Lore Segal – författare

With a foreword by Cynthia Ozick, this semiautobiographical novel of a Jewish girl forced away from home in the face of Nazi persecution is an extraordinary tale of fortitude and survivalOn a December night in 1938, a ten-year-old girl named Lore is put on the Kindertransport, a train carrying hundreds of Jewish children out of Austria to safety from Hitler''s increasingly alarming oppression. Temporarily housed at the Dover Court Camp on England''s east coast, Lore will find herself living in other people''s houses for the next seven years: the Orthodox Levines, the Hoopers, the working-class Grimsleys, and the wealthy Miss Douglas and Mrs. Dillon.Charged with the task of asking "the English people" to get her parents out of Austria, Lore discovers in herself an impassioned writer. In letters to potential sponsors, she details the horrors happening back at home; in those to her parents, she notes the mannerisms and reactions of the new families around her as she valiantly tries to master their language. And the closer the world comes to a new war, the more resolute Lore becomes to survive.As powerful now as when it was first released fifty years ago, Other People''s Houses is a poignant tale about the creation of a new life in the face of hopelessness and fear—a hallmark of the postwar immigration experience.

Hailed by the New York Times as coming "closer than anyone to writing The Great American Novel," Lore Segal stuns with this passionate love story of a refugee from Hitler''s Europe and a witty, hard-drinking black intellectual For Ilka Weissnix, everything is new. Having recently arrived in the United States, she is determined to escape the immigrant communities of New York and boards a train headed west to discover "the real America." She finds Carter Bayoux "sitting on a stool in a bar in the desert, across from the railroad."Older, portly, experienced, and black, Carter is magnetic. To Ilka, he exemplifies the values and cultures of a changing America. In order to understand her new country and her new love, Ilka throws herself into Carter''s dizzying world, nurses him through his bouts of depression and his alcoholism, and becomes fascinated by stories of his amorous past. But Carter''s ghosts are ever present, and soon Ilka finds herself torn between saving him and saving her own future.With a foreword by Stanley Crouch, Her First American is the poignant story of an immigrant experience in a country of endless possibilities and of a rich and breathtaking love that is doomed from the start.

A classic novel of the immigrant experience“Lore Segal may have come closer than anyone to writing the Great American Novel.” —The New York Times Book ReviewShe’s Ilka Weissnix, a young Jewish refugee from Hitler’s Europe, newly arrived in the United States. He’s Carter Bayoux, her first American: a middle-aged, hard-drinking Black intellectual. Lore Segal’s brilliant novel is the story of their love affair—one of the funniest and saddest in modern fiction.

A New York Times Notable Book The renowned New Yorker writer and Pulitzer Prize finalist delivers a hilarious, poignant, and profoundly moving tale of living, loving, and aging in America today At Cedars of Lebanon Hospital, doctors have noticed a marked uptick in Alzheimer’s patients. People who seemed perfectly lucid just a day earlier suddenly show signs of advanced dementia. Is it just normal aging, or an epidemic? Is it a coincidence, or a secret terrorist plot? In the looking-glass world of Half the Kingdom—where terrorist paranoia and end-of-the-world hysteria mask deeper fears of mortality; where parents’ and their grown children's feelings vacillate between frustration and tenderness; and where the broken medical system leads one character to quip, “Kafka wrote slice-of-life fiction”—all is familiar and yet slightly askew. Lore Segal masterfully interweaves her characters’ lives—lives that, for good or for ill, all converge in Cedar's ER—into a funny, tragic, and tender portrait of how we live today. “Lore Segal may have come closer than anyone to writing The Great American Novel.” —The New York Times   “I always feel in her work such a sense of toughness and humor . . . Her writing is sad and funny, and that makes it more of both.” —Jennifer Egan, author of A Visit from the Goon Squad

The Journal I Never Kept is the definitive collection of the writing of beloved New Yorker short story writer Lore Segal. Showcasing her newest stories and memoir, it includes all of her important writing and never before collected work. This career retrospective is an important testament to the long and fascinating life and career of the 90-year-old Segal. Actively publishing in the New Yorker and Harper's Magazine, her recent and uncollected stories will all be included in this collection.

Three hilarious, quirky tales about a young city girl's adventures big and small. Mitzi lives with her mother and father and her baby brother in the big city where every day is an adventure. Or at least Mitzi makes it one, though sometimes the adventure is more than a little surprising. One day it’s time to pay an impromptu visit to her grandparents. And what will happen when the president comes to town? Who knows what Mitzi will get up to next? In Tell Me a Mitzi Lore Segal’s droll dialogue and off-kilter storytelling is beautifully matched by Harriet Pincus’s gritty and colorful illustrations. These are stories that capture childhood in all its puzzlement, resourcefulness, and unsentimental wonder.

"For almost six decades Segal has quietly produced some of the best fiction and essays in American literature, as this generous sampler attests."—The New York Times "Segal is a monumental writer, one of the finest of her generation; this lovely collection is a fine introduction to her work."—Kirkus Reviews "There are many standouts in the collection, but its single greatest strength is the consistency of Segal’s voice, apparent from the very first paragraph of the opening piece..."—The Paris Review A DEFINITIVE COLLECTION FROM ONE OF AMERICA'S FINEST WRITERS—INCLUDING NEW AND NEVER-BEFORE-COLLECTED WORK From the award-winning New Yorker writer comes this essential volume spanning almost six decades. Admired for “a voice unlike any other” (Cynthia Ozick) and a style both “wry and poignant” (The New Yorker), Lore Segal is a master literary stylist. This volume collects some of her finest work—including new and uncollected writing—and selections from her novels, stories, and essays. From her very first story—which appeared in The New Yorker in 1961—to today, Segal’s voice has been unique in contemporary American literature: Hilarious and urbane, heartbreaking and profound, keen and utterly unsentimental. Segal has often used her own biography as both subject and inspiration: At age ten she was sent on the Kindertransport from Vienna to England to escape the Nazi invasion of Austria; grew up among English foster families; and eventually made her way to the United States. This experience was the impetus for her first novel, Other People’s Houses, and one that she has revisited throughout her career. From that beginning, Segal’s writing has ranged widely across form as well as subject matter. Her flawless prose and light touch belie the rigor and intelligence she brings to her art—qualities that were not missed by the New York Times reviewer who pointedly observed, “though it was not written by a man . . . Segal may have come closer than anyone to writing The Great American Novel.” With this volume comes a long-awaited career retrospective of an important American Writer.

'First published 54 years ago and yet feels as timely as any book I've read this year' ObserverNine months after the Nazi occupation of Austria, 600 Jewish Children assembled at Vienna station to board the first of the Kindertransports bound for Britain. Among them was 10 year old Lore Segal. For the next seven years, she lived as a refugee in other people's houses, moving from the Orthodox Levines in Liverpool, to the staunchly working class Hoopers in Kent, to the genteel Miss Douglas and her sister in Guildford. Few understood the terrors she had fled, or the crushing responsibility of trying to help her parents gain a visa. Amazingly she succeeds and two years later her parents arrive; their visa allows them to work as domestic servants - a humiliation for which they must be grateful. In Other People's Houses Segal evokes with deep compassion, clarity and calm the experience of a child uprooted from a loving home to become stranded among strangers.

'These ladies are perfect company' The Times'Lore Segal has the sharp analytic eye of a born writer' The New York Times Book Review'There is humour even in the most heart-breaking of her stories' Telegraph Five close friends in their 90s meet - as they have for decades - for their monthly 'ladies lunch', to puzzle, and laugh at, the enigmas and affronts of ageing. When one of their number is placed unhappily in a home the others conspire to spring her.Lore Segal's witty, yet poignant, short story, Ladies' Lunch, appeared in the New Yorker in 2017, when she herself turned ninety. It was followed by four New Yorker sequels. For this sparkling collection, Segal returns to her group of erudite, sharp-minded nonagenarians in Upper Manhattan offering startling insights into friendship and mortality.In the book's Other Stories, Segal includes tales from her acclaimed and prizewinning oeuvre to illuminate the hinterland of her characters - one of whom, like her, was a Kindertransport refugee.Beautifully crafted and profound, these stories distil the spirit of one of America's great authors to show us what a long life might bring.

Ilka Weisz is in need not just of friends but 'elective cousins'. She has left her home in New York to accept a junior teaching post at the prestigious Concordance Institute, a liberal college in bucolic Connecticut. But how can she, a Jewish refugee from Vienna, find a new set to belong to - a surrogate family? Might the Shakespeares - the institute's director and his wry, acerbic wife - hold the key?In these interlinked New Yorker stories, Lore Segal evokes the comic melancholy of the outsider and the ineffectual ambitions of a progressive, predominantly WASP-ish institution. Tragedy and loss haunt characters as they plan an academic symposium on genocide, while their privileged lives contrast starkly with those on a derelict housing project next door. Includes the acclaimed New Yorker podcast story, "The Reverse Bug".

With an introduction by Jeffery Renard Allen It's the early 1950s. Ilka Weissnix, a newly arrived Jewish-Austrian refugee, boards a train from New York hoping to find a 'real American'. In a railroad bar she meets Carter Bayoux, an urbane Black American intellectual. Although twice her age and in the grip of alcoholism, his amused, compassionate worldliness enthrals her. She finds - 'with his first, slightest touch, under her elbow' - that she has fallen in love. Lore Segal described Her First American as 'her favourite child', a reckoning and rendering with her own experiences in the 1950s. Her astonishingly vivid portrait of the charismatic Carter Bayoux, the glimpses he offers of New York's Black cultural life and the loneliness of addiction, are drawn with nuance, wit and truth. Segal illuminates from an outsider's perspective both the deep wounds of racism and a bright moment of Black American and Jewish solidarity.

Following her acclaimed Ladies' Lunch novella (2023), Lore Segal continued to create stories about a fictional group of nonagenarian friends as they faced the last years, months and moments of their lives. For Lore Segal, the importance lay in 'still talking', and still writing to the very end. Fittingly, her last story was published in the New Yorker in the week that she died, aged ninety-six.This posthumous novella of interconnected stories and vignettes is enriched by Segal's inspiring wit and wisdom, her compassionate gaze, and her unquenchable curiosity about life. It's a book that entreats us to keep talking, regardless of differences and the trials of ageing - a book that we'll still be talking about many years hence.

Intelligence turns me on.Lore Segal's tour de force look at the New York literary scene was a hit when it was first released in the 1970s, winning the praise of the literary elite. John Garnder called it “magical.” William Gass said it was “witty, elegant, beautiful.” Stanley Elkin called it “a shamelessly wonderful novel, so flawless one feels civilized reading it.” It's been a cult classic ever since, and appears here in its full, original text, as fresh as ever: the story of the whimsical New York poet Lucinella and her adventures among the literati. It starts at Yaddo writers colony, where life is idyllic, meals are served to you in your rooms, and cocktails are ready at day's end … and still the writers complain and compete. Then it moves back to New York City, where the pampered once again face reality, and wonder: Will a different husband … or the right publisher … or the perfect filing system … put life in order? Lucinella and her circle feel lacking and keep looking, busily going to parties and watching one another 's lives closely for signs of happiness, love and despair. Segal depicts it all with a perfect blend of love and malice. And at the center is Lucinella herself, so full of humanity and frailty that these divertissements do her to death. “Here,” as Cynthia Ozick says, “is the enchanted microcosm, the laughter of mortality.”The Contemporary Art of the Novella series is designed to highlight work by major authors from around the world. In most instances, as with Imre Kertész, it showcases work never before published; in others, books are reprised that should never have gone out of print. It is intended that the series feature many well-known authors and some exciting new discoveries. And as with the original series, The Art of the Novella, each book is a beautifully packaged and inexpensive volume meant to celebrate the form and its practitioners.

Que todas las personas mayores que pisan cierto hospital "pierdan la chaveta" –y he allí el diagnóstico más preciso con el que han conseguido dar los médicos–, podría ser el resultado de una conspiración, un plan terrorista para mantener a los ancianos occidentales con vida hasta el final de los tiempos, pero sin que puedan valerse. Mal de la chaveta. Al menos eso opina uno de los personajes de esta sátira, el experto en textos apocalípticos y teorías de conspiración. Y ya se sabe que un paranoico es el que acaba de darse cuenta de lo que en teorías de conspiración está pasando.

A fortieth-anniversary edition of the unforgettable, eccentric “truly original novel” (Newsday), an evocative tale of race, romance, and the complexities of the human—experience, by the Pulitzer Prize finalistShe’s Ilka Weissnix, a young Jewish refugee from Hitler’s Europe, newly arrived in the United States. He’s Carter Bayoux, her first American: a middle-aged, hard-drinking Black intellectual. At first, their relationship is fueled by lust, but also by a shared sense of displacement, with Ilka having fled her homeland and Carter struggling to find his place in a society steeped in racism and prejudice.In an effort to assimilate and discover “the real America,” Ilka hurls herself into Carter’s chaotic world, helping him navigate depression, alcoholism, and the ghosts of his past—and present. Will Ilka sacrifice her own needs—and future—for Carter’s, or can she save him from the demons and traumas that are tearing him, and them, apart?First published forty years ago to universal acclaim, called “wonderful” by People magazine, and “quiet, funny, slyly affecting” in a starred Kirkus review, and now featuring a new introduction by acclaimed novelist Jeffery Renard Allen, Her First American cements its place among the great American novels and introduces a new generation of readers to the brilliant Lore Segal.

From the acclaimed author of Her First American, a 'charming novel disguised as a book of short stories,' (The New York Times Book Review) exploring belonging, connection, intimacy, and self-acceptance.The thirteen interconnected stories of Shakespeare's Kitchen capture the universal longing for friendship, how we achieve new intimacies for ourselves, and how slowly, inexplicably, we lose them. Featuring seven short stories that originally appeared in The New Yorker, including the O. Henry Prizewinning 'The Reverse Bug,' and including six additional pieces, Lore Segal's stunning collection 'exhibits a rare insight into the human character' (Publishers Weekly).Called 'an enchanting storyteller' by The Los Angeles Times, Segal unravels a web of human relationships as we meet Ilka Weisz, who, having accepted a teaching position at the Concordance Institute, a Connecticut think tank, reluctantly leaves her New York circle of friends. After the comedy of her struggle to meet new people, Ilka comes to embrace, and be embraced by, a new set of acquaintances, including the institute's director, Leslie Shakespeare, and his wife, Eliza.Through a series of memorable dinner parties, picnics, Sunday brunches, and long hours of kitchen conversation, Segal evokes the subtle drama and humor of an outsider's loneliness, the comfort and charm of familiar companionship, the bliss of being in love, and the strangeness of our behavior in the face of other people's deaths.A magnificent, wholly original 'comedy of manners set in academic' (Booklist), Shakespeare's Kitchen is 'filled with all the pomp and depressed glory of a modern day The Great Gatsby...' these vignettes are hilarious and telling. Segal exhibits a rare insight into the human character that is at once humbling and shamelessly enjoyable to behold" (Publishers Weekly).

A sixtieth-anniversary edition of Lore Segal's "immensely impressive" (The New Republic) semi-autobiographical novel of a Jewish girl's escape to England from Vienna after Hitler's rise to power-"both moving and newly relevant" (The Guardian)tells the story of a ten-year-old girl who, alongside hundreds of other Jewish children, boards the Kindertransport to England to escape the Nazi occupation and oppression in Vienna in 1938.Over the course of the next seven years, Lore lives with various families in "other people's houses"-ranging from the homes of the wealthy Orthodox Jewish Levines, the working-class Hoopers, and two elderly sisters in their formal Victorian household. As the war looms and Lore becomes enmeshed in the effort to get her parents out of Austria, she also becomes a passionate writer, documenting her struggles and displacement in letters to a variety of potential sponsors. Brilliantly highlighting the cultural differences between Vienna and England, the novel showcases the immigrant experience through the eyes of a young writer who would go on to become the highly acclaimed "brilliant and boundary breaking" (Los Angeles Review of Books) star of international fiction.Told through the unique and moving perspective of a child forced to grow up quickly, Other People's Houses is the "groundbreaking and indomitable" (Forbes) tale of one girl's captivating refugee experience and the strength and bravery it takes to start over-and to survive.