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2 produkter
2 produkter
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440 kr
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This book takes an innovative approach to the study of the past in the past. It seeks to understand history, not as a discipline or profession, but as a cultural phenomenon. Spanning the early-modern and modern pasts, this book focuses on the posthumous reputation of the ancient warrior queen Boudica, using the example of this ever-popular figure to explore the varied field of historical culture in Britain, from seventeenth-century antiquarianism to early twentieth-century film. While providing contemporary contextual readings of Boudica’s representations, the book’s primary purpose is to explore the unique nature of historical ideas as durable cultural phenomena. It argues that long before professional historians sought to regularize historical practice, audiences encountered visions of past ages created by antiquaries, playwrights, poets, novelists, and artists, all of which engaged with, articulated, and even defined ‘historical truth’. These individual depictions, variable audience reactions, and the abiding notion of history as truth constitute the substance of historical culture.
1 559 kr
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Taking a long chronological view and a wide-ranging, interdisciplinary approach, this is an innovative and distinctive book. It is the definitive work on the posthumous reputation of the ever-popular warrior queen of the Iceni, Queen Boadicea/Boudica, exploring her presence in British historical discourse, from the early-modern rediscovery of the works of Tacitus to the first historical films of the early twentieth century. In doing so, the book seeks to demonstrate the continuity and persistence of historical ideas across time and throughout a variety of media. This focus on continuity leads into an examination of the nature of history as a cultural phenomenon and the implications this has for our own conceptions of history and its role in culture more generally. While providing contemporary contextual readings of Boudica's representations, Martha Vandrei also explores the unique nature of historical ideas as durable cultural phenomena, articulated by very different individuals over time, all of whom were nevertheless engaged in the creative process of making history. Thus this study presents a challenge to the axioms of cultural history, new historicism, and other mainstays of twentieth- and twenty-first- century historical scholarship. It shows how, long before professional historians sought to monopolise historical practice, audiences encountered visions of past ages created by antiquaries, playwrights, poets, novelists, and artists, all of which engaged with, articulated, and even defined the meaning of 'historical truth'. This book argues that these individual depictions, variable audience reactions, and the abiding notion of history as truth constitute the substance of historical culture.