Matthew Hughes – författare

This edited collection examines the British ‘way’ in counter-insurgency. It brings together and consolidates new scholarship on the counter-insurgency associated with the end of empire, foregrounding a dark and violent history of British imperial rule, one that stretched back to the nineteenth century and continued until the final collapse of the British Empire in the 1960s. The essays gathered in the collection cover the period from the late nineteenth century to the 1960s; they are both empirical and conceptual in tone.

This edited collection pivots on the theme of the nature of the force used by Britain against colonial insurgents. It argues that the violence employed by British security forces in counter-insurgency to maintain imperial rule is best seen from a maximal perspective, contra traditional arguments that the British used minimum force to defeat colonial rebellions. Case studies are drawn from across the British Empire, covering a period of some hundred years, but they concentrate on the savage wars of decolonisation after 1945. The collection includes a historiographical essay and one on the ‘lost’ Hanslope archive by the scholar chosen by the Foreign and Commonwealth Office to manage the release of the papers held.

This book was published as a special issue of Small Wars and Insurgencies.

This edited collection examines the British ‘way’ in counter-insurgency. It brings together and consolidates new scholarship on the counter-insurgency associated with the end of empire, foregrounding a dark and violent history of British imperial rule, one that stretched back to the nineteenth century and continued until the final collapse of the British Empire in the 1960s. The essays gathered in the collection cover the period from the late nineteenth century to the 1960s; they are both empirical and conceptual in tone.

This edited collection pivots on the theme of the nature of the force used by Britain against colonial insurgents. It argues that the violence employed by British security forces in counter-insurgency to maintain imperial rule is best seen from a maximal perspective, contra traditional arguments that the British used minimum force to defeat colonial rebellions. Case studies are drawn from across the British Empire, covering a period of some hundred years, but they concentrate on the savage wars of decolonisation after 1945. The collection includes a historiographical essay and one on the ‘lost’ Hanslope archive by the scholar chosen by the Foreign and Commonwealth Office to manage the release of the papers held.

This book was published as a special issue of Small Wars and Insurgencies.

Wise, witty and just a little weird, FOOLS ERRANT wryly strolls the satirical path laid down by Douglas Adams, Terry Pratchett and Jack Vance, heralding the brilliant debut of a gifted new voice. Foppish young Filidor Vesh wants only to dally among his shallow pastimes. But a simple errand for his uncle, the vaguely all-powerful Archon of those parts of Old Earth still populated by human beings, becomes a frenetic odyssey across a planet speckled with eccentric nations pursuing odd aims with intense determination. Harried at every step by the irascible dwarf, Gaskarth, and frequently at the peril of wild beasts, enraged mobs and a particularly nasty thaumaturge, Filidor makes a relucant progress toward a final encounter with an ancient and possibly world-ending evil.Praise for Matthew Hughes:"Matthew Hughes does Jack Vance better than anyone except Jack himself" - George R.R. Martin"Heir apparent to Jack Vance" - Booklist"Hughes''s boldness is admirable"- New York Review of Science Fiction"Hughes effortlessly renders fantastic worlds and beings believable"- Publishers Weekly"A towering talent"- Robert J. Sawyer"A treasure" - David Gerrold

In another sparkling and slightly askew adventure in the mode of Terry Pratchett, Douglas Adams and Jack Vance, Fools Errant''s Filidor Vesh sashays once more through the penultimate age, finding that love is a many splintered thing. The dandified Archon''s apprentice is literally bowled over by beautiful Emmlyn Podarke -- she knocks him flat and steals his credentials, daring him to pursue her to a remote and mostly forgotten corner of Old Earth. Now Filidor must cope with philosophical pirates, prophet-seeking aliens, light-fingered mummers, and a tiny, bothersome voice in his left ear. Meanwhile, the Archon may or may not have been kidnaped, and somebody''s digging up a mysterious ancient artefact buried on the Podarke family farm.Praise for Matthew Hughes:"Matthew Hughes does Jack Vance better than anyone except Jack himself" - George R.R. Martin"Heir apparent to Jack Vance" - Booklist"Hughes''s boldness is admirable"- New York Review of Science Fiction"Hughes effortlessly renders fantastic worlds and beings believable"- Publishers Weekly"A towering talent"- Robert J. Sawyer"A treasure" - David Gerrold

THE TALES OF HENGHIS HAPTHORNHenghis Hapthorn is the foremost penetrator of mysteries and uncoverer of secrets in a decadent, far-future Old Earth, one age before Jack Vance''s Dying Earth. A superb rationalist, he has long disdained the notion that the universe has an alternative organizing principle: magic. But now a new age is dawning, overturning the very foundations of Hapthorn''s existence, and he must struggle to survive in a world where all the rules are changing.In MAJESTRUM, Hapthorn is on the trail of an unknown killer who collects body parts from his victims. The search leads him off-planet, into the Ten Thousand Worlds of The Spray, then turns in an unexpected direction as the freelance discriminator learns that an ancient and evil power is plotting to reassert its dominion over Old Earth.Praise for Matthew Hughes:"Matthew Hughes does Jack Vance better than anyone except Jack himself" - George R.R. Martin"Heir apparent to Jack Vance" - Booklist"Hughes''s boldness is admirable"- New York Review of Science Fiction"Hughes effortlessly renders fantastic worlds and beings believable"- Publishers Weekly"A towering talent"- Robert J. Sawyer"A treasure" - David Gerrold

It was bad enough when Henghis Hapthorn, Old Earth''s foremost discriminator and die-hard empiricist, had to accept that the cosmos was shortly to rewrite its basic operating system, replacing rational cause-and-effect with detestable magic. Now he finds himself cast forward several centuries, stranded in a primitive world of contending wizards and hungry dragons, and without his magic-savvy alter ego. Worse, some entity with a will powerful enough to bend space and time is searching for him through the Nine Planes, bellowing "Bring me Apthorn!" in a voice loud enough to frighten demons.Praise for Matthew Hughes:"Matthew Hughes does Jack Vance better than anyone except Jack himself" - George R.R. Martin"Heir apparent to Jack Vance" - Booklist"Hughes''s boldness is admirable"- New York Review of Science Fiction"Hughes effortlessly renders fantastic worlds and beings believable"- Publishers Weekly"A towering talent"- Robert J. Sawyer"A treasure" - David Gerrold

When professional duelist Conn Labro escapes indentured servitude as the star player of Horder''s Emporium, he abandons the gaming world of Thrais and sets out on an interstellar journey filled with murder, deceit, and self-discovery. His only friend on Thrais, discovered dead and tortured, left him enough money to buy himself out of his contract and a curious encrypted "bearer deed" to a mysterious property on the distant edge of the galactic Spray. With the seductive, secretive showgirl Jenore Mordene at his side and a villainous pleasure cult dogging his every move, Labro sets out to learn the truth behind his bearer deed and more about his own past than he had ever dared bargain for.Praise for Matthew Hughes:"Matthew Hughes does Jack Vance better than anyone except Jack himself" - George R.R. Martin"Heir apparent to Jack Vance" - Booklist"Hughes''s boldness is admirable"- New York Review of Science Fiction"Hughes effortlessly renders fantastic worlds and beings believable"- Publishers Weekly"A towering talent"- Robert J. Sawyer"A treasure" - David Gerrold