Maxim Gorky – författare

Coloured by poverty and horrifying brutality, Gorky's childhood equipped him to understand - in a way denied to a Tolstoy or a Turgenev - the life of the ordinary Russian. After his father, a paperhanger and upholsterer, died of cholera, five-year-old Gorky was taken to live with his grandfather, a polecat-faced tyrant who would regularly beat him unconscious, and with his grandmother, a tender mountain of a woman and a wonderful storyteller, who would kneel beside their bed (with Gorky inside it pretending to be asleep) and give God her views on the day's happenings, down to the last fascinating details. She was, in fact, Gorky's closest friend and the epic heroine of a book swarming with characters and with the sensations of a curious and often frightened little boy. My Childhood, the first volume of Gorky's autobiographical trilogy, was in part an act of exorcism. It describes a life begun in the raw, remembered with extraordinary charm and poignancy and without bitterness. Of all Gorky's books this is the one that made him 'the father of Russian literature'.

A brief profile of the Russian writer prefaces the texts of three plays characterized by their realistic portrayal of Russian life.

One of the most renowned Soviet writers of the twentieth century, Maxim Gorky was an early supporter of the Bolsheviks who became disillusioned with the turn of events after the 1917 revolution. This brilliant and controversial book is a collection of the critical articles Gorky wrote that describe the Russian national character, condemn the Bolshevik methods of government, and provide a vision of the future.

Superb new translations of Gorky’s classic memoirs of Tolstoy and other remarkable Russians, along with unforgettable characterizations of Gorky himself by his contemporariesMaxim Gorky (1868-1936) enjoyed worldwide fame of a kind unmatched by that of any other writer in the first half of the twentieth century. Prodigiously gifted and prolific, riddled with contradictions, praised increasingly for political rather than literary reasons, he left a vast body of writing that contains acknowledged masterpieces alongside many currently neglected works that still await impartial assessment.Taken together, the pieces in this book (many of them based on fuller texts than those of previously published translations) present a surprising and unfamiliar Gorky—a figure who, once the clichés are stripped away from him, becomes ever more fascinating and enigmatic as man, as writer, and as historical figure. Among the volume’s selections are portraits of Gorky by four particularly astute observers: poet Vladislav Khodasevich, critics Boris Eikhenbaum and Georgy Adamovich, and novelist Evgeny Zamiatin.Fanger’s generous annotations and brilliant introduction will make this book indispensable to every reader with an interest in Tolstoy, Gorky, modern Russian literature and politics, or the art of the memoir.

Modern accurate and stageable translations of five of Gorky's plays This volume includes Gorky's major works for the theatre. The Lower Depths, first staged by the Moscow Art theatre in 1902, portrays a cast of down and outs living in the underbelly of Russian society; Summerfolk depicts a society after the disintegration of feudalism with a new class of businessmen, intellectuals and professionals. Children of the Sun was completed in prison in 1905 and premiered in St Petersburg in the same year, St Petersburg critic Alexander Kugel wrote: "If Summerfolk boxed the ears of the intelligentsia, the Children of the Sun spits in their face"; Barbarians looks at the tragedy of an individual caught between opposing forces in a society on the brink of revolution - Lenin's future Minister of Culture, Alexander Kugel wrote: "Gorky helps us to understand and assess the mighty phenomenon of this war between two forms of barbarism through the direct experience of real people"; Enemies looks at the struggle between workers and industrialists and has been described as "the missing link between Chekhov and the Russian revolution" (Observer)

Writers-Files is an important series documenting the work of major dramatists of the last hundred years. Each volume contains a comprehensive checklist of all the writer's plays, with a detailed performance history, excerpted reviews and a selection of th Imprisoned for his revolutionary activities and championed by Checkov, Maxim Gorky ("the bitter") had his first play produced by the Moscow Art Theatre in 1902. Chekhov wrote, "Gorky is the first in Russia and the world at large to have expressed contempt and loathing for the petty bourgeoisie and he has done it at the precise moment when Russia is ready for protest." Among Gorky's most important plays are Philistines, The Lower Depths and Barbarians."Methuen are to be congratulated on launching this series...extremely useful to theatre professionals as well as to students and teachers of drama" (David Bradby, Speech and Drama)

Four key new translations of plays (including three previously unpublished works) written at the turn of the 20th century, charting the descent of Russia into revolution Hailed by Chekhov as the voice of his time, Gorky's four plays offer a panoramic view of Russia in the throes of revolution. THE ZYKOVS is set shortly before the Bolshevik Revolution of October 1917. Antipa Zykov is a merchant adventurer. His young wife, Pavla is an unworldly convent-bred girl, too weak to realise these ideals in her stormy marriage. EGOR BULYCHOV is set on the eve of revolution as the rich businessman of the title is given power, after the Tsar's abdication. But the songs of the demonstrating crowds outside his window show that his days are numbered. Subtitled 'The Mother' and hugely controversial at the time of its first production VASSA ZHELEZNOVA, is a tragic portrait of a woman with an iron will determined to root out the corruption in her family in order to keep control of the family business. Written during his most religious phase, THE LAST ONES is about a corrupt police chief and his family who face death at the hands of revolutionaries as he tries to fight back by lynching a young man.

1905. Russia is at a turning point. Zakhar Bardin is from the landowning class, but is now the uneasy owner of a factory. His managing director is determined to face down militant workers on a point of principle. But the shutting of the business has tragic consequences for everyone concerned.Gorky's extraordinary play, which was written in exile and banned in his home country, presents a panoramic view of a restless society, with a bourgeoisie no longer sure of its own values, and a working class steadily facing up to the terrifying sacrifices ahead. Described by Ronald Bryden in the Observer in 1971 as 'a real discovery . . . the missing link between Chekhov and the Russian revolution', Enemies has a dramatic breadth, humour and ambition unique to Gorky. Maxim Gorky's Enemies is adapted by David Hare and premiered at the Almeida Theatre, London, in May 2006.

Sung at a funeral and a wedding today. The full gamut of the human experience from the ridiculous to the utterly pointless. A restless bunch of young radicals hang out, have sex, dance, drink, moan and philosophise at the home of a prosperous decorator. While Pyotr, a sometime student of law, falls for the lovely, loose-living lodger, his sister carps on about the tedium of life, lusts after Nil - who's blind to her charms but in pursuit of the servant - and botches her own suicide. Life. People shout, fight, eat and go to bed. When they wake up? They start shouting again. In this house everything fades quickly. Tears, laughter. Everything. Dissipates. The last sounds ringing out over the lake. Then nothing. A banal hum. A household falls to pieces as the personal and political turmoil of pre-revolutionary Russia gathers pace. Gorky's darkly comic first play of 1902, banned from public performance under the Czarist regime, is seen here in an exuberant new version by Andrew Upton.Philistines premiered at the National Theatre, London, in May 2007.

"The stories come from all over the world and represent many genres, such as parables, animal fables, historical fiction, fairy tales, and Christian fantasy. Definitely read these stories at Easter, but keep the book close and pull it out whenever you and your family need a reminder of the great Easter themes of transformation, reconciliation and the triumph of life over death."—National Catholic RegisterEveryone who believes Easter is about more than bunnies and eggs will be grateful for this new collection of short stories that shed light on the deeper meaning of the season. Selected for their spiritual value and literary quality, these classic tales capture the spirit of Easter in a way that will captivate readers of all ages. Parents and grandparents will find that children love to hear these stories read aloud, year after year.Easter Stories includes time-honored favorites from world-famous storytellers such as C.S. Lewis, Leo Tolstoy, Selma Lagerlof, Oscar Wilde, Elizabeth Goudge, Maxim Gorky, Ruth Sawyer, and Walter Wangerin – as well as many you’ve never heard before. Illustrated with original woodcuts.

I am attempting to colonise the last frontier. Time, Elena, time. If we could inhabit different iterations of self, we could undo all the mistakes of the past. Don’t you see?Hilary Fannin’s radical adaptation of Maxim Gorky’s classic 1905 dark comedy reworks the original text and draws it into the here and now. Children of the Sun is the story of a small family and their quixotic collection of acquaintances, entertaining and enraging each other while, unseen beyond their fragile walls, their world is being reshaped by unstoppable forces. The play asks how we survive without the benefit of hindsight and whether science, art or love are capable of saving us from uncertainty and destruction. Co-produced by Rough Magic and the Abbey Theatre, Children of the Sun premiered on the Abbey stage as part of Rough Magic’s 40th-anniversary year in April 2024. This edition was published to coincide with that production.