Melissa Meriam Bullard – författare

Filippo Strozzi (1489-1538), the Florentine aristocrat and banker, is usually remembered for the dramatic exploits at the end of his life. Forced into exile, he became an outspoken defender of the last Florentine Republic against the tyranny of the city's new dukes. His place in Florentine history, however, changes drastically when we focus not on his final years but on his extensive career as a Medici favourite and loyal financier. At the courts of the Medici popes he furthered the grandiose schemes of Leo X and Clement VII and accumulated a personal fortune of legendary size. Dr Bullard's study reassesses Strozzi's place in Renaissance history and considers the more general problems of paper economy and war finance, and Florentine political life, in the early sixteenth century. It documents the intricate financial ties between Florence and the papal court, and Strozzi's key role as a manipulator of the city's public funds to pay for papal wars.

This book shows how modern Brooklyn’s proud urban identity as an arts-friendly community originated in the mid nineteenth century.  Before and after the Civil War, Brooklyn’s elite, many engaged in Atlantic trade, established more than a dozen cultural societies, including the Philharmonic Society, Academy of Music, and Art Association.  The associative ethos behind Brooklyn’s fine arts flowering built upon commercial networks that joined commerce, culture, and community.  This innovative, carefully researched and documented history employs the concept of parallel Renaissances.  It shows influences from Renaissance Italy and Liverpool, then connected to New York through regular packet service like the Black Ball Line that ferried people, ideas, and cargo across the Atlantic.  Civil War disrupted Brooklyn’s Renaissance.  The city directed energies towards war relief efforts and the women’s Sanitary Fair.  The Gilded Age saw Brooklyn’s Renaissance energies diluted by financial and political corruption, planning the Brooklyn Bridge and consolidation with New York City in 1898.

This book shows how modern Brooklyn’s proud urban identity as an arts-friendly community originated in the mid nineteenth century.  Before and after the Civil War, Brooklyn’s elite, many engaged in Atlantic trade, established more than a dozen cultural societies, including the Philharmonic Society, Academy of Music, and Art Association.  The associative ethos behind Brooklyn’s fine arts flowering built upon commercial networks that joined commerce, culture, and community.  This innovative, carefully researched and documented history employs the concept of parallel Renaissances.  It shows influences from Renaissance Italy and Liverpool, then connected to New York through regular packet service like the Black Ball Line that ferried people, ideas, and cargo across the Atlantic.  Civil War disrupted Brooklyn’s Renaissance.  The city directed energies towards war relief efforts and the women’s Sanitary Fair.  The Gilded Age saw Brooklyn’s Renaissance energies diluted by financial and political corruption, planning the Brooklyn Bridge and consolidation with New York City in 1898.