Lucy O'Brien – författare

This volume investigates the neglected topic of mental action, and shows its importance for the metaphysics, epistemology, and phenomenology of mind. Twelve specially written essays address such questions as the following: Which phenomena should we count as mental actions -- imagining, remembering, judging, for instance? How should we explain our knowledge of our mental actions, and what light does that throw on self-knowledge in general? What contributions do mental actions make to our consciousness? What is the relationship between the voluntary and the active, in the mental sphere? What are the similarities and differences between mental and physical action, and what can we learn about each from the other?

Lucy OBrien argues that a satisfactory account of first-person reference and self-knowledge needs to concentrate on our nature as agents. She considers two main questions. First, what account of first-person reference can we give that respects the guaranteed nature of such reference? Second, what account can we give of our knowledge of our mental and physical actions? Clearly written, with rigorous discussion of rival views, this book will be of interest to anyone working in the philosophy of mind and action.

Lucy O'Brien argues that a satisfactory account of first-person reference and self-knowledge needs to concentrate on our nature as agents. She considers two main questions. First, what account of first-person reference can we give that respects the guaranteed nature of such reference? Second, what account can we give of our knowledge of our mental and physical actions? Clearly written, with rigorous discussion of rival views, this book will be of interest to anyone working in the philosophy of mind and action.

The definitive biography of one of the world’s most famous women.Madonna is the biggest-selling female recording artist in the world and one of our greatest living pop stars. With each pioneering album she has consistently reinvented her music and her image, transcending the world of pop to become a global cultural icon. In 2018, unbelievably, she is hitting her 60th birthday – yet she still remains as relevant as ever. Lucy O’Brien’s extensive and well-researched biography looks at Madonna the artist, offering a detailed analysis of her music with input from acclaimed musicians and producers, as well revealing interviews from her intimate inner circle. She follows Madonna from her difficult childhood and those frenetic early years in New York, through the shocks and scandals of the 1990s Sex era to her twenty-first-century incarnation as an outspoken activist.Providing a fascinating insight into her life, relationships and what motivates her as a woman and an artist, Madonna: Like an Icon is the definitive biography of one of the biggest stars in the world.

'One of the most important females in British music of my lifetime.' Colin Murray 'A beautiful, raw and exhilarating book that will leave you feeling empowered.' Fearne Cotton‘The pioneering Skunk Anansie frontwoman’s memories offer a very different take on the Britpop era…Skin’s story is one of a rhomboid peg spurning both the round and square hole, drilling dimensions of her own…We now have a lot of language – intersectionality, microaggressions – to describe many of the events in this memoir. However, nothing can really equal candid, first-hand experience, recounted matter of factly here. It would be instructive for anyone who thought they knew the story of the 90s to spend 300 pages in Skin’s Skin.’ OBSERVER‘The epic tale of Glastonbury’s Black British headliner… Skin is one of the Britpop decade’s forgotten epics… Skin’s feet are positioned firmly on the ground throughout; she’s a winningly genial, sweary soul on paper. 4 stars’ Jude Rogers, MOJO‘The former Skunk Anansie singer pulls no punches in this heady trawl through her life from tough beginnings in Brixton to work as an LGBTQ+ activist and beyond’ The ILead singer of multi-million-selling rock band Skunk Anansie, solo artist, LGBTQ+activist and all around trail blazer – Skin is a global icon, and she has been smashing stereotypes for over twenty-five years. Her journey from Brixton to one of the most influential women in British rock is nothing short of extraordinary.   ‘It’s been a very difficult thing being a lead singer of a rock band looking like me and it still is. I have to say it’s been a fight and it will always be a fight. That fight drives you and makes you want to work harder… It’s not supposed to be easy, particularly if you’re a woman, you’re black or you are gay like me. You’ve got to keep moving forward, keep striving for everything you want to be.’  Born to Jamaican parents, Skin grew up in Brixton in the 1970’s. Her career as an artist began in the ‘90s, when Skunk Anansie was formed in the sweat-drenched backrooms of London’s pubs. Since then she has headlined Glastonbury and toured the world, both as lead singer of Skunk Anansie and as a solo artist.Her success has been groundbreaking in every way, which has come at a personal cost. She has always been vocal about social and cultural issues, and was championing LGBTQ+ rights at a time when few artists were out and gay.  Told with honesty and passion, this is the story of how a gay, black, working-class girl with a vision fought poverty and prejudice to write songs, produce and front her own band, and become one of the most influential women in British rock.

***Nominated for the 2024 Penderyn Music Book Prize***A Times Book of the YearA Financial Times Book of the YearA Waterstones Book of the Year'Reading the book made me want to give her a huge hug. Anybody who is a fan should pick this up.' - ANITA RANI'A fascinating but tragic story.' 4/5 - MOJOWhen the Carpenters first toured Japan, a journalist mistakenly referred to Karen as the 'lead sister' of the band. This designation stuck and Karen liked it so much that she had a T-shirt custom-made with the slogan, which she wore while drumming on the band's 1976 world tour. The term also sums up the approach of this biography: a celebratory re-evaluation of a pioneering woman.As one of the biggest-selling acts of the 1970s, sibling duo Richard and Karen Carpenter created lush soundscapes of melodic pop, producing global hits like 'We've Only Just Begun', 'Top of the World' and 'Close to You'. However, though Karen is rightly recognised as one of the greatest singers in popular music, the tragedy of her early death in 1983, at the age of just thirty-two, often overshadows all that she achieved. She has long been portrayed as a victim, controlled by her family and exploited by the music industry.This book now seeks to reframe her life and legacy.Through fresh interviews with friends, musicians and co-workers, bestselling author Lucy O'Brien's fascinating profile explores Karen's contributions in the studio as a singer, drummer, arranger and producer, as well as tracing the roots of the Carpenters' sound and of Karen's distinctive vocals. Forty years after her death, it also honours the lead sister's achievements in the face of her struggle with anorexia, as viewed through the lens of new perspectives on eating disorders and mental health.

The story of pop legend Dusty Springfield from the people who knew her, from her troubled childhood to 60s mod queen and enduring music icon. Dusty Springfield was one of our greatest pop singers. From 60s hits like ‘I Only Want to be With You’, ‘Son of a Preacher Man’ and ‘You Don’t Have to Say You Love Me’ to her 80s collaboration with the Pet Shop Boys and beyond, she was a musical pioneer and the very essence of authentic white soul. A member of the US Rock and Roll and UK Music Halls of Fame, international polls have named Dusty among the best female pop artists of all time.Twenty-five years after her passing, she continues to fascinate and inspire. This classic biography is based on over forty-five original interviews with close friends and people who worked with her, including Sir Tom Jones, Lulu, legendary arranger Ivor Raymonde, and the late, great Atlantic Records trio, Jerry Wexler, Tom Dowd and Arif Mardin, with whom she recorded her classic album Dusty In Memphis. The book fully explores her life and legacy, from a troubled Home Counties childhood to 60s mod queen and solo star, to her struggles with addiction and mental health issues, to her status as an influential LGBT heroine and enduring pop icon.

Since She Bop was first published in 1995, digital downloading has transformed the music landscape. But has issue of gender inequality changed too? For She Bop, Lucy O Brien conducted over 250 interviews with female artists and women working behind the scenes in A and R, marketing, music publishing, and production to write a groundbreaking exploration of sexism in the music industry. Fusing many untold stories, O Brien presents a feminist history of women in popular music, from 1920s blues to the present day. Talking to iconic artists from Eartha Kitt and Nina Simone to Debbie Harry, Poly Styrene, and Beyonce, she charts how women have negotiated old boy power networks to be seen and to get their music heard. This revised edition updates that story through many fresh interviews and new perspectives. In a new introduction and additional closing chapter, O Brien asks why, in 2020, women own just 13 percent of music publishing and are still a minority among festival headliners. She celebrates the rise of unique women such as Lizzo and Billie Eilish who are bursting through and creating new possibilities for female artists, while also looking at the struggles of artists like Kesha and Aaliyah, and wondering whether the pop industry has had its #MeToo moment. When she first wrote She Bop, O Brien questioned the way the music press lumped female artists together under the term Women in Rock , saying that the ultimate goal was to make that phrase redundant. Now, despite the gender inequalities that still exist, greater awareness means few magazine editors would dare to feature women in such a derogatory way. Published to celebrate the original book s 25th anniversary and in the year that also marks the 50th anniversary of Women s Liberation this new She Bop will appeal to a huge cross-section of readers, from music fans to the LGBT audience and women of all generations.