Mary Renault – författare

Alexander's beauty, strength and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother, Olympias, and his father, King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance from the cradle. His love for the youth Hephaistion taught him trust, while Aristotle's tutoring provoked his mind and Homer's Iliad fuelled his aspirations. Killing his first man in battle at the age of twelve, he became regent at sixteen and commander of Macedon's cavalry at eighteen, so that by the time his father was murdered, Alexander's skills had grown to match his fiery ambition.

'One of the greatest historical novels ever written' SARAH WATERS'I love to find queer representation in historical fiction . . . Renault's eye for intimacy is amazing' DOUGLAS STUART'Fierce, complex and eloquent' MADELINE MILLER'Mary Renault is a shining light' HILARY MANTELA groundbreaking queer classic and powerful reimagining of the last years of Alexander the Great, told through the eyes of his lover. I thought, There goes my lord, whom I was born to follow. I have found a king.And, I said to myself, looking after him as he walked away, I will have him, if I die for it.Bagoas, abducted as a boy and sold as a eunuch, has been transported to the heart of the Persian court as courtesan to King Darius. But when the Macedon army conquers his homeland, Bagoas finds freedom at the hands of their golden young commander, whose name is already becoming a legend: Alexander. Their encounter sparks a passionate devotion that shapes the Persian boy's future - and deepens into a relationship that will sustain them both through assassination plots, political intrigue and the threat of Alexander's own restless ambition. This is a spellbinding tale of power, loyalty and loss - a vision of history transfigured by love.'Nowhere else in fiction have Alexander's beauty and charisma blazed with such potency' TOM HOLLAND'Passionate and captivating' SEÁN HEWITT'All my sense of the ancient world - its value, its style, the scent of its wars and passions - comes from Mary Renault' EMMA DONOGHUE'The Alexander Trilogy stands as one of the most important works of fiction in the twentieth century' ANTONIA SENIOR, THE TIMES

Athens and Sparta, the mighty city states of ancient Greece, locked together in a quarter century of conflict: the Peloponnesian War. Alexias the Athenian was born, passed through childhood and grew to manhood in those troubled years, that desperate and dangerous epoch when the golden age of Pericles was declining into uncertainty and fear for the future. Of good family, he and his friends are brought up and educated in the things of the intellect and in athletic and martial pursuits. They learn to hunt and to love, to wrestle and to question. And all the time his star of destiny is leading him towards the moment when he must stand alongside his greatest friend Lysis in the last great clash of arms between the cities.

Alexander the Great died at the age of thirty-three, leaving behind an empire that stretched from Greece and Egypt to India. After Alexander's death in 323 B.C. his only direct heirs were two unborn sons and a simpleton half-brother. Every long-simmering faction exploded into the vacuum of power. Wives, distant relatives and generals all vied for the loyalty of the increasingly undisciplined Macedonian army. Most failed and were killed in the attempt. For no one possessed the leadership to keep the great empire from crumbling. But Alexander's legend endured to spread into worlds he had seen only in dreams.

Set in fourth-century B.C. Greece, The Mask of Apollo is narrated by Nikeratos, a tragic actor who takes with him on all his travels a gold mask of Apollo, a relic of the theatre's golden age, which is now past. At first his mascot, the mask gradually becomes his conscience, and he refers to it his gravest decisions, when he finds himself at the centre of a political crisis in which the philosopher Plato is also involved. Much of the action is set in Syracuse, where Plato's friend Dion is trying to persuade the young tyrant Dionysios the Younger to accept the rule of law. Through Nikeratos' eyes, the reader watches as the clash between the two unleashes all the pent-up violence in the city.

Injured at Dunkirk, Laurie Odell, a young corporal, is recovering at a rural veterans' hospital. There he meets Andrew, a conscientious objector serving as an orderly, and the men find solace in their covert friendship. Then Ralph Lanyon appears, a mentor from Laurie's schooldays. Through him, Laurie is drawn into a tight-knit circle of gay men for whom liaisons are fleeting and he is forced to choose between the ideals of a perfect friendship and the pleasures of experience. First published in 1953, The Charioteer is a a tender, intelligent coming-of-age novel and a bold, unapologetic portrayal of homosexuality that stands with Gore Vidal's The City and the Pillar and James Baldwin's Giovanni's Room as a landmark work in gay literature.

'One of the greatest historical novels ever written' SARAH WATERS'I love to find queer representation in historical fiction. . . Renault's eye for intimacy is amazing' DOUGLAS STUART'Fierce, complex and eloquent'MADELINE MILLER 'Mary Renault is a shining light'HILARY MANTEL*** A groundbreaking queer classic and powerful reimagining of the last years of Alexander the Great, told through the eyes of his lover. I thought, There goes my lord, whom I was born to follow. I have found a king.And, I said to myself, looking after him as he walked away, I will have him, if I die for it.Bagoas, abducted as a boy and sold as a eunuch, has been transported to the heart of the Persian court as courtesan to King Darius. But when the Macedon army conquers his homeland, Bagoas finds freedom at the hands of their golden young commander, whose name is already becoming a legend: Alexander. Their encounter sparks a passionate devotion that shapes the Persian boy's future - and deepens into a relationship that will sustain them both through assassination plots, political intrigue and the threat of Alexander's own restless ambition. This is a spellbinding tale of power, loyalty and loss - a vision of history transfigured by love.'Nowhere else in fiction have Alexander's beauty and charisma blazed with such potency'TOM HOLLAND'Passionate and captivating'SEÁN HEWITT'All my sense of the ancient world - its value, its style, the scent of its wars and passions - comes from Mary Renault'EMMA DONOGHUE'The Alexander Trilogy stands as one of the most important works of fiction in the 20th century' ANTONIA SENIOR, THE TIMES

A VIVID, SWEEPING SAGA OF QUEER LOVE AND POLITICS IN ANCIENT GREECE, FROM THE QUEEN OF HISTORICAL FICTION'Renault's eye for intimacy is amazing' DOUGLAS STUART'Arresting and beautiful and moving . . . decades ahead of its time' LONDON REVIEW OF BOOKSYour love made me. Do not take it away; for without love I am a temple forsaken by its godAthens and Sparta, the mighty city states of ancient Greece, have been locked together in conflict for a quarter of a century. Alexias the Athenian comes of age in these turbulent times, as the golden age fractures into uncertainty and chaos. No longer protected by his family's noble status, he is drawn to the controversial teachings of Socrates - and to another of the philosopher's young followers, Lysis.The two young men form a passionate bond, becoming both friends and lovers. Together, they learn to hunt and to love, to debate and to wrestle, to grapple with family and loyalty. But all the while, fate leads Alexias to the moment he must stand alongside Lysis in the last great battle of the Peloponnesian War.'A remarkable novel, vivid and moving . . . a glowing work of art' NEW YORK TIMES BOOK REVIEW'Of her Greek fictions, The Last of the Wine [is] her most moving' EMMA DONOGHUE

'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics' Madeline Miller, bestselling author of CirceThe true parentage of Theseus, grandson of the King of Troizon, has always been shrouded in mystery. Rumours swirl that his father is Poseidon himself. But when he learns the truth - that he is the son and heir of Aegeus, King of Athens - Theseus sets out on a quest to claim his birthright.But his journey is a perilous one, from encounters with bandits to marriage to the Queen of Eleusis, whose consort is sacrificed each year - and, finally, to the labyrinthine palace of King Minos on Crete. There Thesues must enlist the help of high priestess Ariadne in a darling plan to slay the Minatour - and free his people.Thrilling, immersive and gorgeously told, Mary Renault's classic novel is a unforgettable reimagining of the timeless Greek myth.'Mary Renault is a shining light to both historical novelists and their readers' Hilary Mantel, bestselling author of Wolf Hall'This brilliant retelling of the story of Theseus, the king of Athens, brings Greek mythology vividly to life and remains "one of the truly fine historical novels of modern times"' New York Times

'Mary Renault is a shining light' HILARY MANTEL'Mary Renault's portraits of the ancient world are fierce, complex and eloquent' MADELINE MILLERThe sequel to The King Must Die. The Bull from the Sea continues the story of the hero Theseus after his return from Crete.Having freed the city of Athens from the terrible tribute demanded by the ruler of Knossos - the sacrifice of noble youths and maidens to the appetite of the Labyrinth's monster - Theseus has returned home to find his father dead and himself the new king. But his adventures have only just begun: he still must confront the Amazons, capture their queen, Hippolyta, and face the tragic results of Phaedra's jealous rage.Piecing together fragments of myth and ancient history, this thrilling retelling of the legend of Theseus brings to life a world in which heroes battled monsters and gods strode the earth.'An important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever' Sam Jordison, Guardian

THE ANCIENT GREEK STAGE BROUGHT THRILLINGLY TO LIFE BY THE QUEEN OF HISTORICAL FICTION'Mary Renault has made the classical era alive' GORE VIDAL'Her books have stood the test of time' INDEPENDENTThe artist flows into the mask the poet offers him; only so will the god possess him. Greece, fourth century BC. The golden age of theatre may be over, but Nikeratos still lives and breathes the stage. Finding work with a group of travelling actors, he discovers amongst their dusty props an old, discarded mask of Apollo.When a violent attack threatens the company mid-performance, the actors must go on: once the show ends, they know their lives are at stake. Seized by inspiration, Niko dons the golden mask and feels the powerful words of Apollo coursing through him - spurring the defenders to victory.But Greece is racked by political struggles, and as his fame grows Niko finds himself caught in the crossfire, a pawn in a game of tyrants. And all the while, the mask gains power - becoming his conscience, keeper of his secrets and, ultimately, the maker of his gravest choice. 'To Mary Renault, we are all Ancient Greeks, and that is the secret of her novels' brilliance' CHARLOTTE MENDELSON'Renault has few peers in the art of reconstructing and making utterly convincing the people and places of classical times . . . a superbly controlled performance' NEW YORK TIMES'An important and wonderful writer . . . she set a course into serious-minded, psychologically intense historical fiction that today seems more important than ever' GUARDIAN

'The Alexander Trilogy contains some of Renault's finest writing. Lyrical, wise, compelling: the novels are a wonderful imaginative feat' SARAH WATERS'The Alexandriad is one of the twentieth century's most unexpectedly original works of art' GORE VIDALIn the first novel of her stunning trilogy, Mary Renault vividly imagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legendAlexander's beauty, strength and defiance were apparent from birth, but his boyhood honed those gifts into the makings of a king. His mother and father, Olympias and King Philip of Macedon, fought each other for their son's loyalty, teaching Alexander politics and vengeance from the cradle. Hephaistion's love taught him trust, while Aristotle's tutoring provoked his mind and Homer's Iliad fuelled his aspirations. At age twelve, he killed his first man in battle; at sixteen, he became regent; at eighteen, commander of Macedon's cavalry; and by the time his father was murdered, Alexander's skills had grown to match his fiery ambition.SHORTLISTED FOR THE 1970 LOST BOOKER PRIZE. INTRODUCED BY TOM HOLLAND.'This is not just a novel: it's also the best imagining we are ever likely to have of a man who tore up history' EMILY WILSON, GUARDIAN'The Alexander Trilogy stands as one of the most important works of fiction in the twentieth century' ANTONIA SENIOR, THE TIMES

AN ODYSSEY OF ART AND POWER, BY THE CLASSIC QUEEN OF ANCIENT GREEK RETELLINGS'Mary Renault is an exceptional storyteller' CHARLOTTE MENDELSON'A song of praise, a work of love, a serene, deliberate book, full of wisdom, rich in character, incident and description' WALL STREET JOURNALEach generation has its own dream of beauty. I have lived long enough to watch it change.At a local wedding on the isle of Keos, farmer's son Simonides is mesmerised by the performance of a renowned Ionian bard. Simonides' own voice is as beautiful as his appearance is ugly, yet his singing has been confined to hours spent alone in the mountains. But now, seeing a way to a new life, he begs to become the singer's apprentice.Before long, his fame propels him to the heart of classical Greece in fifth century BC - a time of political upheaval, of Athenian tyrants, Persian invaders and pirate kings. As art and power intertwine, Simonides must use all his wit and talent to compete with his flamboyant rival, Anacreon, and keep his songs alive.'Her characters live vividly in their own time, and in ours' MADELINE MILLER'As a historical novelist witing about the ancient world, Mary Renault has few peers' NEW YORK TIMES BOOK REVIEW

'The Alexander Trilogy contains some of Renault's finest writing. Lyrical, wise, compelling: the novels are a wonderful imaginative feat' SARAH WATERSThe heavens say it begins with the death of the King . . . Alexander the Great, conqueror of an empire stretching from Greece to Egypt to India, is dead at the age of thirty-three. His only direct heirs are two unborn sons, and every long-simmering faction is poised to explode into the vacuum of power. As his wives, distant relative and generals vie for the loyalty of the increasingly undisciplined Macedonian army, with fatal results, Alexander's fragile empire is torn to pieces - but his legend will endure across worlds he had only imagined.In the final novel of her stunning trilogy, Mary Renault vividly reimagines the life of Alexander the Great, the charismatic leader whose drive and ambition created a legend. 'Brilliant and brutal... she has retained her unnerving genius for making the remote past live without diminishing its remoteness and alien glitter' SUNDAY TIMES'Discerning, sure-footed, challenging our values, piquing our curiosity, she leads us through an alien landscape that moves and delights us' HILARY MANTEL'The Alexander Trilogy stands as one of the most important works of fiction in the twentieth century' ANTONIA SENIOR

'Mary Renault's portraits of the ancient world are fierce, complex and eloquent, infused at every turn with her life-long passion for the Classics' Madeline Miller, bestselling author of CirceThe true parentage of Theseus, grandson of the King of Troizon, has always been shrouded in mystery. Rumours swirl that his father is Poseidon himself. But when he learns the truth - that he is the son and heir of Aegeus, King of Athens - Theseus sets out on a quest to claim his birthright. But his journey is a perilous one, from encounters with bandits to marriage to the Queen of Eleusis, whose consort is sacrificed each year - and, finally, to the labyrinthine palace of King Minos on Crete. There Thesues must enlist the help of high priestess Ariadne in a darling plan to slay the Minotaur - and free his people. Thrilling, immersive and gorgeously told, Mary Renault's classic novel is a unforgettable reimagining of the timeless Greek myth. *'Mary Renault is a shining light to both historical novelists and their readers' Hilary Mantel, bestselling author of Wolf Hall'This brilliant retelling of the story of Theseus, the king of Athens, brings Greek mythology vividly to life and remains "one of the truly fine historical novels of modern times"' New York Times

'The Charioteer remains compelling both as a snapshot of a particular - and particularly fascinating - cultural moment, and as a deeply romantic story of love fulfilled against the odds. It has all those qualities that make Mary Renault so memorable as a novelist: craft, subtlety, intelligence, and a terrific natural sympathy with the intricacies of honour and desire' SARAH WATERS'An explosive and courageous book' SIMON RUSSELL BEALEFirst published in 1953, The Charioteer is a tender, intelligent coming-of-age novel and a bold, unapologetic portrayal of homosexuality that stands with Gore Vidal's The City and the Pillar and James Baldwin's Giovanni's Room as a landmark work in gay literature.Injured at Dunkirk, Laurie Odell, a young corporal, is recovering at a rural veterans' hospital. There he meets Andrew, a conscientious objector serving as an orderly, and the men find solace in their covert friendship. Then Ralph Lanyon appears, a mentor from Laurie's schooldays. Through him, Laurie is drawn into a tight-knit circle of gay men for whom liaisons are fleeting and he is forced to choose between the ideals of a perfect friendship and the pleasures of experience.'Emotionally intelligent, beautifully written and deeply moving, it transcends categorisations' Telegraph

In two remarkable historical novels, Mary Renault fashions from the myth of Theseus a convincingly flawed hero and weaves a thrillingly plausible account of the Labyrinth and the infamous Minotaur. The King Must Die follows the young Theseus as he discovers that his true father is the King of Athens, and volunteers to join the annual tribute of Athenian girls and youths sacrificed to a bull-worshipping cult on the island of Crete. Trapped in the labyrinthine palace of King Minos, Theseus enlists the help of high priestess Ariadne in a daring plan to free his people. The Bull From the Sea begins after Theseus's triumphal return to Athens. He is now king, but his confidence will be shaken by a life-changing encounter with the queen of the Amazons, the birth of a son who will insist on choosing his own path, and the tragic results of his wife's treachery. Renault's deep knowledge of the Greek world, her sure grasp of psychology and genius for inspired speculation bring the distant world of the legendary past enthrallingly to life.

Vivian, a student nurse, chose her profession as a challenge, both to her spirit and to her permanently exhausted body; Mic immerses himself in his work at the hospital to ward off the emotional wounds of an unhappy childhood. Through Jan, Viv's beloved older brother, they meet, and their friendship turns into a secret romance. Secret because, if discovered, it would cost them their jobs.Despite the discipline and rigid hierarchy imposed by the hospital, their passion takes root, but between them hangs the tantalising and enigmatic shadow of Jan.

Elsie, sheltered and naive, is seventeen and unhappy. Stifled by life with her bickering parents in a bleak Cornish village, she falls in love with the first presentable young man she meets - Peter, an ambitious London doctor. On his advice she runs away from home and goes to live with her sister Leonora, who escaped eight years earlier. But there are surprises in store for conventional Elsie as her sister has a rather bohemian lifestyle: not only does Leo live in a houseboat on the Thames where she writes Westerns for a living, she shares her boat - and her bed - with Helen. When Peter pays a visit, turning his attention from one 'friendly young lady' to the next, he disturbs the calm for each of them - with results unforeseen by all . . .Mary Renault wrote this delightfully provocative novel in 1943 partly in answer to the despair characteristic of Radclyffe Hall's The Well of Loneliness. The result is this witty and stylish social comedy.