Kenneth McConkey - Böcker
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4 produkter
4 produkter
247 kr
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Arthur Melville was arguably the most innovative and modernist Scottish artist of his generation and one of the finest British watercolourists of the nineteenth century, yet he avoided categorisation. In 1943 the Scottish Colourist John Duncan Fergusson confessed that although they never met, "his work opened up to me the way to free painting - not merely freedom in the use of paint, but freedom of outlook". This book offers a comprehensive survey of Arthur Melville's (1855-1904) rich and varied career as artist-adventurer, Orientalist, forerunner of The Glasgow Boys, painter of modern life and re-interpreter of the landscape of Scotland. His travels inspired spectacular watercolours and paintings. This book illustrates around sixty of his works, each with a catalogue entry, and an essay by Kenneth McConkey, which discusses Melville's art and career.
Revival: Memory and Desire (2002)
Painting in Britain and Ireland at the Turn of the Twentieth Century
Häftad, Engelska, 2019
568 kr
Skickas inom 10-15 vardagar
This title was first published in 2002. 'Memory and Desire' is a lavishly illustrated account of the art world in Britain at the turn of the twentieth century. It calls upon rich resources of contemporary diaries, letters and art criticism, as well as the analysis of works of art to answer questions about how and why new artistic tendencies emerged and tastes changed. Eschewing the familiar narrative of an inevitable progress towards modernism, Kenneth McConkey considers a broad range of art and critical thinking in the period. Discussing the market for old master paintings, which rivalled those for modern art, and the question of how and why certain genres of art were particularly successful at the time, McConkey explores the detail and significance of contemporary taste. He draws upon the work of commercially successful painters such as John Singer Sargent, William Orpen, George Clausen, Alfred East, John Lavery and Philip Wilson Steer, and their critic-supporters to throw light upon current arguments about training, aesthetics, visual memory and the creation of new art. 'Memory and Desire' is a major contribution to our knowledge of this important period in British art.
Revival: Memory and Desire (2002)
Painting in Britain and Ireland at the Turn of the Twentieth Century
Inbunden, Engelska, 2017
1 952 kr
Skickas inom 10-15 vardagar
This title was first published in 2002. 'Memory and Desire' is a lavishly illustrated account of the art world in Britain at the turn of the twentieth century. It calls upon rich resources of contemporary diaries, letters and art criticism, as well as the analysis of works of art to answer questions about how and why new artistic tendencies emerged and tastes changed. Eschewing the familiar narrative of an inevitable progress towards modernism, Kenneth McConkey considers a broad range of art and critical thinking in the period. Discussing the market for old master paintings, which rivalled those for modern art, and the question of how and why certain genres of art were particularly successful at the time, McConkey explores the detail and significance of contemporary taste. He draws upon the work of commercially successful painters such as John Singer Sargent, William Orpen, George Clausen, Alfred East, John Lavery and Philip Wilson Steer, and their critic-supporters to throw light upon current arguments about training, aesthetics, visual memory and the creation of new art. 'Memory and Desire' is a major contribution to our knowledge of this important period in British art.
556 kr
Skickas inom 7-10 vardagar
A comprehensive monograph of artistic travel at the height of British imperial power. Kenneth McConkey takes us around the world to show how British travelers, equipped with cameras and canvases, created artworks commemorating scenes and experiences in southern Europe, North Africa, the Middle East, India, and Japan. He introduces us to a generation of painters, trained in academies and artists' colonies in Europe that acted as crèches for those who would go on to explore life and landscape further afield. With rich illustrations, the book explores key sites visited by artist-travelers and investigates a wide range of artists, including Frank Brangwyn, Mary Cameron, Alfred East, John Lavery, Arthur Melville, and Mortimer Menpes, as well as other under-researched British artists. Drawing the strands together, it redefines the picturesque by considering issues of visualization and verisimilitude, dissemination, and aesthetic value.