Kim Stafford – författare
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"In our time there has been no poet who revived human hearts and spirits more convincingly than William Stafford." —Naomi Shihab NyeSome time when the river is ice ask memistakes I have made. Ask me whetherwhat I have done is my life. —from "Ask Me"In celebration of the poet''s centennial, Ask Me collects one hundred of William Stafford''s essential poems. As a conscientious objector during World War II, while assigned to Civilian Public Service camps Stafford began his daily writing practice, a lifelong early-morning ritual of witness. His poetry reveals the consequences of violence, the daily necessity of moral decisions, and the bounty of art. Selected and with a note by Kim Stafford, Ask Me presents the best from a profound and original American voice.
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Wild Honey, Tough Salt offers a prismatic view of Earth citizenship, where we must now be ambidextrous. The book takes a stern look inward calling for sturdy character and supple spirit, and a bold look outward seeking ways to engage grief trouble. The book begins with poems that witness a buoyant life in a difficult world: wandering New Orleans in a trance, savoring the life of artist Tove Jansson, reading the fine print on the Mexican peso and the Scottish five-pound note. Clues to untapped energy lie everywhere by the lens of poetry. The book then moves to considerations of the worst in us—torture and war: how to recruit a child soldier? How to be married to the heartless guard? What to say to your child who is enamored by bullets? In the third section, the book offers a spangle of poems blessing earth: wren song, bud growth, river’s eager way with obstacles. And the final section offers poems of affection: infant clarities of home, long marriage in dog years, a consoling campfire in the yard when all seems lost. The book will soften your trouble, and give you spirit for the days ahead.
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The five sections in Kim Stafford’s Singer Come from Afar hold poems that summon war and peace, pandemic struggles, Earth imperatives, a seeker’s spirit, and forge kinship. The former poet laureate of Oregon, Stafford has shared poems from this book in libraries, prisons, on reservations, with veterans, immigrants, homeless families, legislators, and students in schools. He writes for hidden heroes, resonant places, and for our chance to converge in spite of differences. Poems like “Practicing the Complex Yes” and “The Fact of Forgiveness” engineer tools for connection with the self, the community, and the Earth: “It is a given you have failed . . . [but] the world can’t keep its treasures from you.” For the early months of the pandemic, Stafford wrote and posted a poem for challenge and comfort each day on Instagram and published a series of chapbooks that traveled hand to hand to far places—to Norway, Egypt, and India. He views the writing and sharing of poetry as an essential act of testimony to sustain tikkun olam, the healing of the world. May this book be the hidden spring you seek.
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In his third poetry collection from Red Hen Press, Kim Stafford gathers poems that sing with empathy, humor, witness, and story. Poems in this book have been set to music, quoted in the New York Times, posted online in the Academy of American Poets Poem-a-Day series, gathered in a chapbook sold to benefit Ukrainian refugees, posted online in response to Supreme Court decisions, composed for a painter’s gallery opening, and in other ways engaged a world at war with itself, testifying for the human project hungry for kinship, exiled from bounty, and otherwise thirsting for the oxygen of healing song.
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