Mark Lilly – författare

The conventional academic view of lesbian/gay writing forms the subject of the introduction to the present volume. This is followed by five essays on lesbian writers: a study of Ivy Compton-Burnett's dissection of family life, a comprehensive guide to the fiction of Maureen Duffy, the notion of lesbian identity in the work of Ann Bannon, a study of the poetry of Sylvia Townsend Warner and Valentine Ackland, and a survey of contemporary erotic poetry. In the second section, dealing with gay men's writing, there are essays on the theme of alientation (Rechy, Holleran, Orton and Hart Crane), the drama of Tennessee Williams, an exploration of gay sexual desire as represented in soft porn magazines, a view of certain characteristic features of gay poetry, and a study of the fiction of Ronald Firbank. The author has also written "Shakespeare's Measure for Measure" and "The Naational Council for Civil Liberties: the First Fifty Years".

Mainstream academic criticism has usually failed to engage gay work without distorting or ignoring its most central features. In gay men's writing, tenderness lies side by side with rage, and existential rejection of convention rubs shoulders with sexual hedonism. This groundbreaking work takes us on an unprecedented tour--in clear, lively, and non-technical language--of classic and little-known texts from the perspective of gay experience, sensibility, and desire. Beginning with Wilde's and Byron's existentialist outlaw, the theme of social rebellion and the fight against conformity forms a common link among the literary works of the twentieth century. Gay Men's Literature in the Twentieth Century presents us with a unified analysis of these, and other, shared themes in the works of James Baldwin, Christopher Isherwood, Tennessee Williams, Lord Byron, Oscar Wilde, E. M. Forster, Jean Genet, Joe Orton, Andrew Holleran, David Leavitt, and Constantine Cavafy, and in the love poetry of the first world war.This is the most unified treatment of gay men's writing to date, written to appeal to the general reader, but based on scholarship so original that it is vital reading for anyone interested in gay studies and gender studies.

Mainstream academic criticism has usually failed to engage gay work without distorting or ignoring its most central features. In gay men's writing, tenderness lies side by side with rage, and existential rejection of convention rubs shoulders with sexual hedonism. This groundbreaking work takes us on an unprecedented tour--in clear, lively, and non-technical language--of classic and little-known texts from the perspective of gay experience, sensibility, and desire. Beginning with Wilde's and Byron's existentialist outlaw, the theme of social rebellion and the fight against conformity forms a common link among the literary works of the twentieth century. Gay Men's Literature in the Twentieth Century presents us with a unified analysis of these, and other, shared themes in the works of James Baldwin, Christopher Isherwood, Tennessee Williams, Lord Byron, Oscar Wilde, E. M. Forster, Jean Genet, Joe Orton, Andrew Holleran, David Leavitt, and Constantine Cavafy, and in the love poetry of the first world war.This is the most unified treatment of gay men's writing to date, written to appeal to the general reader, but based on scholarship so original that it is vital reading for anyone interested in gay studies and gender studies.