Laurel Brake – författare

Studies and Reviews, 1864-1889 is volume five in the ten-volume Collected Works of Walter Pater. It brings together, for the first time, Pater's essays, reviews, and articles that were published in the press and not reprinted in their original form in his books. These include several texts that have not been republished since their first appearance. The volume thus offers a richer, more comprehensive overview of Pater's literary journalism, highlighting his management of his career in a rapidly evolving print media landscape, across publications such as the Westminster Review, the Academy, the Fortnightly Review, Macmillan's Magazine, The Guardian, and the Pall Mall Gazette. Most significantly, it reveals his strategies for navigating a hostile environment of conservative and homophobic critics, editors, and publishers who were opposed to the 'art for art's sake' aestheticism that Pater advocated. The volume demonstrates the extraordinary breadth of Pater's interests. It features lengthy pieces on William Morris, Samuel Taylor Coleridge, European Romanticism, and Giordano Bruno, and shorter pieces on topics ranging from prose style, poetry, art history, theatre history, religious issues, philosophy, English as a university subject, and contemporary French fiction. Also included in the volume are Pater's reviews of works by his friends and contemporaries such as Sidney Colvin, Vernon Lee, J. W. Mackail, Marc-André Raffalovich, George Saintsbury, J. A. Symonds, Arthur Symons, and Mary Ward, revealing his participation in a ubiquitous practice of reciprocal reviews, facilitated by the prevailing trend for anonymity in reviewing.The volume offers a comprehensive critical introduction, a chronology of Pater's life and contemporary events, extensive explanatory notes, and four appendices.

This collection of important new research in 19th-century media history represents some salient, recent developments in the field. Taking as its theme, the ways the media serves to define identities - national, ethnic, professional, gender, and textual, the volume addresses serials in the UK, the US, and Australia. High culture rubs shoulders with the popular press, text with image, feminist periodicals and masculine, gay, and domestic serials. Theory and history combine in research by scholars of international repute.

Examining the relation of print and culture in the 19th century, this book scrutinizes the cultural politics and production of Victorian magazines. A high degree of interdependence among literature, history and journalism is alleged, and ways in which space is designated male or female is explored.

Walter Pater (1839-94) was an active participant in the literary marketplace as an academic, journalist, critic, writer of short stories, and novelist at a time of the rise of English and of journalism, university reform, and the professionalisation and separating out of literature from journalism. He was also a classicist whose interest in Greek studies coincided with a commitment to explore in his writings the scope of male homosexual discourse. This critical study of a key figure in Victorian literary society examines Pater’s work on art history, literature and Greek studies, as well as analysing the roles of gender and journalism in shaping his writing. Laurel Brake approaches Pater’s writings from the prospective of cultural history – including publishing and the politics of literature and gender – and covers his key works, including Studies in the History of the Renaissance, Style, Imaginary Portraits, Marius the Epicurean, and Greek Studies.

This book examines the connection between print and culture in the nineteenth century, identifying a neglected and important body of Victorian criticism. Subjugated Knowledges explores the relations of certain forms of nineteenth-century printed texts to their modes of production and to each other, in their own time period and in ours. Brake claims that there is a high degree of interdependence among literature, history, and journalism. She investigates the ways in which space is designated male or female as well as the way authorship is constructed in various forms of biography, including in such diverse forms as obituaries and dictionaries. The book moves from a general mapping of the relations between literature and journalism and their respective formations to studies of individual textssuch as Harper's New Monthly Magazine, Woman's World, and the Dictionary of National Biography and of relations between (the construction of) authorship and publishing history. The volume is comprised of three sections: Literature and Journalism, Gendered Space, and Biography and Authorship.The first section contains chapters on such diverse issues as the professionalization of critics, cultural formation of journals, new journalism, press censorship, and decadence. The second section discusses women's magazines of the 1880s and 90s, while the third examines debates in the press about biography.

This book examines the connection between print and culture in the nineteenth century, identifying a neglected and important body of Victorian criticism. Subjugated Knowledges explores the relations of certain forms of nineteenth-century printed texts to their modes of production and to each other, in their own time period and in ours. Brake claims that there is a high degree of interdependence among literature, history, and journalism. She investigates the ways in which space is designated male or female as well as the way authorship is constructed in various forms of biography, including in such diverse forms as obituaries and dictionaries. The book moves from a general mapping of the relations between literature and journalism and their respective formations to studies of individual textssuch as Harper's New Monthly Magazine, Woman's World, and the Dictionary of National Biography and of relations between (the construction of) authorship and publishing history. The volume is comprised of three sections: Literature and Journalism, Gendered Space, and Biography and Authorship.The first section contains chapters on such diverse issues as the professionalization of critics, cultural formation of journals, new journalism, press censorship, and decadence. The second section discusses women's magazines of the 1880s and 90s, while the third examines debates in the press about biography.

This volume is the first scholarly treatment of the News of the World from news-rich broadsheet to sensational tabloid. Contributors uncover new facts and discuss a range of topics including Sunday journalism, gender, crime, empire, political cartoons, the mass market, investigative techniques and the Leveson Inquiry.

This volume is the first scholarly treatment of the News of the World from news-rich broadsheet to sensational tabloid. Contributors uncover new facts and discuss a range of topics including Sunday journalism, gender, crime, empire, political cartoons, the mass market, investigative techniques and the Leveson Inquiry.

Examining the relation of print and culture in the 19th century, this book scrutinizes the cultural politics and production of Victorian magazines. A high degree of interdependence among literature, history and journalism is alleged, and ways in which space is designated male or female is explored.