for his 1953 retrospective at the Guggenheim Museum. Placing Wright’s exhibitions side by side with his writings, Smith shows how integral these exhibitions were to his vision and sheds light on the broader discourse concerning architecture and modernism during the first half of the twentieth century.Wright on Exhibit features color renderings, photos, and plans, as well as a checklist of exhibitions and an illustrated catalog of extant and lost models made under Wright’s supervision.

She discovers a truth, a hard truth to accept: she and her husband have swapped souls. When her husband wakes from his bed with a frown on his face. Xie Qianlan raised his eyebrows and asked, "How are you in my body?" ... One year later