Lee Hill – författare

Terry Southern was integral to the avant-garde in postwar Paris, the Beat Years, swinging London, New York and Hollywood in the psychedelic sixties. He wrote the screenplays for "Easy Rider", "Dr Strangelove" and "Barbarella", suggested to Stanley Kubrick that the film "A Clockwork Orange", and created some of the most enduring landmarks of popular culture. "A Grand Guy" tells Southern's story - from his experiences during the Second World War to his appearance on the cover of "Sgt Pepper", from the lecture halls and jazz clubs of 1940s Paris to touring Texas with the Rolling Stones - providing a fresh portrait of one of the most enigmatic icons of the twentieth century.

Easy Rider (1969) broke the mould of Hollywood studio production, making stars of Peter Fonda, Dennis Hopper and Jack Nicholson, and launching a new wave of radical and experimental American cinema. One of the key films of the late 60s, Easy Rider enshrined the ideals of the counterculture, but also foresaw their demise in the division and paranoia of a nation rocked by Watergate and the Vietnam War. Few films since have captured its particular blend of innocence and cynicism, hope and despair.In his illuminating study of the film, Lee Hill explores both the circumstances surrounding its making and the social and cultural forces that found expression in it. Hill argues that the role of the film’s primary screenwriter, Terry Southern, has been neglected as the exact circumstances of production, filming and editing have become lost in myth-making. Drawing on archival research and first-person interviews with Southern, Hill questions some of the legends that surround Easy Rider.In his afterword to this new edition, Hill revisits the film from the perspective of a contemporary era of political strife, and traces the subsequent fortunes of its director, producer and stars Hopper, Fonda and Nicholson in a changing Hollywood.

Easy Rider (1969) broke the mould of Hollywood studio production, making stars of Peter Fonda, Dennis Hopper and Jack Nicholson, and launching a new wave of radical and experimental American cinema. One of the key films of the late 60s, Easy Rider enshrined the ideals of the counterculture, but also foresaw their demise in the division and paranoia of a nation rocked by Watergate and the Vietnam War. Few films since have captured its particular blend of innocence and cynicism, hope and despair.In his illuminating study of the film, Lee Hill explores both the circumstances surrounding its making and the social and cultural forces that found expression in it. Hill argues that the role of the film's primary screenwriter, Terry Southern, has been neglected as the exact circumstances of production, filming and editing have become lost in myth-making. Drawing on archival research and first-person interviews with Southern, Hill questions some of the legends that surround Easy Rider.In his afterword to this new edition, Hill revisits the film from the perspective of a contemporary era of political strife, and traces the subsequent fortunes of its director, producer and stars Hopper, Fonda and Nicholson in a changing Hollywood.

Easy Rider (1969) broke the mould of Hollywood studio production, making stars of Peter Fonda, Dennis Hopper and Jack Nicholson, and launching a new wave of radical and experimental American cinema. One of the key films of the late 60s, Easy Rider enshrined the ideals of the counterculture, but also foresaw their demise in the division and paranoia of a nation rocked by Watergate and the Vietnam War. Few films since have captured its particular blend of innocence and cynicism, hope and despair.In his illuminating study of the film, Lee Hill explores both the circumstances surrounding its making and the social and cultural forces that found expression in it. Hill argues that the role of the film's primary screenwriter, Terry Southern, has been neglected as the exact circumstances of production, filming and editing have become lost in myth-making. Drawing on archival research and first-person interviews with Southern, Hill questions some of the legends that surround Easy Rider.In his afterword to this new edition, Hill revisits the film from the perspective of a contemporary era of political strife, and traces the subsequent fortunes of its director, producer and stars Hopper, Fonda and Nicholson in a changing Hollywood.

Released in 1969, ''Easy Rider ''broke the mold of Hollywood studio production, making stars of Peter Fonda, Dennis Hopper, and Jack Nicholson and launching a new wave of radical and experimental American cinema. ''Easy Rider ''was one of the crucial films of the late 60s, a film that enshrined the ideals of the counterculture but also foresaw the demise of these ideals in the despair and paranoia of a nation rocked by Watergate and the Vietnam War. It was a seminal road movie and a massive financial success that spawned endless imitations. Few films since have been able to catch its particular blend of innocence and cynicism, hope and despair. In his meticulously researched book, Lee Hill analyzes both the circumstances surrounding the making of ''Easy Rider ''and the social and cultural forces that found expression in it. Hill persuasively argues that the role of illustrious screenwriter Terry Southern in ''Easy Rider ''has been neglected as the exact circumstances of production, filming, and editing have become lost in mythmaking. Referring to little known archival material, Hill questions some of the legends that surround ''Easy Rider.''