Michael Billington – författare

Michael Billington's engrossing biography examines Pinter's work in the context of his life. Through extended conversations with Pinter and interviews with his friends and colleagues, Billington creates a portrait of the man as well as the artist, from Pinter's Hackney childhood to his Nobel Prize, discussing his writing for stage and screen, as well as his fiction and poetry, his acting and directing, his political activity, his friendships, his two marriages and his passion for cricket. He emerges as a man of infinite complexity whose imaginative world is shaped by his private character. This new edition includes a full transcript of the Nobel lecture, as well as an additional chapter written in the aftermath of Harold Pinter's death in December 2008. 'The foremost representative of British drama in the second half of the twentieth century.' The Swedish Academy citation on awarding Harold Pinter the Nobel Prize for Literature, 2005'Enthralling... An open-sesame into Pinter's work... A valuable book. And absorbing: I found it virtually unputdownable.' Financial Times'No reader of this book will doubt that its subject is a man of the highest artistic stature.' Sunday Telegraph

The townships of Urmston, Flixton and Davyhulme nestle neatly in a triangular area bordered on the south by the River Mersey, on the north-west by the River Irwell/Manchester Ship Canal and on the east by the M60 motorway. In this, the first substantial book on the area since 1898, local historian Michael Billington draws on census records, newspaper reports, antiquarian books, church accounts, Victorian church magazines, trial records, OS maps, burial records, Industrial School Act records and conversations with local historians and residents. The author, himself an Urmstonian, takes the reader on a journey of discovery in his portrayal of old houses (many now demolished due to disrepair or to make way for the motorway), churches, farms, weaving, the arrival of the railway, children and education, entertainment, sport, customs, culture, the war years and more. There are many previously unpublished photographs, maps and stories to take older residents on a nostalgic journey down memory lane whilst also introducing younger readers to a fascinating trio of townships some seven miles or so to the south-west of Manchester, itself immersed in the glory of the Industrial Revolution.

"The best theatrical read of the year." – British Theatre GuideA book of selected theatre reviews from 1992 to 2020 from one of the foremost authorities on British theatre. Each chapter starts with a brief commentary on the developments of that era and the social, political and cultural context within which British theatre was being produced. Key obituaries and letters in response to reviews written are also included, providing a rich collection of curated archival material.Following on from his first collection, One Night Stands, Michael Billington''s chronicle offers a rich, authoritative insight into British theatre over the last 3 decades from his unique professional perspective. It begins with Tony Kushner''s UK premiere of Angels in America at the National Theatre in 1992 and culminates with Inua Ellams''s celebrated adaptation of Chekhov''s Three Sisters at the same venue almost 30 years later. En route, we''re exposed to the fallibility of theatre criticism through his much-regretted original criticism of Sarah Kane''s Blasted and its role in identifying major talents at the first opportunity. Having recently retired from his 48-year position as the Guardian newspaper''s drama critic during which time he wrote around 10,000 theatre reviews, Michael Billiington was Britain''s longest-serving theatre critic. Through his work, he was present at an eye-watering number of premieres during this time and witnessed first-hand the exciting developments in British theatre over the past 30 years and the substantial pressures it faced - never more so than today.

"The best theatrical read of the year." – British Theatre GuideA book of selected theatre reviews from 1992 to 2020 from one of the foremost authorities on British theatre. Each chapter starts with a brief commentary on the developments of that era and the social, political and cultural context within which British theatre was being produced. Key obituaries and letters in response to reviews written are also included, providing a rich collection of curated archival material.Following on from his first collection, One Night Stands, Michael Billington''s chronicle offers a rich, authoritative insight into British theatre over the last 3 decades from his unique professional perspective. It begins with Tony Kushner''s UK premiere of Angels in America at the National Theatre in 1992 and culminates with Inua Ellams''s celebrated adaptation of Chekhov''s Three Sisters at the same venue almost 30 years later. En route, we''re exposed to the fallibility of theatre criticism through his much-regretted original criticism of Sarah Kane''s Blasted and its role in identifying major talents at the first opportunity. Having recently retired from his 48-year position as the Guardian newspaper''s drama critic during which time he wrote around 10,000 theatre reviews, Michael Billiington was Britain''s longest-serving theatre critic. Through his work, he was present at an eye-watering number of premieres during this time and witnessed first-hand the exciting developments in British theatre over the past 30 years and the substantial pressures it faced - never more so than today.

A book of selected reviews from one of the foremost authorities on British theatre.Until his retirement in 2019, Michael Billington was Britain's longest-serving theatre critic, penning around 10,000 theatre reviews during his 48-year tenure as the Guardian's drama critic. He was present at an eye-watering number of premieres and witnessed first-hand the exciting developments in British theatre over the past 30 years, as well as the substantial pressures it faced - never more so than today.Following on from Billington's first collection One Night Stands, Affair of the Heart offers a rich, authoritative insight into British theatre over the last 3 decades from his unique professional perspective. It begins with Tony Kushner's UK premiere of Angels in America at the National Theatre in 1992 and culminates with Inua Ellams's celebrated adaptation of Chekhov's Three Sisters at the same venue almost 30 years later. En route, we're exposed to the fallibility of theatre criticism through his much-regretted original criticism of Sarah Kane's Blasted and its role in identifying major talents at the first opportunity.Starting each chapter is a brief commentary on the developments of that era and the social, political and cultural context within which this theatre was being produced. Also included are key obituaries and letters in response to reviews written, providing a rich collection of curated archival material.

Having surveyed post-war British drama in State of the Nation, Michael Billington now looks at the global picture. In this provocative and challenging new book, he offers his highly personal selection of the 101 greatest plays ranging from the Greeks to the present-day. But his book is no mere list. Billington justifies his choices in extended essays- and even occasional dialogues- that put the plays in context, explain their significance and trace their performance history. In the end, it's a book that poses an infinite number of questions. What makes a great play? Does the definition change with time and circumstance? Or are certain common factors visible down the ages? It's safe to say that it's a book that, in revising the accepted canon, is bound to stimulate passionate argument and debate. Everyone will have strong views on Billington's chosen hundred and one and will be inspired to make their own selections. But, coming from Britain's longest-serving theatre critic, these essays are the product of a lifetime spent watching and reading plays and record the adventures of a soul amongst masterpieces.

Having surveyed post-war British drama in State of the Nation, Michael Billington now looks at the global picture. In this provocative and challenging new book, he offers his highly personal selection of the 100 greatest plays ranging from the Greeks to the present-day. But his book is no mere list. Billington justifies his choices in extended essays- and even occasional dialogues- that put the plays in context, explain their significance and trace their performance history. In the end, it's a book that poses an infinite number of questions. What makes a great play? Does the definition change with time and circumstance? Or are certain common factors visible down the ages? It's safe to say that it's a book that, in revising the accepted canon, is bound to stimulate passionate argument and debate. Everyone will have strong views on Billington's chosen hundred and will be inspired to make their own selections. But, coming from Britain's longest-serving theatre critic, these essays are the product of a lifetime spent watching and reading plays and record the adventures of a soul amongst masterpieces.