Leonard J. Leff – författare
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5 produkter
5 produkter
Häftad, Engelska, 1999
499 kr
Skickas inom 5-8 vardagar
"Hitchcock and Selznick" is the story of one of the oddest partnerships in Hollywood history, the union of a reticent, overweight Englishman with a flair for striking detail and a penchant for the perverse, and a dynamic movie mogul with a keen eye for successful entertainment on the grand scale. It began in 1938, when producer David O. Selznick agreed to bring director Alfred Hitchcock from England, where he was already gaining widespread acclaim for his 'little thrillers', and the collaboration resulted in the making of such masterpieces as "Rebecca", "Spellbound", and "Notorious". Hitchcock was soft-spoken and meticulous; Selznick was confrontational and chronically disorganized. They were, moreover, two geniuses with wholly different approaches to filmmaking. The sparks that flew between them over the next eight years ignited into some of Hitchcock's most memorable achievements, but they made collaboration impossible in the end.Drawing on unpublished documents, early drafts of script treatments, and humorous production anecdotes - and including a wealth of previously unseen photographs - Leonard Leff has written a book for specialist and layman alike, a fascinating behind-the-scenes portrait not only of two great Hollywood figures but of the film industry itself.
E-bok
PDF, Engelska, 2013415 kr
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"This excellent, lively study examines the ''raucous debate'' sparked by the Code over the morals and ideals of American movies." —Publishers WeeklyThe new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s.Starting in the early 1930s, the Production Code Director, Joe Breen, and his successor, Geoff Shurlock, understood that American motion pictures needed enough rope—enough sex, and violence, and tang—to lasso an audience, and not enough to strangle the industry. To explore the history and implementation of the Motion Picture Production Code, this book uses 11 movies: Dead End, GoneWith the Wind, The Outlaw, The Postman Always Rings Twice, The Bicycle Thief, Detective Story, A Streetcar Named Desire, The Moon Is Blue, The French Line, Lolita, and Who''s Afraid of Virginia Woolf? The authors combine a lively style with provocative insights and a wealth of anecdotes to show how the code helped shape American screen content for nearly 50 years."A readable, intimate account of the rise to near-tyrannical power, and the fall to well-deserved ignominy, of the old Production Code Administration." —Atlantic Monthly"A valuable insight into our own innocence and naiveté." —The New York Times Book Review"The triumph of Leff and Simmons''s fine work is that they have reminded us of how fatuous and inimical a code of conduct can be: how tempting it is as a theoretical answer, and how intrinsically flawed it is as a working solution." —The Times of London
E-bok
Engelska, 2013180 kr
Läs direkt efter köp
"This excellent, lively study examines the ''raucous debate'' sparked by the Code over the morals and ideals of American movies." —Publishers WeeklyThe new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s.Starting in the early 1930s, the Production Code Director, Joe Breen, and his successor, Geoff Shurlock, understood that American motion pictures needed enough rope—enough sex, and violence, and tang—to lasso an audience, and not enough to strangle the industry. To explore the history and implementation of the Motion Picture Production Code, this book uses 11 movies: Dead End, GoneWith the Wind, The Outlaw, The Postman Always Rings Twice, The Bicycle Thief, Detective Story, A Streetcar Named Desire, The Moon Is Blue, The French Line, Lolita, and Who''s Afraid of Virginia Woolf? The authors combine a lively style with provocative insights and a wealth of anecdotes to show how the code helped shape American screen content for nearly 50 years."A readable, intimate account of the rise to near-tyrannical power, and the fall to well-deserved ignominy, of the old Production Code Administration." —Atlantic Monthly"A valuable insight into our own innocence and naiveté." —The New York Times Book Review"The triumph of Leff and Simmons''s fine work is that they have reminded us of how fatuous and inimical a code of conduct can be: how tempting it is as a theoretical answer, and how intrinsically flawed it is as a working solution." —The Times of London
Häftad, Engelska, 2001
514 kr
Skickas inom 3-6 vardagar
The new edition of this seminal work takes the story of the Production Code and motion picture censorship into the present, including the creation of the PG-13 and NC-17 ratings in the 1990s.
Häftad, Engelska, 1999
217 kr
Tillfälligt slut
Ernest Hemingway was the scion of a century of hyperbole and mass media. While previous public figures like Dickens and Twain reached an audience of thousands, Hemingway, thanks to the popular press and the movies, reached an audience of millions. Hemingway and His Conspirators: Hollywood, Scribners, and the Making of American Celebrity Culture shows readers how, aside from talent, the author of The Sun Also Rises and A Farewell to Arms became the premier public author of the twentieth century. Paying close attention to the nature of the marketplace from 1923 to 1933, Hemingway focuses on Ernest Hemingway as a young professional writer in a newly emerging commercial context. The author, born in 1899, famous by 1933, was drawn to public display, of course, but Hemingway goes beyond other books to show how he and his work were packaged, marketed, and sold in the early years of his career. Hemingway shows how and why Hemingway moved from Boni & Liveright to Scribners even though the former was in certain ways the better publishing house for him. It shows what Scribners and its influential editor Max Perkins did well for Hemingway, and what they may have done less well. Perhaps most important, it shows how the movie version of A Farewell to Arms, adapted from his novel, catapulted Hemingway and his career. Ignored by his biographers, the reams of studio publicity associated with Paramount Pictures' A Farewell to Arms (1932) countered his sagging literary reputation in the early 1930s and gave the world the Hemingway persona that would so intrigue the public and so undermine the author's talent. Based on revealing letters and other documents from archives, Hemingway has the rigor of a scholarly study and the dramatis personae of a Hollywood production—not only Hemingway and Perkins but Scott Fitzgerald, Helen Hayes, Sinclair Lewis, David O. Selznick, and Gary Cooper. Set in an endlessly fascinating age, the 1920s, it tells a backstage story of the tangle of