Lindsey Fitzharris – författare

Den som hade oturen att hamna under kniven i det viktorianska London hade alla skäl att oroa sig. Kirurgin liknade mest ren slakt. Överlevde man själva operationen var risken stor att smittas av sjukhusfeber den mystiska sjukdom som härjade på Europas alla uppvak.

Men en läkare skulle förvandla kirurgin från ett chansartat blodbad till en modern vetenskap där patienterna faktiskt botades och överlevde. Joseph Lister var övertygad om att något som kallades bakterier orsakade de dödliga infektionerna och att de kunde stoppas genom att sterilisera sår och instrument. Gastkramande och otäckt detaljerat berättar Fitzharris om hur Lister trotsade samtida kolleger och konventioner och förde oss in i den moderna tiden.

Penguin presents the audiobook edition of The Butchering Art by Lindsey Fitzharris, read by Sam Woolf.In The Butchering Art, historian Lindsey Fitzharris recreates a critical turning point in the history of medicine, when Joseph Lister transformed surgery from a brutal, harrowing practice to the safe, vaunted profession we know today. Victorian operating theatres were known as ''gateways of death'', Fitzharris reminds us, since half of those who underwent surgery didn''t survive the experience. This was an era when a broken leg could lead to amputation, and surgeons were still known to ransack cemeteries to find cadavers. And in squalid, overcrowded hospitals, doctors remained baffled by the persistent infections that kept mortality rates stubbornly high. At a time when surgery couldn''t have been more dangerous, an unlikely figure stepped forward: Joseph Lister, a young Quaker surgeon. By making the audacious claim that germs were the source of all infection - and could be treated with antiseptics - he changed the history of medicine forever. With a novelist''s eye for detail, Fitzharris brilliantly conjures up the grisly world of Victorian surgery, revealing how one of Britain''s greatest medical minds finally brought centuries of savagery, sawing and gangrene to an end.

Winner, 2018 PEN/E.O. Wilson Prize for Literary Science WritingShort-listed for the 2018 Wellcome Book PrizeA Top 10 Science Book of Fall 2017, Publishers WeeklyA Best History Book of 2017, The Guardian "Warning: She spares no detail!" —Erik Larson, bestselling author of Dead Wake In The Butchering Art, the historian Lindsey Fitzharris reveals the shocking world of nineteenth-century surgery and shows how it was transformed by advances made in germ theory and antiseptics between 1860 and 1875. She conjures up early operating theaters—no place for the squeamish—and surgeons, who, working before anesthesia, were lauded for their speed and brute strength. These pioneers knew that the aftermath of surgery was often more dangerous than patients’ afflictions, and they were baffled by the persistent infections that kept mortality rates stubbornly high. At a time when surgery couldn’t have been more hazardous, an unlikely figure stepped forward: a young, melancholy Quaker surgeon named Joseph Lister, who would solve the riddle and change the course of history.Fitzharris dramatically reconstructs Lister’s career path to his audacious claim that germs were the source of all infection and could be countered by a sterilizing agent applied to wounds. She introduces us to Lister’s contemporaries—some of them brilliant, some outright criminal—and leads us through the grimy schools and squalid hospitals where they learned their art, the dead houses where they studied, and the cemeteries they ransacked for cadavers.Eerie and illuminating, The Butchering Art celebrates the triumph of a visionary surgeon whose quest to unite science and medicine delivered us into the modern world.

A New York Times BestsellerFinalist for the 2022 Kirkus Prize | Named a best book of the year by The Guardian"Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park." —Erik Larson, author of The Splendid and the VileLindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.From the moment the first machine gun rang out over the Western Front, one thing was clear: humankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care.Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero, but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits.The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.

A New York Times Bestseller“Enthralling. Harrowing. Heartbreaking. And utterly redemptive. Lindsey Fitzharris hit this one out of the park.” —Erik Larson, author of The Splendid and the VileLindsey Fitzharris, the award-winning author of The Butchering Art, presents the compelling, true story of a visionary surgeon who rebuilt the faces of the First World War’s injured heroes, and in the process ushered in the modern era of plastic surgery.From the moment the first machine gun rang out over the Western Front, one thing was clear: mankind’s military technology had wildly surpassed its medical capabilities. Bodies were battered, gouged, hacked, and gassed. The First World War claimed millions of lives and left millions more wounded and disfigured. In the midst of this brutality, however, there were also those who strove to alleviate suffering. Lindsey Fitzharris’s The Facemaker tells the extraordinary story of such an individual: the pioneering plastic surgeon Harold Gillies, who dedicated himself to reconstructing the burned and broken faces of the injured soldiers under his care.Gillies, a Cambridge-educated New Zealander, became interested in the nascent field of plastic surgery after encountering the human wreckage on the front. Returning to Britain, he established one of the world’s first hospitals dedicated entirely to facial reconstruction. There, Gillies assembled a unique group of practitioners whose task was to rebuild what had been torn apart, to re-create what had been destroyed. At a time when losing a limb made a soldier a hero but losing a face made him a monster to a society largely intolerant of disfigurement, Gillies restored not just the faces of the wounded but also their spirits.The Facemaker places Gillies’s ingenious surgical innovations alongside the dramatic stories of soldiers whose lives were wrecked and repaired. The result is a vivid account of how medicine can be an art, and of what courage and imagination can accomplish in the presence of relentless horror.

"Livfullt En tidlöst fascinerande berättelse." The New York Times

"Konsten att skära i kroppar är en enastående prestation en levande berättelse om en av historiens verkliga hjältar, kryddat med viktoriansk skräck." The Wallstreet Journal

Den som hade oturen att hamna under kniven i det viktorianska London hade alla skäl att oroa sig. Kirurgin liknade mest ren slakt. Överlevde man själva operationen var risken stor att smittas av sjukhusfeber den mystiska sjukdom som härjade på Europas alla uppvak. Men en läkare skulle förvandla kirurgin från ett chansartat blodbad till en modern vetenskap där patienterna faktiskt botades och överlevde. Joseph Lister var övertygad om att något som kallades bakterier orsakade de dödliga infektionerna och att de kunde stoppas genom att sterilisera sår och instrument.

Gastkramande och otäckt detaljerat berättar Fitzharris om hur Lister trotsade samtida kolleger och konventioner och förde oss in i den moderna tiden.

Lindsey Fitzharris är fil.dr i medicinhistoria och har den populära YouTubekanalen »Under the knife«. Att skära i kroppar är hennes debut, och har hyllats i brittisk och amerikansk press.

"Konsten att skära I kroppar är grundligt njutbar." The Guardian

"Briljant". The Spectator

"Fantastisk . . ." Publishers Weekly (starred review)

"Snabbt tempo, grundligt researchad Det här är populärhistoria när det är som bäst." The Scotsman