Lauren O'Neill-Butler – författare

Carrie Moyer consciously centres her painting as a practice about painting, with history as a subtext. Known for her incursions into Colour Field painting, Moyer also traces her influences to iconic female artists of the twentieth century, such as Georgia O Keeffe, and surrounding questions of taste, once quipping of her paintings that [Helen] Frankenthaler and [Fernand] Leger met in a dark corner and had Elizabeth Murray. Moyer s complex work merges abstract aesthetics and legible imagery: vividly coloured and textured forms are embedded with a range of historical, stylistic, and physical references to Surrealism, Modernism, 1960s and 70s counterculture graphics, and 70s feminist art. Moyer often works on the floor, pouring, rolling, stippling, mopping the paint, and embellishing with glitter. An exploration of acrylic s unique properties is a driving force in her work. Beginning as an intern at HERESIES, the pioneering feminist art magazine, Moyer has also engaged in critical practices beyond the studio. This monograph enriches a deep dive into Moyer s painting practice, in particular her work of the past decade, with a portfolio of the artist s agitprop from the 1990s, including Dyke Action Machine! (DAM!), one of the first lesbian public art projects.

Artists in America have long battled against injustices, believing that art can in fact "do more." The War of Art tells this history of artist-led activism and the global political and aesthetic debates of the 1960s to the present. In contrast to the financialized art market and celebrity artists, the book explores the power of collective effort - from protesting to philanthropy, and from wheat pasting to planting a field of wheat. Lauren O'Neill-Butler charts the post-war development of artists' protest and connects these struggles to a long tradition of feminism and civil rights activism. The book offers portraits of the key individuals and groups of artists who have campaigned for solidarity, housing, LGBTQ+, HIV/AIDS awareness, and against Indigenous injustice and the exclusion of women in the art world. This includes: the Black Emergency Cultural Coalition (BECC), Women Artists in Revolution (WAR), David Wojnarowicz's work with ACT UP, Top Value Television (TVTV), Agnes Denes, Edgar Heap of Birds, Dyke Action Machine! (DAM!), fierce pussy, Project Row Houses, and Nan Goldin's Prescription Addiction Intervention Now (PAIN). Based upon in-depth oral histories with the key figures in these movements, and illustrated throughout, The War of Art is an essential corrective to the idea that art history excludes politics.

Artists in America have long battled against injustices, believing that art can in fact "do more." The War of Art tells this history of artist-led activism and the global political and aesthetic debates of the 1960s to the present. In contrast to the financialized art market and celebrity artists, the book explores the power of collective effort - from protesting to philanthropy, and from wheat pasting to planting a field of wheat. Lauren O''Neill-Butler charts the post-war development of artists'' protest and connects these struggles to a long tradition of feminism and civil rights activism. The book offers portraits of the key individuals and groups of artists who have campaigned for solidarity, housing, LGBTQ+, HIV/AIDS awareness, and against Indigenous injustice and the exclusion of women in the art world. This includes: the Black Emergency Cultural Coalition (BECC), Women Artists in Revolution (WAR), David Wojnarowicz''s work with ACT UP, Top Value Television (TVTV), Agnes Denes, Edgar Heap of Birds, Dyke Action Machine! (DAM!), fierce pussy, Project Row Houses, and Nan Goldin''s Prescription Addiction Intervention Now (PAIN). Based upon in-depth oral histories with the key figures in these movements, and illustrated throughout, The War of Art is an essential corrective to the idea that art history excludes politics.