Lee Barron – författare

Social theory can sometimes seem as though it's speaking of a world that existed long ago, so why should we continue to study and discuss the theories of these dead white men? Can their work still inform us about the way we live today? Are they still relevant to our consumer-focused, celebrity-crazy, tattoo-friendly world? This book explains how the ideas of classical sociological theory can be understood, and applied to, everyday activities like listening to hip-hop, reading fashion magazines or watching reality TV. Taking the reader through central sociological texts, Social Theory In Popular Culture explains why key theorists – from Marx to Saussure – are still considered to be the bedrock of sociology and sociological enquiry. Each chapter examines a different key thinker and applies their work to a recognisable aspect of popular cultural, showing how the central issues underpinning classic social thought - class, conflict, gender, power, ethnicity, and social status - can still be readily observed within the modern global world.Encouraging the reader to critique and reflect upon the ways in which classic social theory applies to their own worlds, this is the perfect antidote to dry social theory explanations. It is an eye-opening read for all students and scholars across the social sciences.

Social theory can sometimes seem as though it's speaking of a world that existed long ago, so why should we continue to study and discuss the theories of these dead white men? Can their work still inform us about the way we live today? Are they still relevant to our consumer-focused, celebrity-crazy, tattoo-friendly world? This book explains how the ideas of classical sociological theory can be understood, and applied to, everyday activities like listening to hip-hop, reading fashion magazines or watching reality TV. Taking the reader through central sociological texts, Social Theory In Popular Culture explains why key theorists – from Marx to Saussure – are still considered to be the bedrock of sociology and sociological enquiry. Each chapter examines a different key thinker and applies their work to a recognisable aspect of popular cultural, showing how the central issues underpinning classic social thought - class, conflict, gender, power, ethnicity, and social status - can still be readily observed within the modern global world.Encouraging the reader to critique and reflect upon the ways in which classic social theory applies to their own worlds, this is the perfect antidote to dry social theory explanations. It is an eye-opening read for all students and scholars across the social sciences.

What is celebrity? How do celebrities influence society? Why do we hang on their every word, tweet or status update?

Celebrity Cultures offers a fresh insight into the field of celebrity studies by updating existing debates and exploring recent developments. From the PR campaigns of Alexander the Great and Julius Caesar to the election of Arnold Schwarzenegger as Governor of California, this book critically evaluates a number of diverse celebrity case-studies and considers what they reveal about contemporary global society. Taking into account issues such as gender, sexuality, ethnicity, economics, politics and the media, the book draws upon a range of cultural theorists including Theodore Adorno and Jean Baudrillard.

Over the course of ten richly illustrated chapters, the book:

Draws upon sociology, cultural theory, media analysis and celebrity commentary to explore and re-evaluate the study of celebrity. Examines the international appeal of celebrity including examples from India, China, South Korea and Indonesia. Includes chapter introductions identifying key points and annotated further reading suggestions.

Celebrity Cultures is an invaluable resource for students of celebrity, media and cultural studies.

Tattoos are a highly visible social and cultural sight, from TV series that represent the lives of tattoo artists and their interactions with clients, to world-class sports stars and the social actors we meet on a daily basis who display visible tattoo designs. Whereas in the not-to-distant past tattoos were commonly culturally perceived to represent an outward sign of social non-conformity or even deviance, tattoos now increasingly transcend class, gender, and age boundaries and arguably are now more culturally acceptable than they have ever been. But why is this the case, and why do so many social actors elect to wear tattoos? Tattoo Culture explores these questions from historical, cultural and media perspectives, but also from the heart of the culture itself, from the dynamics of the tattoo studio, the work of the artist and the world of the tattoo convention, to the perspective of the social actors who bear designs to investigate the meanings which lie being the images. It critically examines the ways in which tattoos alter social actors’ sense of being and their relationship with time in the semiotic ways with which they communicate, to themselves or to the wider world, key elements of their bodily and personal identity and sense of being.

Tattoos are a highly visible social and cultural sight, from TV series that represent the lives of tattoo artists and their interactions with clients, to world-class sports stars and the social actors we meet on a daily basis who display visible tattoo designs. Whereas in the not-to-distant past tattoos were commonly culturally perceived to represent an outward sign of social non-conformity or even deviance, tattoos now increasingly transcend class, gender, and age boundaries and arguably are now more culturally acceptable than they have ever been. But why is this the case, and why do so many social actors elect to wear tattoos? Tattoo Culture explores these questions from historical, cultural and media perspectives, but also from the heart of the culture itself, from the dynamics of the tattoo studio, the work of the artist and the world of the tattoo convention, to the perspective of the social actors who bear designs to investigate the meanings which lie being the images. It critically examines the ways in which tattoos alter social actors’ sense of being and their relationship with time in the semiotic ways with which they communicate, to themselves or to the wider world, key elements of their bodily and personal identity and sense of being.

AI and Popular Culture explores the development and social significance of artificial intelligence by looking at representations in fiction, film and television, as well as examining the effect of AI technologies on the way we consume culture.Lee Barron traces the evolution of AI – from the Turing Machine to deep learning, to interrogate the key issues and debates. He uses examples of AI from pop culture to help us understand how the technology is changing aspects of society from surveillance and work to human relationships with technology.AI and Popular Culture sheds light on how artificial intelligence has changed our world and helps you to understand where it might take us next. It also makes significant contributions to Media and Cultural Studies, Humanities, and Social Sciences, as well as to subjects such as AI Ethics and Society and Computing.

The Anthropocene and Popular Culture examines the proposition that geology and humanity have connected to constitute a new epoch: the Anthropocene. Critically exploring the nature, present and potentially future catastrophic global environmental transformations of this epoch, the chapters through the analysis of Anthropocene-themed popular cultural representations.Adding to what is still a relatively small core of texts that link the Anthropocene to popular culture, author Lee Barron provides a new set of case studies in one text that brings together representations of the Anthropocene from the perspectives of literature, film, television, celebrity and environmental discourses, and popular music. Aligning sociological and popular science approaches to the Anthropocene with perspectives drawn from speculative design, the chapters are accessible to readers from a range of disciplinary backgrounds, examining key approaches to the concept and its impact, and discussing political, cultural philosophical and sociological analysis of the Anthropocene from the perspectives of theorists such as Bruno Latour, Dipesh Chakrabarty, Ian Angus, Andreas Malm, Carolyn Merchant, Roy Scranton, Nigel Clark, Jamie Lorimer, Donna Haraway, Diane Ackerman, Mark Bould, and Sverre Raffnsøe.With promising appeal for scholars of applied and cultural sociology and disciplines regarding sustainability studies and human environmental impacts, The Anthropocene and Popular Culture is also interesting reading for the subdisciplines of media and cultural studies, and environmental studies of literature.

The rise of tattoos into the mainstream has been a defining aspect of 21st century western culture. Tattoos and Popular Culture showcases how tattoos have been catapulted from 'deviant' and 'alternative' subculture, into a popular culture, becoming a potent signifier of 'difference' for the Millennial generation. From tattooed film superheroes such as Harley Quinn, MTV’s Just Tattoo of Us, and the extensively tattooed and mediated bodies of celebrities across social media, tattoos are now not only inscribed into increasing numbers of Millennial and Gen Z bodies, but also into mainstream culture. As the entrenched stigmas associated with tattoos are eroded Barron asks, how do subcultural and mainstream tattoo images and practices co-exist? Which cultural expressions are at the forefront of modern tattoo culture?