Max Brzezinski – författare

Today, Vinyl is shorthand for cool. Even with millions of songs available at the click of a mouse, music fans know that there's nothing like the tactile pleasure of a record. And, rather than killing vinyl, digital technology has elevated the art of record collecting into a new and vibrant age.Vinyl Age is the definitive record collecting guidebook for the digital era. Written by expert Max Brzezinski and his highly experienced colleagues at Carolina Soul, Vinyl Age combines an engaging narrative, incisive analysis, and a modern design to reveal the joys and explain the complexities of the contemporary vinyl scene. For aspiring crate diggers, this guide will provide an invaluable big-picture understanding of the vinyl economy, while OG vinyl heads will discover nascent musical genres, new breeds of collector, and models for adapting to the future of record collecting. To the rest of us, Vinyl Age offers an anatomy of an iconic medium and its growing subculture, its rapid transformation and lasting appeal.

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made “Under Pressure.” Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track’s story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, “Under Pressure” harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury’s phrase, under pressure.

In 1981, David Bowie and Queen both happened to be in Switzerland: They met and made “Under Pressure.” Recorded on a lark, the song broke the path for subsequent pop anthems. In Under Pressure, Max Brzezinski tells the classic track’s story, charting the relationship between pop music, collective politics, and dominant institutions of state, corporations, and civil society. Brzezinski shows that, like all great pop anthems, “Under Pressure” harnesses collective sentiments in order to model new ways of thinking and acting. As we continue to live under the sign of the global oppressive power the song names, analyzes, and attempts to move beyond, we remain, in Bowie and Freddie Mercury’s phrase, under pressure.