Lawrence D. Kritzman – författare

Beginning with Marcel Ophus's documentary The Sorrow andthe Pity (1970) there has been an attempt to question the idea of a totally unified, courageous and resistant wartime France. Even more startling have been the increasingly shocking revelations that the politics of collaboration were a mere extension of a deep-seated French anti-semitic tradition. In the shadow of these developments French writers and philosophers today are reflecting on the meaning of Jewish identity in the contemporary world.Auschwitz and After analyses for the first time how the memory of Auschwitz and the collaboration continue to haunt the French. These critical evaluations are accompianed by provocative essays on the "jewish Question" and the politics of race as they have been studied by writers, historians, philosophers and film makers in postwar France.

Beginning with Marcel Ophus's documentary The Sorrow andthe Pity (1970) there has been an attempt to question the idea of a totally unified, courageous and resistant wartime France. Even more startling have been the increasingly shocking revelations that the politics of collaboration were a mere extension of a deep-seated French anti-semitic tradition. In the shadow of these developments French writers and philosophers today are reflecting on the meaning of Jewish identity in the contemporary world.Auschwitz and After analyses for the first time how the memory of Auschwitz and the collaboration continue to haunt the French. These critical evaluations are accompianed by provocative essays on the "jewish Question" and the politics of race as they have been studied by writers, historians, philosophers and film makers in postwar France.

This 1991 book examines the relationship between psychoanalytic theory and the literature of the French Renaissance by exploring the issues of gender, the body, and repression in many of the key literary texts of the period, including Scève, Rabelais, Marguerite de Navarre, Ronsard, and Montaigne. By means of detailed readings of individual texts, Lawrence Kritzman examines how sexuality functions as a rhetorical trope through which desire is represented. Professor Kritzman's study concentrates on three major objectives: the issues of gender identity and sexual difference in French Renaissance texts; the question of how the body is represented in the blasons, love poetry and prose of the period; and the way in which figural language depicts the libidinal, political and social tensions at work in texts. It was the first wide-ranging theoretical study to provide reading models to investigate the taboo subject of sexuality underlying literary production in the French Renaissance.

Politics, Philosophy, Culture contains a rich selection of interviews and other writings by the late Michel Foucault, many of which are hard to find. Drawing upon his revolutionary concept of power as well as his critique of the institutions that organize social life, Foucault discusses literature, music and the power of art while also examining concrete issues such as the Left in contemporary France, the social security system, the penal system, homosexuality, madness and the Iranian Revolution.Taken together, the book provides a perfect companion to Foucault's best-known works, offering a fascinating insight into the mind and work of one of the twentieth century's most influential and controversial thinkers.This Routledge Classics edition includes a new Preface by Lawrence D. Kritzman, in which he situates Foucault's thought in the context of Donald Trump's presidency. It also retains his helpful original introduction to the anthology.