Krist Gruijthuijsen – författare

Can You Dig It?Digital—even before this word signified research-based proces-sing, its original meaning referred to the fingers. The same goes for the artists Michael Morris and Vincent Trasov, whose Image Bank, founded in 1969, did not consist of ones and zeros but en-tirely of postal handwork. With the intent of a decentralized and network-based circulation and exchange of images, they antici-pated the structures of today’s image databases on the Internet. Moreover, from sending, receiving, and collecting, a multifaceted and expansive oeuvre formed, whose creator is no longer a single person, but a collective movement. Away from established insti-tutions such as museums and galleries, a utopia of non-hierarchi-cal and free exchange of images first took shape here, which has lost nothing of its topicality even from today’s perspective.Exhibition: KW Institute for Contemporary Art, 22.6.–1.9.2019

A legendary personality

This publication accompanies the mid-career survey exhibition of British-Japanese artist Simon Fujiwara at Mudam Luxembourg. About Simon Fujiwara brings together a range of writers who approach his practice from multiple perspectives, addressing its central themes, concerns and methodologies. The essays examine the underlying structures of Fujiwara’s work through fields such as psychoanalysis, iconography, branding and marketing, reflecting on the conditions of living and making art in an increasingly mediated world. Often described as holding a ‘distorted mirror to the twenty-first century’, Fujiwara’s work is both enchanting and unsettling. This first-of-its-kind publication offers a moment to reflect on a complex and evolving practice.

This publication is being released to coincide with the retrospective of the British-Japanese artist Simon Fujiwara at Mudam Luxembourg. It brings together a range of authors who explore Fujiwara's central themes and methods from diverse perspectives. The essays examine the structures underlying his works through the lens of topics such as psychoanalysis, iconography, branding, and marketing. In doing so, they also reflect on the conditions of artistic life and work in an increasingly mediatized world. Fujiwara's work, often described as a "e;distorted mirror of the 21st century,"e; is both fascinating and unsettling. The publication invites readers to explore a complex, contradictory, and constantly evolving body of work. Simon Fujiwara (*1982, London) has developed a wide-ranging body of work that encompasses performance, video, painting, and immersive installations. His work explores constructions of the self in the 21st century, particularly in relation to technology and capitalism. In 2010, he received the Baloise Prize at Art Basel as well as the Frieze Cartier Award.

This publication is being released to coincide with the retrospective of the British-Japanese artist Simon Fujiwara at Mudam Luxembourg. It brings together a range of authors who explore Fujiwara's central themes and methods from diverse perspectives. The essays examine the structures underlying his works through the lens of topics such as psychoanalysis, iconography, branding, and marketing. In doing so, they also reflect on the conditions of artistic life and work in an increasingly mediatized world. Fujiwara's work, often described as a "e;distorted mirror of the 21st century,"e; is both fascinating and unsettling. The publication invites readers to explore a complex, contradictory, and constantly evolving body of work. Simon Fujiwara (b. 1982, London) has developed a wide-ranging body of work that encompasses performance, video, painting, and immersive installations. His work explores constructions of the self in the 21st century, particularly in relation to technology and capitalism. In 2010, he received the Baloise Prize at Art Basel as well as the Frieze Cartier Award.