Matthew Spender – författare

An intimate portrait of Stephen Spender’s extraordinary life written by Matthew Spender, shifting between memoir and biography, with new insights drawn from personal recollections and his father’s copious unpublished archives.Stephen Spender’s life was a vivid prism on the twentieth century. Having met Auden and Isherwood at Oxford, he joined the early vocal critics of Hitler participated in the Spanish Civil War. His efforts there became distracted by the need to save his lover from being shot as a deserter, and by the outbreak of the Second World War he was judged unfit to fight. He served instead as a fireman and later produced propaganda for the war effort – establishing a mysterious connection with the Foreign Office which has generated much speculation until now. Examining the growth of Spender’s literary reputation and his later encounters with the CIA, this book sheds new light on his career.Always susceptible to the allure of young men, Spender remained married to his second wife, Natasha Litvin, but continued to believe in male relationships as an essential creative inspiration. In tension with Natasha’s career as a musician after the birth of their two children, a considerable creative tension developed in the household. Stoical in her suffering, Natasha began to agonise over their marriage during her close friendship with Raymond Chandler.Insightful and revelatory, `A House in St John’s Wood’ is the portrait of a marriage, a movement and a father whose complex brilliance continues to be felt widely – and among those closest to him.

An intimate portrait of Stephen Spender’s extraordinary life written by Matthew Spender, shifting between memoir and biography, with new insights drawn from personal recollections and his father’s copious unpublished archives.Stephen Spender's life is a vivid snapshot of the twentieth century. Making friends with Auden and Isherwood while at Oxford, together they enjoyed adventures in Europe, becoming early opponents of the rise of fascism. Whilst pioneering modern poetry, Stephen later produced propaganda for the war effort – establishing an enduring reputation for mysterious activity. Despite marrying Natasha Litvin, an ambitious young concert pianist, Stephen was often entangled with young men and never able to reveal his secrets, leaving her to introspective questions, as the artistic world of London circled them. In this elegant memoir, his son Matthew offers an intimate portrait of a father, a marriage and an extraordinary life.

An intimate portrait of Stephen Spender’s extraordinary life written by Matthew Spender, shifting between memoir and biography, with new insights drawn from personal recollections and his father’s copious unpublished archives.Stephen Spender’s life was a vivid prism on the twentieth century. Having met Auden and Isherwood at Oxford, he joined the early vocal critics of Hitler participated in the Spanish Civil War. His efforts there became distracted by the need to save his lover from being shot as a deserter, and by the outbreak of the Second World War he was judged unfit to fight. He served instead as a fireman and later produced propaganda for the war effort – establishing a mysterious connection with the Foreign Office which has generated much speculation until now. Examining the growth of Spender’s literary reputation and his later encounters with the CIA, this book sheds new light on his career.Always susceptible to the allure of young men, Spender remained married to his second wife, Natasha Litvin, but continued to believe in male relationships as an essential creative inspiration. In tension with Natasha’s career as a musician after the birth of their two children, a considerable creative tension developed in the household. Stoical in her suffering, Natasha began to agonise over their marriage during her close friendship with Raymond Chandler.Insightful and revelatory, ‘A House in St John’s Wood’ is the portrait of a marriage, a movement and a father whose complex brilliance continues to be felt widely – and among those closest to him.

An immigrant from a small Armenian village in eastern Turkey, Arshile Gorky (c. 1900-1948) made his way to the U.S. to become a painter in 1920. Having grown up haunted by memories of his alternately idyllic and terrifying childhood - his family fled the Turks' genocide of Armenians in 1915 - he changed his name and created a new identity for himself in America. As an artist, Gorky bridged the generation of the surrealists and that of the abstract expressionists and was a very influential figure among the latter. His work was an inspiration to Willem de Kooning and Mark Rothko, among others. Matthew Spender illuminates this world as he tells the story of Gorky's life and career.

Featuring never-before-seen materials, The Plow and the Song chronicles the remarkable life of abstract expressionist painter Arshile Gorky.A remarkable addition to the ever-evolving scholarship on Arshile Gorky, The Plow and the Song: A Life in Letters and Documents chronicles the artist's life and work through his personal letters, correspondence between friends and family, and key contemporary reviews. The publication features never-before-published materials, including diary entries from Gorky's late wife, as well as letters and archival images.