Maria Dahvana Headley – författare

“Maria Dahvana Headley is a firecracker: she’s whip smart with a heart, and she writes like a dream.”  —Neil Gaiman, bestselling author of The Graveyard Book and Coraline

Aza Ray Boyle is drowning in thin air. Since she was a baby, Aza has suffered from a mysterious lung disease that makes it ever harder for her to breathe, to speak—to live.

So when Aza catches a glimpse of a ship in the sky, her family chalks it up to a cruel side effect of her medication. But Aza doesn''t think this is a hallucination. She can hear someone on the ship calling her name.

Only her best friend, Jason, listens. Jason, who''s always been there. Jason, for whom she might have more-than-friendly feelings. But before Aza can consider that thrilling idea, something goes terribly wrong. Aza is lost to our world—and found, by another. Magonia.

Above the clouds, in a land of trading ships, Aza is not the weak and dying thing she was. In Magonia, she can breathe for the first time. Better, she has immense power—but as she navigates her new life, she discovers that war between Magonia and Earth is coming. In Aza''s hands lies fate of the whole of humanity—including the boy who loves her. Where do her loyalties lie?

Neil Gaiman’s Stardust meets John Green’s The Fault in Our Stars in this New York Times bestselling story about a girl caught between two worlds, two races, and two destinies.

Don’t miss Aerie, the stunning, highly anticipated sequel!

The stunning sequel to Maria Dahvana Headley’s bestselling, critically acclaimed Magonia tells the story of one girl who must make an impossible choice between two families, two homes—and two versions of herself.

Aza Ray is back on earth. Her boyfriend, Jason, is overjoyed. Her family is healed. She’s living a normal life, or as normal as it can be if you’ve spent the past year dying, waking up on a sky ship, and discovering that your song can change the world.

As in, not normal. Part of Aza still yearns for the clouds, no matter how much she loves the people on the ground.

When Jason’s paranoia over Aza’s safety causes him to make a terrible mistake, Aza finds herself a fugitive in Magonia, tasked with opposing her radical, bloodthirsty, recently escaped mother, Zal Quel, and her singing partner, Dai. She must travel to the edge of the world in search of a legendary weapon, the Flock, in a journey through fire and identity that will transform her forever.

Told in Maria Headley’s trademark John Green–meets–Neil Gaiman style, Aerie is sure to satisfy the many readers who can’t wait to return to the spellbinding world of Magonia.

Named one of the Best Poetry Books of 2021 by The GuardianLonglisted for the 2021 National Translation Award in Poetry. Picked for Kirkus Reviews’ Best Fiction in Translation of 2020. Named a Book of the Year by NPR, Vox, and The New Statesman. Picked for Loyalty Books’ Holiday List. A new, feminist translation of Beowulf by the author of the much-buzzed-about novel The Mere Wife"Brash and belligerent, lunatic and invigorating, with passages of sublime poetry punctuated by obscenities and social-media shorthand." —Ruth Franklin, The New Yorker"The author of the crazy-cool Beowulf-inspired novel The Mere Wife tackles the Old English epic poem with a fierce new feminist translation that radically recontextualizes the tale." —Barbara VanDenburgh, USA TodayNearly twenty years after Seamus Heaney’s translation of Beowulf—and fifty years after the translation that continues to torment high-school students around the world—there is a radical new verse translation of the epic poem by Maria Dahvana Headley, which brings to light elements that have never before been translated into English, recontextualizing the binary narrative of monsters and heroes into a tale in which the two categories often entwine, justice is rarely served, and dragons live among us. A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist’s eye toward gender, genre, and history—Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story. While crafting her contemporary adaptation of Beowulf, Headley unearthed significant shifts lost over centuries of translation.

Named one of the Best Poetry Books of 2021 by The GuardianLonglisted for the 2021 National Translation Award in Poetry. Picked for Kirkus Reviews’ Best Fiction in Translation of 2020. Named a Book of the Year by NPR, Vox, and The New Statesman. Picked for Loyalty Books’ Holiday List. A new, feminist translation of Beowulf by the author of the much-buzzed-about novel The Mere Wife"Brash and belligerent, lunatic and invigorating, with passages of sublime poetry punctuated by obscenities and social-media shorthand." —Ruth Franklin, The New Yorker"The author of the crazy-cool Beowulf-inspired novel The Mere Wife tackles the Old English epic poem with a fierce new feminist translation that radically recontextualizes the tale." —Barbara VanDenburgh, USA TodayNearly twenty years after Seamus Heaney’s translation of Beowulf—and fifty years after the translation that continues to torment high-school students around the world—there is a radical new verse translation of the epic poem by Maria Dahvana Headley, which brings to light elements that have never before been translated into English, recontextualizing the binary narrative of monsters and heroes into a tale in which the two categories often entwine, justice is rarely served, and dragons live among us. A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist’s eye toward gender, genre, and history—Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story. While crafting her contemporary adaptation of Beowulf, Headley unearthed significant shifts lost over centuries of translation.

Some Gods of El Paso by Maria Dahvana Headley is a short fantasy story of a couple on the run from the law for stealing and illegally trading in strong emotions in 1920s US.At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

"Narrator JD Jackson addresses his listener as "bro" in this decidedly contemporary retelling of the classic saga...His brilliant performance captures all the artistry, wit, and immediacy of this fresh translation, and breathes new life into what for most has been a literary fossil." -- AudioFile Magazine, Earphones Award winner A new, feminist translation of Beowulf by the author of the much-buzzed-about novel The Mere WifeNearly twenty years after Seamus Heaney’s translation of Beowulf—and fifty years after the translation that continues to torment high-school students around the world—there is a radical new verse translation of the epic poem by Maria Dahvana Headley, which brings to light elements that have never before been translated into English, recontextualizing the binary narrative of monsters and heroes into a tale in which the two categories often entwine, justice is rarely served, and dragons live among us.A man seeks to prove himself as a hero. A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. The familiar elements of the epic poem are seen with a novelist’s eye toward gender, genre, and history—Beowulf has always been a tale of entitlement and encroachment, powerful men seeking to become more powerful, and one woman seeking justice for her child, but this version brings new context to an old story. While crafting her contemporary adaptation of Beowulf, Headley unearthed significant shifts lost over centuries of translation. A Macmillan Audio production from MCD x FSG Originals "Brash and belligerent, lunatic and invigorating, with passages of sublime poetry punctuated by obscenities and social-media shorthand." --Ruth Franklin, The New Yorker"The author of the crazy-cool Beowulf-inspired novel The Mere Wife tackles the Old English epic poem with a fierce new feminist translation that radically recontextualizes the tale."--Barbara VanDenburgh, USA Today

From the New York Times bestselling author of The Mere Wife comes Maria Dahvana Headley''s Tor.com Original short story "The Girlfriend''s Guide to Gods"Gods won’t save you. Gods will break you. Nevertheless, you will persist. And become anew.This is the first myth: that your boyfriend from when you were fifteen will come and get you out of hell. He might come, but he won’t get you.At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

Nebula Award-nominated author Maria Dahvana Headley has always loved Damon Runyon''s stylized faux-reporting on New York City. This is her version of a Runyon tale—this one dealing with the architectural guys and dolls of New York City—and a valentine to all the beautiful buildings she knows.It''s Valentine''s Day, 1938, and the Chrysler Building''s tired of waiting on the corner of Forty-second and Lex for a certain edifice to notice her. Here''s the story of what might happen if two of New York''s greatest creations met on a day built for romance.This short story was acquired and edited by editor Liz Gorinsky.At the Publisher''s request, this title is being sold without Digital Rights Management Software (DRM) applied.

It begins with a letter from a prisoner …

As he attempts to rebuild his life in rural Oregon after a tragic accident, Malcolm Mays finds himself corresponding with Dusha Chuchonnyhoof, a mysterious entity who claims to be the owner of Malcolm’s house, jailed unjustly for 117 years. The prisoner demands that Malcolm perform a gory, bewildering task for him. As the clock ticks toward Dusha’s release, Malcolm must attempt to find out whether he’s assisting a murderer or an innocent. The End of the Sentence combines Kalapuya, Welsh, Scottish, and Norse mythology with a darkly imagined history of the hidden corners of the American West.

Maria Dahvana Headley and Kat Howard have forged a fairy tale of ghosts and guilt, literary horror blended with the visuals of Jean Cocteau, failed executions, shapeshifting goblins, and magical blacksmithery. In Chuchonnyhoof, they’ve created a new kind of Beast, longing, centuries later, for Beauty.