Mary O'Malley – författare
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8 produkter
8 produkter
Häftad, Engelska, 1978
145 kr
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This highly successful comedy is a sharply critical exposition of a Catholic girlhood in a London convent school in the late 1950s, with its potent admixture of sex and religion.
Häftad, Engelska
271 kr
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Häftad, Engelska
205 kr
Skickas inom 3-6 vardagar
180 kr
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To some degree we are all compulsive. Our struggles range from overworrying and overworking to overeating and alcohol and drug abuse. When we realize we are compulsive, our main reaction until now has been to try to control our behavior, but when we try to control our compulsions, they control us. If we do manage to stop one, another always seems to take its place.Over the past three decades, Mary O’Malley has developed a revolutionary approach to healing our compulsions. She gently invites us to be curious about them, to engage them and ask ourselves questions that help us understand our behaviors. She shows us how lasting healing can come from being curious and forgiving rather than controlling and shameful. Compulsions then become our teachers. Her book is filled with new perspectives and simple techniques that anyone can easily grasp.
Häftad, Engelska, 2024
150 kr
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Winner of the Derek Walcott Prize for Poetry 2025Shortlisted for the Pigott Poetry Prize 2025Shortlisted for the Farmgate Café National Poetry Award 2025The poems of The Shark Nursery respond to a disturbed world. The experience of lockdown, of lives lived in an online reality, and of the animal world are the interlocking parts of the poems' world. The animal poems draw on the tradition of animals in Irish poetry and myth. From the wolf's touch to the rat's tweet, animals and fish refuse the roles human beings impose on them. O'Malley's animals find new language in the face of contemporary perils.In fusing mythic with modern elements, The Shark Nursery is marked by rigorous attention to language and tone. Its poems weave between human, animal and metaphysical realms. In a space before noise begins, tigers visit cities and a white leopard sits on a lawn in Suburbia. In the strange, sealed off world portrayed in the 'The Ballad of Googletown' – an eerie, genuine ballad, where the familiar tropes and refrains of ballad are hung out to dry – lives are lived online and social interaction is unnecessary:The cars are in the driveAnd the bees are in the hiveThey say the kids are safe insideIn GoogletownThis new book promises, as Joseph O'Connor has written, all those things 'we go to Mary O'Malley for: truthfulness, seriousness, playfulness, too, and then a particular sort of hesitating and hard-won wisdom, a pushback against nonsense or sentiment or fakery, the beauty of plain words placed in careful order, carefully – and always, the bliss of musicality.'
Häftad, Engelska, 2021
388 kr
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Mapping the changes that have occurred in Irish literature over the past fifty years, this volume includes twenty-one writers, poets, and playwrights from the North and South of Ireland, who tell their own stories. They are funny, tragic, angry, philosophical, but all are vivid personal accounts of their experiences as women writing during a pivotal period in the history of Ireland. With a foreword by Martina Devlin, and an introduction by Éilís Ní Dhuibhne, the anthology includes essays by Cherry Smyth, Mary Morrissy, Lia Mills, Moya Cannon, Aine Ní Ghlinn, Catherine Dunne, Éilís Ní Dhuibhne, Mary O’Donnell, Mary O’Malley, Ruth Carr, Evelyn Conlon, Anne Devlin, Ivy Bannister, Sophia Hillan, Medbh McGuckian, Mary Dorcey, Celia de Fréine, Máiríde Woods, Liz McManus, Mary Rose Callaghan, and Phyl Herbert.
Häftad, Engelska, 2019
126 kr
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What is time? Our understanding of it changes, between when the angels rejoiced at the incarnation to when Einstein and then Feynman reconceived it. In the strange, unregulated and disorienting world of the web we experience it in new ways, its predictabilities wrested from us. In Mary O'Malley's Demeter and Persephone sequence, time is experienced through generations, but the new gods play differently and spin the clock hands in their own mischievous ways. New generations find the time-patterns and expectations of their predecessors arcane and incomprehensible, and vice versa. Through mythology and ecology, this book sets out to restore connections. The book opens with oranges orbiting a winter kitchen. Time in its dozen guises moves through the poems, as does fate.Mary O'Malley was appointed 2019 Writer Fellow at Trinity College Dublin.
Häftad, Engelska, 2003
161 kr
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Poetry Book Society Special CommendationIn this radical anthology the work of three of Ireland's most important and best-loved contemporary poets is featured. Each has, in a different way, cleared new creative space to speak and to sing.The anthology makes an essential selection of some forty pages from the work of the poets. Each contributes a short personal statement, and there is a bibliography. Eavan Boland introduces the book with a major new essay.EAVAN BOLAND was born in Dublin in 1944. She studied in Ireland, London and New York. Her first book was published in 1967. She is Melvin and Bill Lane Professor in the Humanities at Stanford University, California. Her Carcanet books include Selected Poems, Collected Poems, The Lost Land, Code, and her prose book Object Lessons.PAULA MEEHAN was born in 1955 in Dublin. She studied at Trinity College and became a Writer Fellow of the English Department, and has taught in the United States. She has written plays and held a creative writing fellowship at University College, Dublin. She has worked with inner city communities and conducted workshops in prisons. Carcanet published Dharmakaya, her most recent book of poems, in 2000. The Man Who Was Marked by Winter (1991) and Pillow Talk (1994) were published by Gallery Press.MARY O'MALLEY, born in Galway in 1954, has travelled widely but returned to Ireland to become part of the Cuirt Festival committee. She is a member of the Poetry Council for Ireland. Her previous collections include Where the Rocks Float (1993), The Knife in the Wave (1997) and Asylum Road (2001) published by Salmon Poetry, and The Boning Hall (2002) published by Carcanet.