Lucy Wood – författare

An uncanny, startlingly beautiful story collection steeped in the Cornish landscape, from the award-winning author of Diving Belles and Other Stories and Weathering. At the very edge of England, where the Atlantic Ocean meets the land and visitors flock in with the summer like seagulls, there is a Cornwall that is not shown on postcards.It is a place where communication cables buzz deep beneath the sand; where satellite dishes turn like flowers on clifftops, and where people drift like flotsam, caught in eddying tides. Restless children haunt empty holiday homes, a surfer struggles with the undertow of family life, a girl watches her childhood spin away from her in the whirl of a night-time fairground and, in a web of sea caves, a brother and sister search the dark for something lost.These astonishing, beguiling stories of ghosts and shifting sands, of static caravans and shipwrecked cargo, explore notions of landscape and belonging, permanence and impermanence, and the way places can take hold and never quite let go.

From the award-winning writer of Weathering, Diving Belles and The Sing of The Shore, a luminous novel, set in Cornwall, about secrets and memory, things lost and found – and the tidal pull of home. It was Tiny who found it. There was something at the edge of the beach, something long and tangled in the seaweed. Maybe it was and maybe it wasn’t. She should go closer and check. Everything was moving: wind gusting, waves tipping over and sucking back over the stones. But over where the thing was it seemed very still and very quiet. When a dead body washes up on a Cornish beach, two children are the only ones to see it before it is taken again by the sea. But its memory will haunt the children – and those who live in the village – over the coming years, stirring up gossip and guilt, love and betrayal and connecting them all in ways they never imagined.

Help students catch up and keep up by fixing gaps and connections in conceptual understanding in GCSE 9-1 Combined Science with the evidence-based approach to intervention in this GCSE Science Workbook. Awarded the ASE's Green Tick evaluation 2023 Build and secure a deep understanding of GCSE Science 9-1 in 30 sessions to enable students to construct and solve science problems successfully and efficiently. A connected print and digital recovery and intervention solution founded on the latest research and evidence and created by outstanding Science teacher Lucy WoodWorkbook pages include links to video explainers online and adaptive questions for each session to help secure knowledge and strengthen memory skills – online course powered by Adapt from Collins, winner of the BETT award for Best Secondary Digital Learning Product 2023Re-builds confidence and motivation as students experience small successes and make rapid progress to master key ideas and apply them successfullyGuides students with knowledge organisers and question frameworks in the workbook that help construct a successful response to exam style questionsStudents practise applying conceptual understanding to unfamiliar scientific contexts as well as securing practical and maths skills within the 30 guided sessionsEmbeds strong science foundations with additional independent practice at the back of the workbookAnswers at the back for easy self-marking

This magnificent two-volume set explores one aspect of the outstanding collection of furniture that the great collector Sir William Lever, 1st Viscount Leverhulme (1851–1925), bequeathed to the Lady Lever Art Gallery in Port Sunlight, Merseyside: the pieces designed for support—primarily seat furniture, but also beds, footstools, and a coach model.While most of the collection is British, the largest and one of the most important sets was crafted in Rome for Napoleon’s uncle, Cardinal Fesch. The catalogue provides detailed information on patrons, designers, and makers, and on aspects of design, manufacture, upholstery, and usage for each piece in the collection.

The first comprehensive survey in 40 years brings new scholarly attention and a feminist perspective to the Welsh painter with a singular vision of female interior life Gwen John (1876–1939), best known for her portraits of women depicted in close tonal registers, was overshadowed during her life by her relationships with men, including her brother, the painter Augustus John, and lover, the French sculptor Auguste Rodin. In recent years, leading art historians and curators have shed new light on John’s significant contributions to British art, her connection to European modernism, and her serial process. Gwen John: Strange Beauties builds on this groundwork, bringing together the artist’s distinctive oil paintings with rarely seen works on paper to illuminate the underexamined scope of her ambition, revealing lesser-known aspects of her practice—a vibrant use of color, plein air sketching and an interplay between figuration and abstraction. Published by the Yale Center for British Art in association with Amgueddfa Cymru–National Museum Wales/Distributed by Yale University Press Exhibition Schedule: Amgueddfa Cymru–National Museum Wales, Cardiff(February 7–June 28, 2026) National Galleries Scotland, Edinburgh(August 1, 2026–January 4, 2027) Yale Center for British Art(February 18–June 20, 2027) National Museum of Women in the Arts, Washington, DC(July 30–November 28, 2027)

The Little Book of Lincolnshire is a compendium of fascinating information about this historic county, past and present. Contained within is a plethora of entertaining facts about Lincolnshire’s famous and occasionally infamous men and women, its towns and countryside, history, natural history, literary, artistic and sporting achievements, customs ancient and modern, transport, battles and ghostly inhabitants.A reliable reference book and quirky guide, this can be dipped in to time and time again to reveal something new about the people, the heritage, the secrets and the enduring fascination of the county. A remarkably engaging little book, this is essential reading for visitors and locals alike.

LONGLISTED FOR THE DYLAN THOMAS PRIZE 2012Along Cornwall's ancient coast, from time to time, the flotsam and jetsam of the past can become caught in the cross-currents of the present and a certain kind of magic floats to the surface... Straying husbands lured into the sea can be fetched back, for a fee. Houses creak, fill with water and keep a fretful watch on their inhabitants. And, on a windy beach, a small boy and his grandmother keep despair at bay with an old white door. In these stories, hopes, regrets and memories are entangled with catfish, wreckers' lamps and baying hounds as Cornish folklore slips into everyday life.

SHORTLISTED FOR THE BETTY TRASK PRIZE 2016LONGLISTED FOR THE DUBLIN LITERARY AWARD 2017From the critically acclaimed, award-winning author of Diving Belles: a beautifully bewitching novel of memories, mothers, ghosts and daughters'Deeply poetic; dreamy and thought-provoking' Joanne Harris, author of Chocolat'A beautifully observed study of mothers and daughters, loss and recovery, that never puts a foot wrong' Sarah Waters, Guardian, Best Reads of the YearPearl doesn’t know how she’s ended up in the river – the same messy, cacophonous river in the same rain-soaked valley she’d been stuck in for years. Or why, for that matter, she’d been stupid enough to fall down those rickety stairs.Ada, Pearl’s daughter, doesn’t know how she’s ended up back in the house she left thirteen years ago – with no heating apart from a fire she can’t light, no way of getting around apart from an old car she’s scared to drive, and no company apart from echoing footsteps on the damp floorboards. With her daughter Pepper, she starts to sort through Pearl’s things, clearing the house so she can leave and not look back.Pepper has grown used to following her restless mother from place to place, but this house, with its faded photographs, its boxes of cameras and its stuffed jackdaw, is something new. Fascinated by the scattering of people she meets, by the river that unfurls through the valley, and by the strange old woman who sits on the bank with her feet in the cold, coppery water, Pepper doesn’t know why anyone would ever want to leave.As the first frosts of autumn herald the coming of a long winter and Pepper and Ada find themselves irresistibly entangled with the life of the valley, each will discover the ways that places can take root inside us and bind us together.