Lindsey A. Mazurek – författare

Across the Corrupting Sea: Post-Braudelian Approaches to the Ancient Eastern Mediterranean reframes current discussions of the Mediterranean world by rereading the past with new methodological approaches. The work asks readers to consider how future studies might write histories of the Mediterranean, moving from the larger pan-Mediterranean approaches of The Corrupting Sea towards locally-oriented case studies. Spanning from the Archaic period to the early Middle Ages, contributors engage the pioneering studies of the Mediterranean by Fernand Braudel through the use of critical theory, GIS network analysis, and postcolonial cultural inquiries. Scholars from several time periods and disciplines rethink the Mediterranean as a geographic and cultural space shaped by human connectivity and follow the flow of ideas, ships, trade goods and pilgrims along the roads and seascapes that connected the Mediterranean across time and space. The volume thus interrogates key concepts like cabotage, seascapes, deep time, social networks, and connectivity in the light of contemporary archaeological and theoretical advances in order to create new ways of writing more diverse histories of the ancient world that bring together local contexts, literary materials, and archaeological analysis.

In Isis in a Global Empire, Lindsey Mazurek explores the growing popularity of Egyptian gods and its impact on Greek identity in the Roman Empire. Bringing together archaeological, art historical, and textual evidence, she demonstrates how the diverse devotees of gods such as Isis and Sarapis considered Greek ethnicity in ways that differed significantly from those of the Greek male elites whose opinions have long shaped our understanding of Roman Greece. These ideas were expressed in various ways - sculptures of Egyptian deities rendered in a Greek style, hymns to Isis that grounded her in Greek geography and mythology, funerary portraits that depicted devotees dressed as Isis, and sanctuaries that used natural and artistic features to evoke stereotypes of the Nile. Mazurek's volume offers a fresh, material history of ancient globalization, one that highlights the role that religion played in the self-identification of provincial Romans and their place in the Mediterranean world.

Mobility and Migration in Antiquity investigates human movement in the context of the ancient world from the Iberian Peninsula to the Indian Ocean, addressing small-scale, everyday mobility as well as movement that engenders major socio-political change.The volume’s fundamental concern is to interrogate how historical transformations in Antiquity may be better understood once movement is recognised as a pervasive phenomenon. The chapters span a wide chronological and geographical range, collectively providing openings for a new history of societal change that takes movement as its starting point – in its myriad of forms – from personal to community, from local to long-distance, from temporary to permanent, from voluntary to forced. It is organised in seven sections: borders and boundaries; environmental adaptions; cosmopolitanism; forced mobility and displacement; trade, craft, and labour; journeys and pilgrimages; and sedentism, gender, and immobility. The final part of the volume pivots towards the future of these disciplines in their approach to mobility. Each of these sections is united by an overarching theme and focus while also addressing larger historical questions associated with mobility in the ancient world and explicitly placing approaches from classical literature, history and archaeological sciences side by side.Mobility and Migration in Antiquity is an invaluable resource for anyone working on mobility and migration in the ancient Mediterranean world, as well as those interested in theories of migration across history, and societal change more broadly.

In Isis in a Global Empire, Lindsey Mazurek explores the growing popularity of Egyptian gods and its impact on Greek identity in the Roman Empire. Bringing together archaeological, art historical, and textual evidence, she demonstrates how the diverse devotees of gods such as Isis and Sarapis considered Greek ethnicity in ways that differed significantly from those of the Greek male elites whose opinions have long shaped our understanding of Roman Greece. These ideas were expressed in various ways - sculptures of Egyptian deities rendered in a Greek style, hymns to Isis that grounded her in Greek geography and mythology, funerary portraits that depicted devotees dressed as Isis, and sanctuaries that used natural and artistic features to evoke stereotypes of the Nile. Mazurek's volume offers a fresh, material history of ancient globalization, one that highlights the role that religion played in the self-identification of provincial Romans and their place in the Mediterranean world.