Marshall Jevons – författare
179 kr
Skickas inom 3-6 vardagar
176 kr
Skickas inom 5-8 vardagar
176 kr
Skickas inom 5-8 vardagar
194 kr
Skickas inom 5-8 vardagar
194 kr
Skickas inom 5-8 vardagar
194 kr
Skickas inom 5-8 vardagar
270 kr
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Professor and amateur sleuth Henry Spearman uses economics to try to solve a murder while on a Caribbean vacationCinnamon Bay seems like the ideal Caribbean getaway. But for Harvard economist and amateur detective Henry Spearman it offers an unexpected and decidedly different diversion: murder. With the police at a loss, Spearman investigates on his own, following a rather different set of laws—those of economics. Theorizing and hypothesizing, Spearman sets himself on the killer’s trail as it winds from the perfect beaches and manicured lawns of a resort to the bustling old port of Charlotte Amalie to the perilous hiking trails of a dense forest. Can Spearman crack the case using economics—and before it’s too late?
270 kr
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Professor and amateur detective Henry Spearman trails a killer in the UK, using economics to try to solve the caseHarvard professor Henry Spearman—an ingenious amateur sleuth who uses economics to size up every situation—is sent by an American entrepreneur to Cambridge, England. Spearman’s mission is to scout out the purchase of the most famous house in economic science: Balliol Croft, the former home of Professor Alfred Marshall, John Maynard Keynes’s teacher and the font of modern economic theory. After a shocking murder, Spearman realizes that his own life is in danger as he finds himself face-to-face with the most diabolical killer in his career.
270 kr
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Economics professor and amateur detective Henry Spearman tackles a mystery where the price of art is murderIn The Mystery of the Invisible Hand, Henry Spearman, an economics professor with a knack for solving crimes, is pulled into a case that mixes campus intrigue, stolen art, and murder. Arriving at San Antonio’s Monte Vista University to teach a course on art and economics, he is confronted with a puzzling art theft and the suspicious suicide of the school’s artist-in-residence. From Texas to New York, Spearman traces the connections between economics and the art world, finding his clues in monopolies, auction theory, and Adam Smith. How is a company’s capital like an art museum’s collection? What does the market say about art’s authenticity versus its availability? What is the mysterious “death effect”—and does it lie at the heart of the case? Spearman must rely on his savviest economic thinking to answer these questions—and pin down a killer.