Lesley A Martin - Böcker
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3 produkter
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The winter issue of Aperture magazine offers a survey of speculations, propositions, and schemes regarding new directions in contemporary photography, focusing on how photographers today respond to the new possibilities offered by technological advancement and dissemination.
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A critical and celebratory counternarrative to what we know of Japanese photography today. I’m So Happy You Are Here presents a much-needed counterpoint, complement, and challenge to historical precedents and the established canon of Japanese photography. This restorative history presents a wide range of photographic approaches brought to bear on the lived experiences and perspectives of women in Japanese society. Editors Pauline Vermare and Lesley A. Martin, curator and writer Takeuchi Mariko, and photo-historians Carrie Cushman and Kelly Midori McCormick provide a critical historical and contemporary framework for understanding the work in three richly illustrated essays. Additional context is provided by an in-depth illustrated bibliography by Marc Feustel and Russet Lederman, and a selection of key critical writings from leading Japanese curators, critics, and historians such as Kasahara Michiko, Fuku Noriko, and others, many of which will be published in translation for the first time. While this book does not claim to be fully comprehensive or encyclopedic, its goal is to provide a solid foundation for a more thorough conversation about the contributions of Japanese women to photography—and an indispensable resource for anyone interested in a more robust history of Japanese photography.Made possible in partnership with the Rencontres d’Arles and Kering.
289 kr
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An all-star compilation of essays, interviews, and critical musings about the photobook as an essential part of photographic practice todayThe PhotoBook Reader anthologizes an essential collection of essays, interviews, and brief texts from a stellar roster of artists, designers, and book makers, all passionate about the photobook and its potential for creative expression. Each of the pieces in this richly illustrated reader are drawn from the pages of The PhotoBook Review, a newsprint journal published biannually from 2011 through 2021. This volume gathers the “best of” contributions from the journal’s efforts to foster a deeper understanding of the ecosystem of the photobook as a whole. The selections include deep dives into topics such as “How to Read a PhotoBook” and “The PhotoBook and the Archive,” in addition to critical discussions, such as “What Is a Feminist PhotoBook?” and “Notes for Future Study: PhotoBooks by Black Artists.” Sections on “How to Distribute Your PhotoBook” and “Teaching the PhotoBook” are pragmatic, while more taxonomic, genre-defining propositions include “The Accidental Photobook” and “What Is a Photo-Text Book?” The Photobook Reader offers an engaging record of a remarkable decade of discourse, scholarship, and deepening connoisseurship—an indispensable resource for anyone interested in the photobook.